switch allows a post-fader signal to be sent to the HEADPHONE OUTPUT (42) and the AFL/PFL LEVEL DISPLAY (45). A yellow LED above the switch indicates AFL (post-fader) engagement.

(47)L & R MASTER FADERS

These controls determine the level of the signal sent to the LEFT and RIGHT outputs respectively. As with all faders, the optimum setting is at unity gain (0).

(48)POWER LED

This green LED will illuminate when power is applied to the RQ 4300, indicating the unit is on.

REAR PANEL CONNECTIONS

MONO RIGHT

LEFT

INSERT

INSERT

INSERT

(TRS)

(TRS)

(TRS)

 

49

 

 

 

(UNBAL)

(UNBAL)

(UNBAL)

50

 

 

 

MONO

RIGHT

LEFT

OUT

OUT

OUT

51

 

 

 

(BAL)

(BAL)

(BAL)

 

57

 

 

 

POWER

 

 

 

58

 

 

 

 

100VAC

-240VAC

 

50/60 Hz

70 WATTS

 

52

 

 

53

 

 

RETURN 1

COMP 4 COMP 3 COMP 2 COMP 1

 

 

 

I/O

I/O

I/O

I/O

 

RIGHT

MONO/

 

 

 

 

 

 

LEFT

 

 

 

 

 

 

 

T=IN

T=IN

T=IN

T=IN

 

 

 

R=OUT

R=OUT

R=OUT

R=OUT

 

RIGHT

MONO/

(UNBAL)

(UNBAL)

(UNBAL)

(UNBAL)

 

 

LEFT

 

 

 

 

 

RETURN 2

SUB 4

SUB 3

SUB 2

SUB 1 54

OUT

OUT

OUT

OUT

55

(UNBAL)

(UNBAL)

(UNBAL)

(UNBAL)

(UNBAL)

(UNBAL)

AUX 6

AUX 5

AUX 4

AUX 3

AUX 2

AUX 1

56

OUT

OUT

OUT

OUT

OUT

OUT

 

 

 

(BAL)

(BAL)

(BAL)

(BAL)

 

(49)L, R, MONO INSERT

These 1/4" stereo (TRS) jacks, provided on the LEFT, RIGHT and MONO channels, allow an external device to be inserted into the signal path, pre-MASTER FADER. The tip carries the signal being sent and the ring is the signal return. A switch in the jack connects the send to the return if no plug is inserted. The signal must be returned to this jack when this feature is used. Failure to return the signal will result in no output.

(50)L, R, MONO UNBAL (UNBALANCED OUTPUT)

These 1/4" jacks allow output of an unbalanced signal and are provided for the LEFT, RIGHT and MONO channels.

(51)L, R, MONO BAL (BALANCED OUTPUT)

These XLR connectors allow output of a balanced signal and are also provided for the LEFT, RIGHT and MONO channels. The unbalanced and balanced outputs can be used simultaneously, but both output levels are controlled by the corresponding MASTER FADER.

(52)RETURN INPUTS

These 1/4" balanced (TRS) high-impedance inputs can be used as stereo or individual returns. Designed for effects return, they can also be used as additional stereo inputs. The MONO/LEFT input provides signal to both inputs if no connector is attached to the RIGHT jack. The tip is the positive input for both balanced and unbalanced use.

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Peavey RQ 4300 Series manual Rear Panel Connections

RQ 4300 Series specifications

The Peavey RQ 4300 Series is a versatile line of ultra-reliable mixing consoles designed to cater to a wide range of audio needs. Whether for live performances, studio recording, or installation in various venues, the RQ 4300 Series delivers exceptional audio quality and user-friendly features. One of the leading characteristics of this series is its robust construction, engineered to withstand demanding environments while ensuring longevity and stability.

At the heart of the RQ 4300 Series is a comprehensive input system that includes multiple channels with XLR and line inputs. This allows for seamless connections to microphones, instruments, and other audio sources. Each channel features a three-band EQ, giving users fine control over their audio mix. The EQ enables adjustments to boost or cut frequencies, assisting sound engineers in achieving the perfect tonal balance.

One standout feature of the RQ 4300 is its built-in effects processor. This processor offers a variety of effects ranging from reverb to delay, allowing users to enhance their sound without needing external effects units. This all-in-one approach simplifies the setup and reduces clutter in performance spaces or studios.

Additionally, the series incorporates Peavey’s high-quality preamps, known for their clarity and low noise levels. This ensures that every detail of the audio source is captured accurately, whether it's a subtle vocal nuance or the richness of an acoustic instrument. The RQ 4300’s dynamic range guarantees minimal distortion, maintaining audio fidelity throughout performances.

Another significant characteristic is the intuitive layout of controls. The console is designed for ease of use, with clear labeling and ergonomically placed faders and knobs. This user-centric design allows sound engineers to operate the console confidently, even during high-pressure situations like live shows.

Connectivity is further enhanced by the inclusion of stereo outputs, aux sends, and subgroups, which facilitate various routing options for mixed audio. This versatility supports diverse applications, making the RQ 4300 ideal for both novice users and experienced professionals.

In conclusion, the Peavey RQ 4300 Series stands out as a dependable choice for anyone in the audio industry. With its combination of rugged build quality, sophisticated features, and intuitive design, it empowers users to deliver outstanding sound in any setting. Whether for live sound reinforcement, studio tracking, or installation, the RQ 4300 is tailored to meet the demands of modern audio production.