ENGLISH

RQ™ 4300 SERIES

Reference Quality Recording and Sound Reinforcement Console

INTRODUCTION

Thank you for purchasing the RQ 4300 Series mixing console. The RQ 4300 represents years of experience in mixer engineering and offers incredible versatility through its flexible 13-bus design. Its impressive 4 SUB GROUPS, 6 AUX, L/R and MONO outputs place the RQ 4300 in a league of its own. Additionally, each SUB group features a high-quality dynamic compressor that can be used on the corresponding SUB mix, or can be patched to any channel INSERT. Compact package design and rugged construction make the RQ 4300 ideal for “the road” or for permanent installations. Covering both the RQ 4324 and the RQ 4332, this guide describes the features and controls found on your new mixer:

•24 (RQ 4324) or 32 (RQ 4332) input channels; each with GAIN, EQ, AUX and PAN controls, as well as SUB, L/R and MONO assign buttons

•Low-noise mic preamps and XLR connectors on each channel

•Balanced 1/4" LINE inputs on CHANNELS 1-22 (RQ 4324) or 1-30 (RQ 4332)

•INSERT jacks on CHANNELS 1-20 (RQ 4324) or 1-28 (RQ 4332)

•Innovative chassis design with recessed back panel connectors (ideal for desktop placement)

•Smooth, 60 mm CHANNEL, SUB, L/R and MONO faders

•Phantom power with separate activation switches and LEDs indicating operation on CHANNELS 1-16 or 17-24 (RQ 4324); 1-24 or 25-32 (RQ 4332)

•2 SUPER CHANNELS with PAD (-20 dB) and POLARITY buttons

•2 STEREO CHANNELS with 1/4" and RCA connectors

•6 AUX sends (4 balanced XLR)

•4 SUB groups with patchable dynamic compressors

•MUTE and PFL buttons, clip (PK) and signal (SIG) LEDs on all input channels

•Two RETURNs, each with switchable low-cut (150 Hz) filter, level control, bus assignment, mute and AFL

•PFL on all input channels

•AFL on all AUX SEND, RETURN, SUB and MONO channels

•Stereo HEADPHONE output

•BALANCED XLR and UNBALANCED 1/4" outputs for MONO, LEFT and RIGHT

•LEFT, RIGHT and MONO master INSERTS

•SUB group and MASTER CLIP LEDs sample at summing amp and post-FADER

EXPLANATION OF TERMS

BUSES – The signal paths through the mixer from the channels to the various outputs. The RQ 4300 Series mixer contains 13 different buses: L, R, MONO, SUBS 1-4, AUX 1-6.

SUB groups – The buses used to group channels together. This allows one fader to control a submix of many channels.

AUX sends – The buses used to route signals to effects and monitors from each channel. PRE means AUX level is not affected by fader setting; POST means AUX level is affected by fader setting.

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Peavey RQ 4300 Series manual Introduction, Explanation of Terms
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RQ 4300 Series specifications

The Peavey RQ 4300 Series is a versatile line of ultra-reliable mixing consoles designed to cater to a wide range of audio needs. Whether for live performances, studio recording, or installation in various venues, the RQ 4300 Series delivers exceptional audio quality and user-friendly features. One of the leading characteristics of this series is its robust construction, engineered to withstand demanding environments while ensuring longevity and stability.

At the heart of the RQ 4300 Series is a comprehensive input system that includes multiple channels with XLR and line inputs. This allows for seamless connections to microphones, instruments, and other audio sources. Each channel features a three-band EQ, giving users fine control over their audio mix. The EQ enables adjustments to boost or cut frequencies, assisting sound engineers in achieving the perfect tonal balance.

One standout feature of the RQ 4300 is its built-in effects processor. This processor offers a variety of effects ranging from reverb to delay, allowing users to enhance their sound without needing external effects units. This all-in-one approach simplifies the setup and reduces clutter in performance spaces or studios.

Additionally, the series incorporates Peavey’s high-quality preamps, known for their clarity and low noise levels. This ensures that every detail of the audio source is captured accurately, whether it's a subtle vocal nuance or the richness of an acoustic instrument. The RQ 4300’s dynamic range guarantees minimal distortion, maintaining audio fidelity throughout performances.

Another significant characteristic is the intuitive layout of controls. The console is designed for ease of use, with clear labeling and ergonomically placed faders and knobs. This user-centric design allows sound engineers to operate the console confidently, even during high-pressure situations like live shows.

Connectivity is further enhanced by the inclusion of stereo outputs, aux sends, and subgroups, which facilitate various routing options for mixed audio. This versatility supports diverse applications, making the RQ 4300 ideal for both novice users and experienced professionals.

In conclusion, the Peavey RQ 4300 Series stands out as a dependable choice for anyone in the audio industry. With its combination of rugged build quality, sophisticated features, and intuitive design, it empowers users to deliver outstanding sound in any setting. Whether for live sound reinforcement, studio tracking, or installation, the RQ 4300 is tailored to meet the demands of modern audio production.
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