STANDARD CHANNELS

[CHANNELS 1 — 20 (RQ 4324) AND 1 — 28 (RQ 4332)]

REAR PANEL CONNECTIONS

TIP=SEND RING=RETURN SLEEVE=GROUND)

(1)

INSERT

 

This jack is a 1/4" Tip/Ring/Sleeve (TRS)

 

connection that allows a pre-EQ, pre-fader

2

INSERT

(TRS)

LINE

(BAL)

MIC (BAL)

 

 

1

 

 

 

INSERT

 

 

 

 

 

 

 

 

(TRS)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1

LINE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(BAL)

 

 

 

 

 

2

 

 

 

MIC (BAL)

 

 

 

 

 

 

 

 

 

signal to be taken from and returned to the

 

channel. Insert jacks are often used to route

 

an input signal to an external signal processor.

 

The RQ 4300’s on-board compressors can

 

be patched to any channel with an INSERT.

(2)

LINE

 

This jack is a 1/4" balanced (TRS) high

 

impedance input for high level signals. The tip

 

is the positive input, which should also be

 

used for unbalanced inputs. This input is

 

connected through a 20 dB pad to the MIC

 

input (3). The two inputs cannot be used

 

simultaneously.

(3)

MIC

3

This jack is a balanced XLR (3-pin) low-

impedance connection intended for

microphones. Other low-impedance signals

such as instruments sent to the console via

direct boxes will also utilize these inputs.

CHANNEL STRIP CONTROLS

(4)GAIN

This control varies the input gain of the channel to provide a wider dynamic range. The adjustment range is +10 dB to +58 dB for the XLR input and –10 dB to +38 dB for the line input. Proper adjustment of input gain maximizes signal-to-noise ratio. Optimum gain setting can be achieved by depressing the PFL switch (15) and adjusting the GAIN control until the signal occasionally illuminates the 0 dB LED in the AFL/PFL display (45).

(5)LOW CUT

This control adjusts the setting of the low-cut filter. Variable from no cut to cut below 300 Hz, this feature reduces/eliminates extremely low frequencies that cause “low-end rumble,” and is a very effective tone shaping tool. It can also be used to reduce the “boominess” sometimes encountered with male voices.

(6)HI

This active tone control is a shelving-type that varies high-frequency response by +/-15 dB in the range above 12 kHz.

(7)MID

This active tone control is a bandpass (peak/notch) type that varies mid-frequency response by +/-15 dB in a range from 200 Hz to 6 kHz.

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Peavey RQ 4300 Series manual Rear Panel Connections, Insert, Line, Mic, Low Cut
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RQ 4300 Series specifications

The Peavey RQ 4300 Series is a versatile line of ultra-reliable mixing consoles designed to cater to a wide range of audio needs. Whether for live performances, studio recording, or installation in various venues, the RQ 4300 Series delivers exceptional audio quality and user-friendly features. One of the leading characteristics of this series is its robust construction, engineered to withstand demanding environments while ensuring longevity and stability.

At the heart of the RQ 4300 Series is a comprehensive input system that includes multiple channels with XLR and line inputs. This allows for seamless connections to microphones, instruments, and other audio sources. Each channel features a three-band EQ, giving users fine control over their audio mix. The EQ enables adjustments to boost or cut frequencies, assisting sound engineers in achieving the perfect tonal balance.

One standout feature of the RQ 4300 is its built-in effects processor. This processor offers a variety of effects ranging from reverb to delay, allowing users to enhance their sound without needing external effects units. This all-in-one approach simplifies the setup and reduces clutter in performance spaces or studios.

Additionally, the series incorporates Peavey’s high-quality preamps, known for their clarity and low noise levels. This ensures that every detail of the audio source is captured accurately, whether it's a subtle vocal nuance or the richness of an acoustic instrument. The RQ 4300’s dynamic range guarantees minimal distortion, maintaining audio fidelity throughout performances.

Another significant characteristic is the intuitive layout of controls. The console is designed for ease of use, with clear labeling and ergonomically placed faders and knobs. This user-centric design allows sound engineers to operate the console confidently, even during high-pressure situations like live shows.

Connectivity is further enhanced by the inclusion of stereo outputs, aux sends, and subgroups, which facilitate various routing options for mixed audio. This versatility supports diverse applications, making the RQ 4300 ideal for both novice users and experienced professionals.

In conclusion, the Peavey RQ 4300 Series stands out as a dependable choice for anyone in the audio industry. With its combination of rugged build quality, sophisticated features, and intuitive design, it empowers users to deliver outstanding sound in any setting. Whether for live sound reinforcement, studio tracking, or installation, the RQ 4300 is tailored to meet the demands of modern audio production.
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