Operating the DSP details menu
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1Frontleftspeaker
2Centerspeaker
3Frontrightspeaker
4Rearleftspeaker
5Subwoofer
6Rearrightspeaker
%Presspandholduntil SPSetappears
inthedisplay,thenpressptodisplaythe
DSPfunctionnames.
After SPSetis displayed, press prepeat-
edly, the following DSP functions appear in
the display:
SPSet(speaker setting)C.Over (cross-over
frequency)SPLev(speaker output level)
TTone(test tone)TAMODE(time align-
ment mode)TimeA(time alignment adjust-
ment)AUTOEQ(auto-equalizer on/off)
PEQ(3-band parametric equalizer)
#When neither F/Lnor F/Ris selected in Posi,
you cannot switch to TimeA.
#When neither CUSTOM1nor CUSTOM2is se-
lected as an equalizer curve, you cannot switch
to PEQ.
#To return to the display of each source, press
BAND.
Using the sound field control
The SFC function creates the sensation of a
live performance.
!The acoustics of different performance en-
vironments are not the same and depend
on the extent and contour of space through
which sound waves move and on how
sounds bounce off the stage, walls, floors
and ceilings. At a live performance you
hear music in three stages: direct sound,
early reflections, and late reflections, or re-
verberations. Those factors are programed
into the SFC circuitry to recreate the acous-
tics of various performance settings.
%PressSFCtoselectthedesiredSFC
mode.
Press SFCrepeatedly to switch between the
following mode:
Musical(musical)Drama(drama)Action
(action)Jazz(jazz)Hall(hall)Club(club)
OFF(off)
Note
If the source is a 2-channel LPCM audio or a 2-
channel Dolby Digital audio and you select SFC
effects that are most applicable for 5.1-channel
audio (i.e., Musical,Dramaor Action), we re-
commend turning Dolby Pro Logic Bon. On the
other hand, when selecting SFC effects that are
intended for use with 2-channel audio (i.e., Jazz,
Hallor Club), we recommend turning Dolby Pro
Logic Boff.
Digital Signal Processor
En 21
English
Section
07