Appendix | MFX and IFX types and parameters
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E-80 Music Workstation
72. Shuffle DLY
Adds a shuffle to the delay sound, giving the sound a bouncy
delay effect with a swing feel.
● Delay Time [sync] (msec, Note)—Use this parameter to
specify whether (“Note”) or not (“msec”) the delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a time or a note value.
● Delay Time [msec] (0~2600ms)—Adjusts the time until
the delay is heard.
● Delay Time [note] (Musical Notes)—Delay times can be
set as a note-value of a tempo, if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Shuffle Rate (0~100%)—Adjusts the ratio (as a percent-
age) of the time that elapses before Delay B sounds relative
to the time that elapses before the Delay A sounds. When
set to 100%, the delay times are the same.
● Acceleration (0~15)—Adjusts the time over which the
Delay Time changes from the current setting to its speci-
fied new setting.
● Feedback (–98%~0~+98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.
● HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If
you don’t want to filter out any high frequencies, set this
parameter to BYPASS.
● Panpot A (L64~0~63R)
● Panpot B (L64~0~63R)—Stereo location of Delay A/B.
● Level A (0~127)
● Level B (0~127)—Volume of delay A/B.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
73. 3D Delay
This applies a 3D effect to the delay sound. The delay sound
will be positioned 90 degrees left and 90 degrees right.
● Delay Left Time [sync] (msec, Note)—Use this parameter
to specify whether (“Note”) or not (“msec”) the left delay
time should be synchronized to the Arranger or Recorder
tempo. Depending on your choice, the setting range of the
following parameter refers to a time or a note value.
● Delay Left Time [msec] (0~2600ms)—Adjust the time
from the direct sound until when the left delay sound is
heard.
● Delay Left Time [note] (musical notes)—Delay times can
be set as a note-value of a tempo, if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Delay Right Time [sync] (msec, Note)—Use this parameter
to specify whether (“Note”) or not (“msec”) the right delay
time should be synchronized to the Arranger or Recorder
tempo. Depending on your choice, the setting range of the
following parameter refers to a time or a note value.
● Delay Right Time [msec] (0~2600ms)—Adjust the time
from the direct sound until when the right delay sound is
heard.
● Delay Right Time [note] (musical notes)—Delay times can
be set as a note-value of a tempo, if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Delay Center Time [sync] (msec, Note)—Use this parame-
ter to specify whether (“Note”) or not (“msec”) the center
delay time should be synchronized to the Arranger or
Recorder tempo. Depending on your choice, the setting
range of the following parameter refers to a time or a note
value.
● Delay Center Time (msec) 0~2600 [ms]—Adjust the time
delay from the direct sound until when the center delay
sound is heard.
● Delay Center Time [note] (musical notes)—Delay times
can be set as a note-value of a tempo, if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Center Feedback (–98%~0~+98%)—Adjusts the amount
of the delay sound that’s fed back into the effect. Negative
(–) settings invert the phase.
● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
● Left Level (0~127)
● Right Level (0~127)
● Center Level (0~127)—Output level of the delay sound.
● Output Mode (Speaker, Phones)—Adjusts the method
that will be used to hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect will be achieved if you
select SPEAKER when using speakers or PHONES when
using headphones.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
74. Long Time DLY
A delay in which the delay time can be varied smoothly and
allowing an extended delay to be produced.
● Delay Time [sync] (msec, Note)—Use this parameter to
specify whether (“Note”) or not (“msec”) the delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the follow-
ing parameter refers to a time or a note value.
● Delay Time [msec] (0~2600ms)—Adjusts the time until
the delay is heard.
● Delay Time [note] (Musical Notes)—Delay times can be
set as a note-value of a tempo, if you set the “Sync”
parameter above to “Note”. Specify the value of the desired
note.
● Delay Acceleration (0~15)—Adjusts the time over which
the Delay Time changes from the current setting to a spec-
ified new setting. The rate of change for the Delay Time
directly affects the rate of pitch change.
● Feedback (–98%~0~+98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–)
settings invert the phase.