Appendix | MFX and IFX types and parameters
E-80 Music Workstation
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Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
Level (0~127)—Output level.
75. Tape Echo
A virtual tape echo that produces a realistic tape delay sound.
This simulates the tape echo section of a Roland RE-201
Space Echo.
Mode (S, M, L, S+M, S+L, M+L, S+M+L)—Combination of
playback heads to use. Select from three different heads
with different delay times. S: short, M: middle, L: long.
Repeat Rate (0~127)—Tape speed. Increasing this value
will shorten the spacing of the delayed sounds.
Intensity (0~127)—Amount of delay repeats.
Bass (–15dB~0~15dB)—Boost/cut for the lower range of
the echo sound.
Treble (–15dB~0~15dB)—Boost/cut for the upper range
of the echo sound.
Head S Pan (L64~0~63R)
Head M Pan (L64~0~63R)
Head L Pan (L64~0~63R)—Independent panning for the
short, middle and long playback heads.
Tape Distortion (0~5)—Amount of tape-dependent distor-
tion to be added. This simulates the slight tonal changes
that can be detected by signal-analysis equipment. Increas-
ing this value will increase the distortion.
Wow/Flutter Rate (0~127)—Speed of wow/flutter (com-
plex variation in pitch caused by tape wear and rotational
irregularity).
Wow/Flutter Depth (0~127)—Depth of wow/flutter.
Echo Level (0~127)—Volume of the echo sound.
Direct Level (0~127)—Volume of the original sound.
Level (0~127)—Output level.
76. LoFi Noise
In addition to a lo-fi effect, this adds various types of noise
such as white noise and disc noise.
LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
Post Filter Cutoff (200~8000, Bypass)—Center frequency
of the filter.
W/P Noise Type (White, Pink)—Switch between white
noise and pink noise.
W/P Noise LPF (200~8000, Bypass)—Center frequency of
the low pass filter applied to the white/pink noise (BYPASS:
no cut).
W/P Noise Level (0~127)—Volume of the white/pink noise.
Disc Noise Type (LP, EP, SP, RND)—Type of record noise.
The frequency at which the noise is heard depends on the
selected type.
Disc Noise LPF (200~8000Hz, Bypass)—Adjusts the cutoff
frequency of the low pass filter applied to the record noise.
If you don’t want to filter out any high frequencies, set this
parameter to BYPASS.
Disc Noise Level (0~127)—Volume of the record noise.
Hum Noise Type (50Hz, 60Hz)—Frequency of the hum
noise.
Hum Noise LPF (200~8000Hz, Bypass)—Center frequency
of the low pass filter applied to the hum noise (BYPASS: no
cut).
Hum Noise Level (0~127)—Volume of the hum noise.
EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
Level (0~127)—Output level.
77. LoFi Comp
This is an effect that intentionally degrades the sound quality
for creative purposes.
Pre Filter Type (1, 2, 3, 4, 5, 6)—Selects the type of filter
applied to the sound before it passes through the Lo-Fi
effect.
LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
Post Filter Cutoff (200~8000, Bypass)—Basic frequency
of the Post Filter.
EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
Level (0~127)—Output level.
78. LoFi Radio
In addition to a Lo-Fi effect, this effect also generates radio
noise.
LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
Post Filter Cutoff (200~8000, Bypass)—Basic frequency
of the Post Filter.
Radio Detune (0~127)—Simulates the tuning noise of a
radio. As this value is raised, the tuning drifts further.
Radio Noise Level (0~127)—Volume of the radio noise.
EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.