Appendix | MFX and IFX types and parameters
E-80 Music Workstation
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● Delay HF Damp (200~8000Hz, Bypass)—Adjusts the fre-
quency above which sound fed back to the effect is filtered
out. If you don’t want to filter out any high frequencies, set
this parameter to BYPASS.
● Panpot (L64~0~63R)—Stereo location of the output
sound. This is a mono effect that combines incoming sig-
nals. You can, however, place the processed signal any-
where between the left and right channels.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
75. Tape Echo
A virtual tape echo that produces a realistic tape delay sound.
This simulates the tape echo section of a Roland RE-201
Space Echo.
● Mode (S, M, L, S+M, S+L, M+L, S+M+L)—Combination of
playback heads to use. Select from three different heads
with different delay times. S: short, M: middle, L: long.
● Repeat Rate (0~127)—Tape speed. Increasing this value
will shorten the spacing of the delayed sounds.
● Intensity (0~127)—Amount of delay repeats.
● Bass (–15dB~0~15dB)—Boost/cut for the lower range of
the echo sound.
● Treble (–15dB~0~15dB)—Boost/cut for the upper range
of the echo sound.
● Head S Pan (L64~0~63R)
● Head M Pan (L64~0~63R)
● Head L Pan (L64~0~63R)—Independent panning for the
short, middle and long playback heads.
● Tape Distortion (0~5)—Amount of tape-dependent distor-
tion to be added. This simulates the slight tonal changes
that can be detected by signal-analysis equipment. Increas-
ing this value will increase the distortion.
● Wow/Flutter Rate (0~127)—Speed of wow/flutter (com-
plex variation in pitch caused by tape wear and rotational
irregularity).
● Wow/Flutter Depth (0~127)—Depth of wow/flutter.
● Echo Level (0~127)—Volume of the echo sound.
● Direct Level (0~127)—Volume of the original sound.
● Level (0~127)—Output level.
76. LoFi Noise
In addition to a lo-fi effect, this adds various types of noise
such as white noise and disc noise.
● LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
● Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
● Post Filter Cutoff (200~8000, Bypass)—Center frequency
of the filter.
● W/P Noise Type (White, Pink)—Switch between white
noise and pink noise.
● W/P Noise LPF (200~8000, Bypass)—Center frequency of
the low pass filter applied to the white/pink noise (BYPASS:
no cut).
● W/P Noise Level (0~127)—Volume of the white/pink noise.
● Disc Noise Type (LP, EP, SP, RND)—Type of record noise.
The frequency at which the noise is heard depends on the
selected type.
● Disc Noise LPF (200~8000Hz, Bypass)—Adjusts the cutoff
frequency of the low pass filter applied to the record noise.
If you don’t want to filter out any high frequencies, set this
parameter to BYPASS.
● Disc Noise Level (0~127)—Volume of the record noise.
● Hum Noise Type (50Hz, 60Hz)—Frequency of the hum
noise.
● Hum Noise LPF (200~8000Hz, Bypass)—Center frequency
of the low pass filter applied to the hum noise (BYPASS: no
cut).
● Hum Noise Level (0~127)—Volume of the hum noise.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
77. LoFi Comp
This is an effect that intentionally degrades the sound quality
for creative purposes.
● Pre Filter Type (1, 2, 3, 4, 5, 6)—Selects the type of filter
applied to the sound before it passes through the Lo-Fi
effect.
● LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
● Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
● Post Filter Cutoff (200~8000, Bypass)—Basic frequency
of the Post Filter.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.
● Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct (D) and the effect sound (W).
● Level (0~127)—Output level.
78. LoFi Radio
In addition to a Lo-Fi effect, this effect also generates radio
noise.
● LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9)—Degrades the sound
quality. The sound quality grows poorer as this value is
increased.
● Post Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no fil-
ter is used. LPF: cuts the frequency range above the Cutoff
value. HPF: cuts the frequency range below the Cutoff
value.
● Post Filter Cutoff (200~8000, Bypass)—Basic frequency
of the Post Filter.
● Radio Detune (0~127)—Simulates the tuning noise of a
radio. As this value is raised, the tuning drifts further.
● Radio Noise Level (0~127)—Volume of the radio noise.
● EQ Low Gain (–15dB~0~15dB)—Gain of the low fre-
quency range.
● EQ High Gain (-15dB~0~15dB)—Gain of the high fre-
quency range.