176
Adding Effects
Signal Flow Diagram and Parameters

fig.14-04

Part Select

Select the part for which you want to make settings.

Value:

KBD, PAD

Tone Select

Select the tone for which you want to make settings.

Value:

1–4

* This parameter is

Rhythm Key Select

when a rhythm set is being
selected. You can select the rhythm tone (A0–C8) for which you want
to make settings.

Patch Output Assign

Specifies for each patch how the direct sound will be output.

Value:
MFX:

Output in stereo through multi-effects. You can also apply
chorus or reverb to the sound that passes through multi-
effects.

A, B:

Output to the OUTPUT A (MIX) jack or OUTPUT B jack in
stereo without passing through multi-effects.

1–4:

Output to the INDIVIDUAL 1–4 jacks in mono without
passing through multi-effects.

TONE:

Outputs according to the settings for each tone.

When the settings are such that signals are split and output from
the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, and no plug is
inserted in the INDIVIDUAL 2 jack, the sounds from
INDIVIDUAL 1 and INDIVIDUAL 2 are mixed together, then
output from the INDIVIDUAL 1 jack. This sound comprises the
sounds from the INDIVIDUAL 1 and 2 jacks.
• This parameter is

Rhythm Output Assign

when a rhythm set is
being selected. You can specifies for each rhythm set how the
direct sound will be output.

If the Mix/Parallel parameter is set to “MIX,” all sounds are
output from the OUTPUT A (MIX) jacks in stereo (p. 193).

Tone Output Assign

Sets the direct sound’s output method for each tone.

Value:
MFX:

Output in stereo through multi-effects. You can also apply chorus
or reverb to the sound that passes through multi-effects.

A, B:

Output to the OUTPUT A (MIX) jack or OUTPUT B jack in
stereo without passing through multi-effects.

1–4:

Output to the INDIVIDUAL 1–4 jacks in mono without
passing through multi-effects.

• If the Patch Output Assign ( ) is set to anything other than
“TONE,” these settings will be ignored.
• When the Structure Type parameter has a setting of Type “2”–
”10,” the outputs of tones 1 and 2 will be combined with tone 2,
and the outputs of tones 3 and 4 will be combined with tone 4.
For this reason, tone 1 will follow the settings of tone 2, and tone
3 will follow the settings of tone 4 (p. 46).
When the settings are such that signals are split and output from
the INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, and no plug is
inserted in the INDIVIDUAL 2 jack, the sounds from
INDIVIDUAL 1 and INDIVIDUAL 2 are mixed together, then
output from the INDIVIDUAL 1 jack. This sound comprises the
sounds from the INDIVIDUAL 1 and 2 jacks.

If the Mix/Parallel parameter is set to “MIX,” all sounds are
output from the OUTPUT A (MIX) jacks in stereo (p. 193).

• When setting the “MFX,” set the output destination with the
MFX Output Assign ( ) for the sound after it has passed
through the multi-effects.
• Chorus and reverb are output in mono at all times.
• The output destination of the signal after passing through the
chorus is set with the Chorus Output Select ( ) and the Chorus
Output Assign ( ).
• The output destination of the signal after passing through the
reverb is set with the Reverb Output Assign ( ).

Tone Output Level

Set the level of the signal that is sent to the output destination
specified by Output Assign ( , ).

Value:

0–127

Tone Chorus Send Level

Sets the level of the signal sent to chorus for each tone.

Value:

0–127

Tone Reverb Send Level

Sets the level of the signal sent to reverb for each tone.

Value:

0–127

MFX Type (Multi-Effects Type)

Use this parameter to select from among the 77 (Fantom-S88; 78)
available multi-effects. For details on multi-effects parameters, refer
to

“Multi-Effects Parameters”

(Parameter List).

Value:

0 (Through)–77 (Fantom-S88; 78)
1
6
5
4
2
37
12
16
14 15
17 18
811
13
10
9
19
20
1
1
2
3
2
11
13
15
18
4
2 3
5
6
7
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