Midi Implementation

❍Panpot (Controller number 10)

status	2nd byte	3rd byte
BnH	0AH	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=Panpot:		00H - 40H - 7FH (left - center - right)

*Adjust the stereo location over 128 steps, where 0 is far left, 64 is center, and 127 is far right. However this is not received when the Pan Control Switch is OFF.

❍Expression (Controller number 11)

status	2nd byte	3rd byte
BnH	0BH	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=Expression:		00H - 7FH (0 - 127)

*If the Volume Control Source (SYSTEM) is set to VOL&EXP, the volume of the Part corresponding to the MIDI channel of the received message will be adjusted. However this is not received if the Receive Volume (PATCH) is OFF.

*In GM mode, the volume can always be controlled.

❍Hold 1 (Controller number 64)

status	2nd byte	3rd byte
BnH	40H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

*Not received when the Receive Hold-1 (PATCH) is OFF.

❍Portamento (Controller number 65)

status	2nd byte	3rd byte
BnH	41H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

*The Portamento Sw (PATCH) will change.

❍Sostenuto (Controller number 66)

status	2nd byte	3rd byte
BnH	42H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

❍Soft (Controller number 67)

status	2nd byte	3rd byte
BnH	43H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON

❍Hold 2 (Controller number 69)

status	2nd byte	3rd byte
BnH	45H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 7FH (0 - 127)

*A hold movement isn't done.

❍Sound Controller 2 (Controller number 71)

status	2nd byte	3rd byte
BnH	47H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*The Resonance (PATCH) will change relatively.

❍Sound Controller 3 (Controller number 72)

status	2nd byte	3rd byte
BnH	48H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*The Filter Envelope Time 2–4 (PATCH), Level Envelope Time 2–4 (PATCH) will change relatively.

❍Sound Controller 4 (Controller number 73)

status	2nd byte	3rd byte
BnH	49H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*The Filter Envelope Time 1 (PATCH), The Level Envelope Time 1 (PATCH) will change relatively.

❍Sound Controller 5 (Controller number 74)

status	2nd byte	3rd byte
BnH	4AH	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-64 - 0 - +63)

*The Cutoff Frequency (PATCH) will change relatively.

❍General Purpose Controller 5 (Controller number 80)

status	2nd byte	3rd byte
BnH	50H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*Level Envelope Level 1–3 (PATCH) of Tone 1 will change relatively.

❍General Purpose Controller 6 (Controller number 81)

status	2nd byte	3rd byte
BnH	51H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*Level Envelope Level 1–3 (PATCH) of Tone 2 will change relatively.

❍General Purpose Controller 7 (Controller number 82)

status	2nd byte	3rd byte
BnH	52H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*Level Envelope Level 1–3 (PATCH) of Tone 3 will change relatively.

❍General Purpose Controller 8 (Controller number 83)

status	2nd byte	3rd byte
BnH	53H	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=control value:		00H - 40H - 7FH (-128 - 0 - +126)

*Level Envelope Level 1–3 (PATCH) of Tone 4 will change relatively.

❍Portamento Control		(Controller number 84)
status	2nd byte	3rd byte
BnH	54H	kkH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
kk=source note number:		00H - 7FH (0 - 127)

*A Note On message received immediately after a Portamento control will be sounded with the pitch changing smoothly from the source note number. If a voice is already sounding at the same note number as the source note number, that voice will change pitch to the pitch of the newly received Note On, and continue sounding (i.e., will be played legato).

*The speed of the pitch change caused by Portamento is determined by the Portamento Time value.

❍Effect 1 (Reverb Send Level) (Controller number 91)

status	2nd byte	3rd byte
BnH	5BH	vvH
n=MIDI channel number:		0H - FH (ch.1 - ch.16)
vv=Reverb Send Level:		00H - 7FH (0 - 127)

*In Performance mode, the Reverb Send Level parameter of each Part will change.

Appendices

JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.

Roland JV-1010 owner manual Midi Implementation

Models: JV-1010