MIDI Implementation

❍Effect 3 (Chorus Send Level) (Controller number 93)

status

2nd byte

3rd byte

BnH

5DH

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Chorus Send Level:

00H - 7FH (0 - 127)

*In Performance mode, the Chorus Send Level parameter of each Part will change.

❍RPN MSB/LSB (Controller number 100,101)

status

2nd byte

3rd byte

BnH

65H

mmH

BnH

64H

llH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

mm=MSB of the parameter number specified by RPN ll=LSB of the parameter number specified by RPN

<<< RPN >>>

Control Changes include RPN (Registered Parameter Numbers), which are extended parameters whose function is defined in the MIDI specification.

When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any order) is transmitted to specify the parameter you wish to control. Then, Data Entry messages (Controller numbers 6 and 38) are used to set the value of the specified parameter. Once a RPN parameter has been specified, all further Data Entry messages on that channel are considered to apply to that specified parameter. In order to prevent accidents, when the desired setting has been made for the parameter, it is recommended that RPN be set to Null.

This device receives the following RPNs.

RPN

Data entry

 

MSB LSB

MSB LSB

Notes

00H 00H

mmH -

Pitch Bend Sensitivity

 

 

mm: 00H - 0CH (0 - 12 semitones)

 

 

ll: ignored (processed as 00H)

 

 

Up to 1 octave can be specified in semitone steps.

 

 

* The Bend Range Up/Down will also be

 

 

changed.

 

 

* Not received by the Rhythm Part (Part 10).

00H 01H

mmH llH

Channel Fine Tuning

 

 

mm, ll: 20 00H - 40 00H - 60 00H

 

 

(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)

 

 

* In Patch mode, the Master Tune (SYSTEM)

 

 

will change.

 

 

* In Performance mode, the Fine Tune

 

 

(PERFORM) of each Part will change. When

 

 

received on the Control channel, the Master

 

 

Tune (SYSTEM) will change.

00H 02H

mmH -

Channel Coarse Tuning

 

 

mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)

 

 

ll: ignored (processed as 00H)

 

 

* Not received in Patch mode.

 

 

* In Performance mode, the Coarse Tune

 

 

(PERFORM/PART) of each Part will change.

7FH 7FH

- -

RPN null

 

 

RPN and NRPN will be set as “unspecified”.

 

 

Once this setting has been made, subsequent

 

 

Data Entry messages will be ignored. (It is not

 

 

necessary to transmit Data Entry for RPN Null

 

 

settings.

 

 

Parameter values that were previously set will

 

 

not change.

 

 

mm, ll: ignored

●Program Change

status

2nd byte

 

CnH

ppH

 

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

pp=Program number:

00H - 7FH (prog.1 - prog.128)

*Not received when the Receive Program Change is OFF.

*When received on the Control channel, the Performance will change.

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

●Channel Aftertouch

status

2nd byte

 

DnH

vvH

 

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Channel Aftertouch:

00H - 7FH (0 - 127)

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

●Pitch Bend Change

status

2nd byte

3rd byte

EnH

llH

mmH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm,ll=Pitch Bend value:

00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

■Channel Mode Messages

●All Sound Off (Controller number 120)

status

2nd byte

3rd byte

BnH

78H

00H

n=MIDI channel:

 

0H - FH (ch.1 - ch.16)

*When this message is received, all notes currently sounding on the corresponding channel will be turned off.

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

●Reset All Controllers (Controller number 121)

status

2nd byte

3rd byte

BnH

79H

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

*When this message is received, the following controllers will be set to their reset values.

Controller

Reset value

Pitch Bend Change

[+-]0 (center)

Polyphonic Key Pressure

0

(off)

Channel Pressure

0

(off)

Modulation

0

(off)

Breath type

0

(minimum)

Expression

127 (maximum)

 

However the controller will be at minimum.

Hold 1

0

(off)

Sostenuto

0

(off)

Soft

0

(off)

Hold 2

0

(off)

RPN

Unset. Previously set data will not change.

NRPN

Unset. Previously set data will not change.

System General purpose controller 1

0

(minimum)

System General purpose controller 2

0

(minimum)

●All Note Off (Controller number 123)

status

2nd byte

3rd byte

BnH

7BH

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

*When All Note Off is received, all currently sounding notes of the corresponding channel will be turned off. However if Hold 1 or Sostenuto are on, the sound will be held until these are turned off.

*Not received in Performance mode if the Receive Switch (PERFORM/PART) is OFF.

●Omni Off (Controller number 124)

status

2nd byte

3rd byte

BnH

7CH

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

*The same processing as when All Note Off is received will be done.

*Not received in Performance mode if the Receive Switch (PERFORM/PART) is OFF.

70

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Roland JV-1010 owner manual Channel Mode Messages
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JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.
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