MIDI Implementation

Model:

JV-1010 (64 Voice Synthesizer Module)

Version:

1.00

Date:

Jan. 28 1999

1. Data Reception

Channel Voice Messages

Note Off

status

2nd byte

3rd byte

8nH

kkH

vvH

9nH

kkH

00H

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

kk=note number:

 

00H - 7FH (0 - 127)

vv=Note Off velocity:

00H - 7FH (0 - 127)

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

*Not received by the Rhythm Part (Part 10) when the Envelope Mode is NO-SUS.

Note On

status

2nd byte

3rd byte

9nH

kkH

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

kk=note number:

 

00H - 7FH (0 - 127)

vv=Note On velocity:

01H - 7FH (1 - 127)

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

*The Patches corresponding to each Bank Select are as follows.

Bank Select

Program No

Group

Patch No.

MSB LSB

 

 

——————+—————+————————————+————————————————————————————————————————

80

0

0

- 127

User

1

- 128

81

0

0

- 127

PR-A

1

- 128

81

1

0

- 127

PR-B

1

- 128

81

2

0

- 127

PR-C

1

- 128

81

3

0

- 127

GM

1

- 128

81

4

0

- 127

PR-E

1

- 128

84

0

0

- 127

XP-A (Session)

1

- 128

84

1

0

- 126

XP-A

129

- 255

84

2

0

- 127

XP-B

1

- 128

84

3

0

- 127

XP-B

129

- 256

*The Performance corresponding to each Bank Select are as follows.

Bank Select

Program No

Group

Performance No.

MSB LSB

 

 

——————+—————+————————————+————————————————————————————————————————

80

0

0

- 31

User

1

- 32

81

0

0 - 31 PR-A

1 - 32

81

1

0 - 31 PR-B

1 - 32

*The Rhythm set corresponding to each Bank Select are as follows.

Bank Select

Program No

Group

Rhythm set No.

MSB LSB

 

 

——————+—————+————————————+————————————————————————————————————————

80

0

 

0

-

1

User

 

1

- 2

81

0

 

0 - 1 PR-A

 

1 - 2

81

1

 

0 - 1 PR-B

 

1 - 2

81

2

 

0 - 1 PR-C

 

1 - 2

81

3

 

0 - 1 GM

 

1 - 2

81

4

 

0 - 1 PR-E

 

1 - 2

84

0

 

0

- 7

XP-A (Session)

 

1

- 8

84

2

0

- 127

XP-B

1

- 128

84

3

0

- 127

XP-B

129

- 256

Polyphonic Aftertouch

status

2nd byte

3rd byte

AnH

kkH

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

kk=note number:

 

00H - 7FH (0 - 127)

vv=Aftertouch:

 

00H - 7FH (0 - 127)

*This message is received if the Aftertouch Source (SYSTEM) is POLY or CH&POLY.

*Not received in Performance mode when the Receive Switch (PERFORM/PART) is OFF.

*Not received in GM mode.

Control Change

*If the corresponding Controller number is selected for the Patch Control Source 2/3 (PATCH), the corresponding effect will occur.

*If a Controller number that corresponds to the System Control Source 1/2 (SYSTEM) is selected, the specified effect will apply if Patch Control Source 2/3 (PATCH) is set to SYS-CTRL1 or SYS-CTRL2.

*Not received in Performance mode when the Receive Switch (PERFORM/PART) or the Control Change Receive Switch is OFF.

Bank Select (Controller number 0,32)

status

2nd byte

3rd byte

BnH

00H

mmH

BnH

20H

llH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

mm,ll=Bank number:

 

00 00H - 7F 7FH (bank.1 - bank.16384)

*Not received when the Receive Program Change or Receive Bank Select (SYSTEM) is OFF.

*Not received in GM mode.

Modulation (Controller number 1)

status

2nd byte

3rd byte

BnH

01H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Modulation depth:

00H - 7FH (0 - 127)

Breath type (Controller number 2)

status

2nd byte

3rd byte

BnH

02H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=control value:

 

00H - 7FH (0 - 127)

Foot type (Controller number 4)

status

2nd byte

3rd byte

BnH

04H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=control value:

 

00H - 7FH (0 - 127)

Portamento Time (Controller number 5)

status

2nd byte

3rd byte

BnH

05H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Portamento Time:

00H - 7FH (0 - 127)

*Portamento Time will change.

Data Entry (Controller number 6, 38)

status

2nd byte

3rd byte

BnH

06H

mmH

BnH

26H

llH

n=MIDI channel number: 0H - FH (ch.1 - ch.16)

mm,ll= the value of the parameter specified by RPN/NRPN mm=MSB, ll=LSB

Volume (Controller number 7)

status

2nd byte

3rd byte

BnH

07H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Volume:

 

00H - 7FH (0 - 127)

Balance (Controller number 8)

status

2nd byte

3rd byte

BnH

08H

vvH

n=MIDI channel number:

0H - FH (ch.1 - ch.16)

vv=Balance:

 

00H - 7FH (0 - 127)

68

Page 68
Image 68
Roland JV-1010 Midi Implementation, Data Reception, Channel Voice Messages, Polyphonic Aftertouch, Control Change

JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.