MIDI Implementation

Type17: STEREO-DELAY

———————+————————————————————————————————+———————————————————————

prm1

Feedback Mode

0 -

1

prm2

Delay Time Left

0 -

126

prm3

Delay Time Right

0 -

126

prm4

Feedback Phase Left

0 -

1

prm5

Feedback Phase Right

0 -

1

prm6

Feedback Level

0 -

98

prm7

HF Damp

0 -

17

prm8

Low Gain

0

-

30

prm9

High Gain

0

-

30

prm10

Effect Balance

0

-

100

prm11

Output Level

0

-

127

Type18: MODULATION-DELAY

———————+————————————————————————————————+———————————————————————

prm1

Feedback Mode

0 -

1

prm2

Delay Time Left

0 -

126

prm3

Delay Time Right

0 -

126

prm4

Feedback Level

0 -

98

prm5

HF Damp

0 -

17

prm6

Rate

0 -

125

prm7

Depth

0 -

127

prm8

Phase

0 -

90

prm9

Low Gain

0

-

30

prm10

High Gain

0

-

30

prm11

Effect Balance

0

-

100

prm12

Output Level

0

-

127

Type19: TRIPLE-TAP-DELAY

———————+————————————————————————————————+———————————————————————

prm1

Delay Time Left

0 -

125

prm2

Delay Time Right

0 -

125

prm3

Delay Time Center

0 -

125

prm4

Feedback Level

0 -

98

prm5

HF Damp

0 -

17

prm6

Left Level

0 -

127

prm7

Right Level

0 -

127

prm8

Center Level

0 -

127

prm9

Low Gain

0

-

30

prm10

High Gain

0

-

30

prm11

Effect Balance

0

-

100

prm12

Output Level

0

-

127

Type20: QUADRUPLE-TAP-DELAY

———————+————————————————————————————————+———————————————————————

prm1

Delay Time 1

0 -

125

prm2

Delay Time 2

0 -

125

prm3

Delay Time 3

0 -

125

prm4

Delay Time 4

0 -

125

prm5

Level 1

0 -

127

prm6

Level 2

0 -

127

prm7

Level 3

0 -

127

prm8

Level 4

0 -

127

prm9

Feedback Level

0

-

98

prm10

HF Damp

0

-

17

prm11

Effect Balance

0

-

100

prm12

Output Level

0

-

127

Type21: TIME-CONTROL-DELAY

———————+————————————————————————————————+———————————————————————

prm1

Delay Time

0 -

120

prm2

Feedback Level

0 -

98

prm3

Acceleration

0 -

15

prm4

HF Damp

0 -

17

prm5

Output Pan

0 -

127

prm6

Low Gain

0

-

30

prm7

High Gain

0

-

30

prm8

Effect Balance

0

-

100

prm9

Output Level

0

-

127

Type22: 2VOICE-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

prm1

Pitch Shifter Mode

0 -

4

prm2

Coarse Pitch A

0 -

36

prm3

Coarse Pitch B

0 -

36

prm4

Fine Pitch A

0 -

100

prm5

Fine Pitch B

0 -

100

prm6

Pre Delay Time A

0 -

126

prm7

Pre Delay Time B

0 -

126

prm8

Output Pan A

0 -

127

prm9

Output Pan B

0

-

127

prm10

Level Balance

0

-

100

prm11

Effect Balance

0

-

100

prm12

Output Level

0

-

127

Type23: FBK-PITCH-SHIFTER

———————+————————————————————————————————+———————————————————————

prm1

Pitch Shifter Mode

0 -

4

prm2

Coarse Pitch

0 -

36

prm3

Fine Pitch

0 -

100

prm4

Pre Delay Time

0 -

126

prm5

Feedback Level

0 -

98

prm6

Output Pan

0 -

127

prm7

Low Gain

0

-

30

prm8

High Gain

0

-

30

prm9

Effect Balance

0

-

100

prm10

Output Level

0

-

127

Type24: REVERB

———————+————————————————————————————————+———————————————————————

prm1

Reverb Type

0 -

5

prm2

Pre Delay Time

0 -

125

prm3

Gate Time

0 -

127

prm4

HF Damp

0 -

17

prm5

Low Gain

0

-

30

prm6

High Gain

0

-

30

prm7

Effect Balance

0

-

100

prm8

Output Level

0

-

127

Type25: GATE-REVERB

———————+————————————————————————————————+———————————————————————

prm1

Gate-Reverb Type

0 -

3

prm2

Pre Delay Time

0 -

125

prm3

Gate Time

0 -

99

prm4

Low Gain

0

-

30

prm5

High Gain

0

-

30

prm6

Effect Balance

0

-

100

prm7

Output Level

0

-

127

Type26: OVERDRIVECHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1

Drive

0 - 127

prm2

Over Drive Pan

0 - 127

prm3

Chorus Pre Delay Time

0 - 125

prm4

Chorus Rate

0 - 125

prm5

Chorus Depth

0

- 127

prm6

(not used)

 

prm7

Chorus Balance

0

- 100

prm8

Output Level

0

- 127

Type27: OVERDRIVEFLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1

Drive

0 -

127

prm2

Over Drive Pan

0 -

127

prm3

Flanger Pre Delay Time

0 -

125

prm4

Flanger Rate

0 -

125

prm5

Flanger Depth

0

-

127

prm6

Flanger Feedback Level

0

-

98

prm7

Flanger Balance

0

-

100

prm8

Output Level

0

-

127

Type28: OVERDRIVEDELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1

Drive

0 -

127

prm2

Over Drive Pan

0 -

127

prm3

Delay Time

0 -

126

prm4

Delay Feedback Level

0

-

98

prm5

Delay HF Damp

0

-

17

prm6

Delay Balance

0

-

100

prm7

Output Level

0

-

127

Type29: DISTORTIONCHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1

Distortion Drive

0 - 127

prm2

Distortion Pan

0 - 127

prm3

Chorus Pre Delay Time

0 - 125

prm4

Chorus Rate

0 - 125

prm5

Chorus Depth

0

- 127

prm6

(not used)

 

prm7

Chorus Balance

0

- 100

prm8

Output Level

0

- 127

Type30: DISTORTIONFLANGER (serial)

———————+————————————————————————————————+———————————————————————

prm1

Distortion Drive

0 -

127

prm2

Distortion Pan

0 -

127

prm3

Flanger Pre Delay Time

0 -

125

prm4

Flanger Rate

0 -

125

prm5

Flanger Depth

0

-

127

prm6

Flanger Feedback Level

0

-

98

prm7

Flanger Balance

0

-

100

prm8

Output Level

0

-

127

Type31: DISTORTIONDELAY (serial)

———————+————————————————————————————————+———————————————————————

prm1

Distortion Drive

0 -

127

prm2

Distortion Pan

0 -

127

prm3

Delay Time

0 -

126

prm4

Delay Feedback Level

0

-

98

prm5

Delay HF Damp

0

-

17

prm6

Delay Balance

0

-

100

prm7

Output Level

0

-

127

Type32: ENHANCERCHORUS (serial)

———————+————————————————————————————————+———————————————————————

prm1

Enhancer Sens

0 - 127

prm2

Enhancer Mix Level

0 - 127

prm3

Chorus Pre Delay Time

0 - 125

prm4

Chorus Rate

0 - 125

prm5

Chorus Depth

0

- 127

prm6

(not used)

 

prm7

Chorus Balance

0

- 100

prm8

Output Level

0

- 127

84

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Image 84
Roland JV-1010 Type17 STEREO-DELAY, Type18 MODULATION-DELAY, Type19 TRIPLE-TAP-DELAY, Type20 QUADRUPLE-TAP-DELAY

JV-1010 specifications

The Roland JV-1010 is a compact and versatile synthesizer and sound module that has made a significant impact on the music production landscape since its introduction in the mid-1990s. Renowned for its extensive sound library and superior sound quality, the JV-1010 stands as a go-to device for musicians looking for a powerful yet portable instrument.

One of the standout features of the JV-1010 is its expansive sound engine, which houses 1,024 patches and 36 voices of polyphony. This allows for complex musical layers without the risk of cutting off notes. The built-in digital effects processor comes with 40 types of effects, including reverb, chorus, and flanger, enabling users to further enhance their sounds and create unique tonal textures.

The sound generation technology behind the JV-1010 is based on the JV-1080 platform, leveraging Roland's acclaimed 'SR-JV80' expansion board technology. This modular approach allows users to expand their sonic capabilities by adding additional sound banks, providing access to a wide range of genres and instruments. Notably, the synthesizer includes sounds from various musical traditions, from orchestral to electronic, making it suitable for diverse musical styles.

Another key characteristic of the JV-1010 is its user-friendly interface. It features a clear LCD screen and organized button layout, making it easy for musicians to navigate through its extensive library. Additionally, the unit supports MIDI connectivity, allowing it to seamlessly integrate with other MIDI-compatible gear, such as keyboards, drum machines, and computers. This makes the JV-1010 an excellent choice for studios and live performance settings alike.

The compact size of the JV-1010, which allows it to easily fit into a standard rack mount or travel setup, adds to its appeal, especially for mobile musicians. The lightweight design does not compromise its durability, ensuring it can withstand the rigors of frequent transport.

Overall, the Roland JV-1010 synthesizer is a powerhouse of sound engineering, providing musicians with a rich palette of tones and textures. Its robust feature set, expansion capabilities, and portability make it a timeless instrument that continues to be appreciated by both seasoned professionals and emerging artists in the music industry. Whether used for studio production, live performance, or sound design, the JV-1010 remains a reliable choice for those seeking high-quality musical tools.