![](/images/new-backgrounds/1225900/22590087x1.webp)
Installation
Table
Table 3-4. Vertical and Horizontal Lens Shift Ranges
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| Lens Configuration | |
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| Standard or | Standard Primary, |
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| Primary, with or without | with Whitney Anamorphic |
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| Shasta Anamorphic Lens | Lens |
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Lens Shift Limits, as Percentages of Screen Height or Width (Note 1) | ||||
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Vertical |
| Up | 25% | (none) |
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(Note 2) |
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| Down | 60% | 50% - 60% | |
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Horizontal |
| Left | 12.5% | (none) |
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| Right | 12.5% | (none) | |
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| Lens Shift Limits in Inches, with a | |||
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Vertical |
| Up | 13.50 | (none) |
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| Down | 32.40 | 27.00 - 32.40 | |
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Horizontal |
| Left | 12.00 | (none) |
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| Right | 12.00 | (none) | |
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Notes: |
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1. Vertical shift limits are percentages of the screen height. Horizontal shift limits are percentages of the screen width.
2. Vertical lens shift figures are for ceiling mount configurations. For floor installations (where the projector is upright), reverse the up/down vertical lens shift percentages.
Folded Optics ➤ In rear screen applications where space behind the projector is limited, one or mirrors may be used to fold the optical path, as shown in Figure
Screen
Mirror
Figure 3-5. Folded Optics
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