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Samson TM 500 owner manual Guided Tour Main Section

Models: TM 500

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Guided Tour - Main Section

ENGLISH

17:Bank Control - Allows you to select any of 16 preset effect Banks for the onboard DSP. For more information, see the “Using DSP” section on page 22 of this manual.

18:Parameter Control - Allows you to select any of 16 variation parameters on the preset effect Bank selected for the onboard DSP (see #17 above). For more information, see the “Using DSP” section on page 22 of this manual.

19:DSP On/Off switch - When pressed in (“On”), output signal from the internal DSP is routed to Aux Return 2. When up (“Off”), Aux Return 2 instead receives signal from any device connected to the Aux Return 2 jacks. For more information, see the “Using the Aux Sends and Returns” and “Using DSP” sections on pages 20 and 22 in this manual.

20:Aux 1 / Monitor switch - When pressed in, Aux send 1 is routed to the right side of the TM500’s power amplifier and the stereo mix is automatically combined to mono and routed to the left side of the TM500’s power amplifier. This allows the TM500 to be used in a “split mono” configuration, so that it can drive both main “Front Of House” PA speakers (from the left speaker output ) and onstage monitors (from the right speaker output) without the need for any external power amplifier. When used in a “split mono” configuration, the Rev To Aux 1 Level knob allows you to route signal from the internal DSP to your onstage monitors (the signal can also be routed to Aux Return 2 for simultaneous use in the main PA signal). For more information, see the “Using the Aux Sends and Returns” and “Using DSP” sections on pages 20 and 22 in this manual.

21:EQ On/ Off switches (L, R)- When pressed in (“On”), the equivalent side of the master seven-band graphic equalizer is active; when out (“Off”), the equivalent side of the master seven-band graphic equalizer is inactive regardless of the settings of the EQ sliders (see #22 below). Note that, when using the TM500 in a “split mono” configuration (that is, when the Aux 1 / Monitor switch [see #20 above] is pressed in), the left side of the graphic equalizer affects the main “Front Of House” PA speakers and the right side affects the onstage monitors, saving you the expense of having to use a separate outboard graphic equalizer for your onstage monitors.

22:Graphic EQ sliders - These sliders allow you to add 12 dB of boost or attenuation to seven different frequency areas, affecting the main output signal of the TM500. When a slider is at its center detented (“0 dB”) position, the selected frequency area is unaffected (it is said to be flat). When a slider is moved up (above the “0 dB” position, towards the “+12 dB” position), the selected frequency area is boosted, and when it is moved down (below the “0 dB” position, towards the “-12 dB” position), the selected frequency area is attenuated. For more information, see the “Using Equalization” section on page 18 in this manual.

23:Stereo Faders - These linear sliders determine the relative level of the main left/right stereo outputs. The “0”

position of each fader indicates unity gain (no level boost or attenuation). Moving each fader below this position (towards the “∞ ” position) causes the signal to be attenuated (at the very bottom, it is attenuated infinitely— in other words, there is no sound). Moving it above this position (towards the “+10 dB” position) causes the signal to be boosted by up to 10 dB. For best signal-to-noise ratio, both Stereo faders should generally be kept at or near the 0 level. For more information, see the “Setting The Correct Gain Structure” section on page 14 in this manual.

24:Headphone Level - This knob sets the level of the signal sent to the headphone jack (see #25 below).

WARNING: To avoid possible damage to connected headphones (or, worse yet, to your ears!), always turn this all the way off (to the fully counterclockwise “0” position) before plugging in a pair of headphones— then raise the level slowly while listening. The Headphone Level has no effect on any other TM500 outputs.

25:Headphone jack - Connect any standard stereo headphones to this jack (via a 1/4" TRS plug) for private monitoring of the stereo output, Aux sends, or soloed channels (depending upon the setting of the Meter Headphone Source switch [see #15 on the preceding page] and whether or not any channel PFL switches have been pressed in). The built-in TM500 headphone preamp delivers approximately 100 mw of power.

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Samson TM 500 owner manual Guided Tour Main Section
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TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.