Samson TM 500 owner manual Guided Tour Main Section, Samson

Models: TM 500

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Guided Tour - Main Section

ENGLISH

3

 

TAPE IN

 

 

REC OUT

 

MONO OUT +4dB

 

 

-10dB

 

 

+4dB

 

 

5

 

L

R

 

L

R

 

1

AUX RET1

 

 

INSERT

 

AUX SEND 1

 

2

+4dB

 

 

 

 

 

6

L/MONO

R

L

MAIN

R

+4dB

 

AUX RET2

 

 

POST EQ

 

AUX SEND 2

 

 

 

 

 

 

 

 

 

SAMSON

 

 

4

 

 

 

11

7

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

0

 

 

LEFT

RIGHT

 

 

 

 

 

 

 

AUX1

AUX2

 

 

8

 

 

+4

+4

POWER

12

+10

+4

 

 

 

 

TAPE IN

REC OUT

+2

+2

 

9

 

0

 

0

0

0

PHANTOM

13

 

 

–2

–2

 

+10

+10

–4

–4

 

14

10

AUX RET 1

AUX RET2/REV

 

 

OFF

 

 

 

 

–9

–9

ON

 

0

 

0

–12

–12

METER HEADPHONE

 

 

 

 

 

SOURCE

15

 

 

 

 

 

–15

–15

L/R

 

+10

+10

 

 

AUX 1/2

 

–20

–20

 

AUX SEND 1

AUX SEND 2

–25 –25

 

 

 

 

15

16

1

2

3

 

 

 

 

 

 

 

16

 

0

 

 

 

 

12 CHANNEL 250 WATT STEREO MIXER

 

 

 

 

14

 

 

 

4

 

20

 

 

 

13

 

 

 

5

 

 

 

 

 

 

 

 

 

12

 

 

 

6

AUX1/MONITOR

 

 

 

+10

 

11

10

9

8

7

 

EQ ON/OFF

 

17

REV TO AUX1

 

BANK

 

 

 

LEFT

RIGHT

 

 

 

 

 

 

 

 

 

 

 

 

21

 

 

 

15

16

1

2

3

63Hz

160Hz

400Hz

1KHz

2.5KHz 6.4KHz 15KHz

 

 

 

 

14

 

 

 

4

18

1.GATED REVERB

 

 

13

 

 

 

5

 

 

 

 

 

 

 

 

 

12

 

 

 

6

 

 

 

 

 

 

 

2.REVERB/DELAYS

 

 

11

10

 

8

7

 

 

 

 

 

+12dB

 

3.DELAY/REVERB/FLANGER

 

 

9

 

 

 

 

 

 

 

4.REVERB+FLANGER

 

PARAMETER

 

 

 

 

 

 

 

 

5.REVERB/DELAY+FLANGER/CHORUS

 

 

 

 

 

 

 

 

 

 

 

 

 

6.REVERBS/FLANGER

 

 

 

 

 

 

 

 

 

 

 

 

0dB

 

 

7.REVERB I

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8.REVERB2 + REVERB2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9.REVERB+REVERB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10.REVERB 2

 

 

 

 

 

 

 

 

 

 

 

 

-12dB

 

 

11.DELAYS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12.DELAYS+GATED REVERB

 

 

 

 

 

 

 

 

 

 

 

 

22

 

13.DELAYS+DELAYS

 

 

 

 

AUX2 DSP

 

 

 

 

 

 

 

14.GATES AND REVERSE

 

ON

63Hz

160Hz

400Hz

1KHz

2.5KHz 6.4KHz 155KHz

 

 

 

 

 

 

15.DELAYS/FLANGER

 

 

 

 

 

19

16.FLANGER/CHORUS+FLANGER/CHORUS

OFF

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+12dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0dB

 

 

10

 

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-12dB

 

 

0

 

0

 

 

 

 

 

63Hz

160Hz

400Hz

1KHz

2.5KHz 6.4KHz1555KHz

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

23

4

 

4

 

 

 

 

 

 

 

 

 

 

 

24

8

 

8

 

 

 

 

 

 

 

 

 

0

 

 

12

 

12

 

 

 

 

 

 

 

 

+10

 

 

 

 

 

 

 

 

 

 

 

 

LEVEL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16

 

16

 

 

 

 

 

 

 

 

 

 

 

 

 

20

 

20

 

 

 

 

 

 

 

 

 

 

 

 

 

26

 

26

 

 

 

 

 

 

 

 

 

 

 

 

OO

OO

25

HEADPHONE

1:Tape input (L, R) - Connect the outputs of a tape or CD player to this set of dual phono jacks. The volume of the incoming signal is controlled by the Tape In level control (see #7 on the next page).

2:Aux Returns (1, 2) - Connect signal from external stereo devices such as effects processors to these unbalanced 1/4" jacks. See the “Connecting the TM500” section on page 10 and the “Using Aux Sends and Returns” section on page 20 in this manual for more information.

3:Record outputs (L, R) - This set of dual phono jacks allow you to connect the output of the TM500.to the inputs of a two-track recorder. The volume of the incoming signal is controlled by the Record Out level control (see #8 on the next page). See the “Connecting the TM500” section on page 10 in this manual for more information.

4:Main Inserts (L, R) - Use these to insert an external effects processor (such as outboard equalizer, compressor/limiter or noise gate) across the TM500’s main stereo output in an “effects loop” configuration. This enables you to process the entire mix simultaneously at unity gain. The “Post EQ” pair of Main Inserts is affected by both the seven-band graphic master equalizer and stereo faders, while the “Pre EQ” pair is not. These jacks accept 1/4" TRS plugs, with the ring carrying the send signal and the tip carrying the return signal. Normally, this will be connected to a Y-cord; see the “Connecting The TM500” section on page 10 in this manual for more information and a wiring diagram. The Main Inserts can also be used to link multiple TM500s or to bring the output from another mixer into the TM500 without taking up channel line inputs. See the “Using Inserts” section on page 21 in this manual.

5:Mono Out - This unbalanced 1/4" jack provides a monophonic line-level output, unaffected by the Stereo faders (see #23 on page 8). It can be used to connect the TM500 to an external monitor mixer/amplifier/speaker system so that performers can receive an onstage monitor mix. See the “Connecting the TM500” section on page 10 in this manual for more information.

6:Aux Sends (1, 2) - These unbalanced 1/4" jacks allow you to route signal from either of the TM500’s two discrete Aux Sends to external devices such as effects processors. Aux send1 is pre-fader, while Aux Send 2 is post-fader. See the “Using Aux Sends and Returns” section on page 20 in this manual for more information.

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Samson TM 500 owner manual Guided Tour Main Section, Samson

TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.