Connecting the TM500

ENGLISH

The actual connections you’ll make to and from the TM500 will vary according to the environment you use it in and the particular equipment you have. Here are a few basic rules concerning TM500 connections that will apply in most situations:

In general, it’s best to make all connections with the TM500 turned off. If you must

make connections with the power on, make sure that all faders are completely down (at their “” position). If the TM500 is connected to any external power amplifiers, turn them off first. Wait a few seconds for their power supplies to discharge and then turn off all other connected equipment, turning the TM500 off last.

Try to use balanced connectors and cabling wherever possible. These kind of connections do a better job of rejecting extraneous noise and hum and generally provide a cleaner signal. Although the TM500 will accept unbalanced connectors throughout, it specifically provides electronically balanced inputs for all mono channel line inputs. The wiring diagram below shows how 1/4" TRS (Tip/Ring/Sleeve) connectors should be wired:

SLEEVE

TIP +

TIP

GROUND

RING

RING -

XLR connectors for mono channel mic-level inputs should be wired as follows:

3 - SIGNAL

1 GROUND T TO MIC

2 + SIGNAL

Unbalanced cables use standard 1/4" phone connectors, wired as follows:

 

+ SIGNAL

+ SIGNAL

 

GROUND

GROUND

Always make one connection at a time and then monitor the incoming signal. If you hear a distinct hum or buzz, you may have a grounding problem with that particular device. See the “Grounding Techniques” section on page 16 in this manual for information on how to avoid grounding problems.

NEVER connect a microphone and line level input to the same channel simultaneously— use one or the other. You can have some channels connected to microphones and others to line level signals (for example, you might want to plug mics into channels 1 - 4 and line level signals into the remaining channels)— just don’t have both kinds of inputs connected to the same channel.

There are two “hidden” (or at least not so obvious) stereo inputs to the TM500; these are the Auxiliary returns. Use these whenever you want to bring in stereo signals that will not need to be equalized or otherwise processed.

Channel and Main insert cables (sometimes called “Y-cords”) should terminate in standard 1/4" TRS jacks (ring to send and tip to return), wired as follows:

TIP (RETURN)

RING (SEND)

SLEEVE (GROUND)

12

Page 12
Image 12
Samson TM 500 owner manual Connecting the TM500, Signal Ground T to MIC + Signal

TM 500 specifications

The Samson TM 500 is a powerful handheld microphone that has gained considerable recognition for its superior audio performance and ergonomic design. It is highly favored by audio professionals, musicians, and content creators alike, providing users with a reliable and versatile tool for capturing high-quality sound in various applications.

One of the standout features of the Samson TM 500 is its exceptional audio fidelity. It employs a dynamic cardioid pickup pattern, which effectively isolates the sound source while minimizing background noise. This makes it ideal for live performances, studio recordings, and broadcasting situations. The TM 500’s frequency response is finely tuned to deliver clear and crisp vocal reproduction, ensuring that every nuance of the performer’s voice is captured with accuracy.

The microphone is designed with durability in mind. Its robust construction features a metal body that can withstand the rigors of daily use, making it a suitable option for both stage and studio environments. The built-in shock mount further enhances its resilience by reducing handling noise, allowing for clean recordings even when the microphone is in motion.

Connectivity is another area where the Samson TM 500 excels. It includes a standard XLR output, enabling easy integration with various audio interfaces, mixers, and PA systems. This versatility allows users to utilize the mic in different setups without hassle. Additionally, it is compatible with wireless systems, adding to its flexibility in diverse audio applications.

In terms of usability, the TM 500 is designed to be user-friendly. It offers a lightweight and balanced feel, making it comfortable to hold during extended performances or recording sessions. The ergonomics of the microphone ensure that it can be handled easily while maintaining optimal sound quality.

The Samson TM 500 also stands out due to its affordability, making high-quality audio accessible to a wider audience. Whether you are a musician seeking professional sound on stage or a podcaster delivering content from your home studio, this microphone provides an excellent solution without breaking the bank.

In summary, the Samson TM 500 combines impressive audio performance, robust build quality, and ease of use, making it an excellent choice for anyone serious about sound. Its dynamic cardioid pickup pattern, durability, compatibility, and affordability position it as a standout option in the ever-expanding market of handheld microphones.