Setting the Recording Mode
You can select between two recording modes, standard or long, in the following cases.
•When recording an analog input signal with the INPUT switch set to ANALOG
•When recording a digital input signal with a sampling frequency of 32 kHz with the INPUT switch set to DIGITAL
REC MODE
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| INPUT |
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| ANALOG | DIGITAL | ||
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| MODE |
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| ANALOG INPUT | |||
POWER |
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| UNBALANCE | BALANCE | |||
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| COUNTER RESET |
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¯ ON | ¿ OFF |
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| REC MODE | |||
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| STANDARD | LONG | ||||
REMOTE |
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| MARGIN RESET |
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WIRED OFF WIRELESS |
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| 48k |
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| 44.1k | |
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| OFF | SBM | ON | |
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| SHUTTLE | DATA |
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| AMS |
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| PREVIOUS | NEXT | REW | FF | REC MUTE | MENU | REC LEVEL | |||
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| = | + | 0 | ) | R | r |
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PHONE LEVEL |
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| START ID |
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| OPEN/CLOSE | STOP | PLAY | PAUSE | REC |
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| • | AUTO | REHEARSAL | WRITE | ERASE | REPEAT | LOCATE |
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| SET | • |
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| 6 | p | ( | P | r |
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MIN• | MAX |
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| SKIP ID |
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PHONES | RENUMBER REHEARSAL | WRITE | ERASE | SKIP PLAY | MARK |
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Set REC MODE to select the recording mode.
The following table shows the selectable recording modes and corresponding REC MODE position and sampling frequency for various input signals.
Inputsignal | RECMODE | Recordingmode |
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Analog | STANDARD | Standard play |
| (48k) | (48kHz) |
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| STANDARD | Standard play |
| (44.1k) | (44.1kHz) |
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| LONG | Long play (32kHz) |
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Digital (32kHz) | STANDARD | Standard play |
| (48k) | (32kHz) |
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| STANDARD | Standard play |
| (44.1k) | (32kHz) |
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| LONG | Long play (32kHz) |
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Digital (44.1kHz) | STANDARD | Standard play |
| (48k) | (44.1kHz) |
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| STANDARD | Standard play |
| (44.1k) | (44.1kHz) |
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| LONG | Standard play |
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| (44.1kHz) |
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Digital (48kHz) | STANDARD | Standard play |
| (48k) | (48kHz) |
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| STANDARD | Standard play |
| (44.1k) | (48kHz) |
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| LONG | Standard play |
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| (48kHz) |
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The recording time in
Advanced Recording Operations
zThe counter in long-play mode
The displayed tape running time, absolute time and remaining time on the tape are for
Note
Do not change the INPUT or REC MODE setting while recording. This may cause an error in the “PGM TIME” display.
Using the SBM (Super Bit
Mapping) Function
The SBM function uses the principles of human hearing and
You can use the SBM function to record on analog input signal only when the INPUT switch is set to ANALOG and the REC MODE switch to STANDARD (either 48kHz or 44.1kHz).
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| INPUT |
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| ANALOG | DIGITAL | ||
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| MODE |
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| ANALOG INPUT | |||
POWER |
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| UNBALANCE | BALANCE | |||
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| COUNTER RESET |
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¯ ON | ¿ OFF |
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| REC MODE | |||
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| STANDARD | LONG | ||||
REMOTE |
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| MARGIN RESET |
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WIRED OFF WIRELESS |
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| 48k |
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| 44.1k | |
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| OFF | SBM | ON | |
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| SHUTTLE | DATA |
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| AMS |
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| PREVIOUS | NEXT | REW | FF | REC MUTE | MENU | REC LEVEL | |||
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| = | + | 0 | ) | r |
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PHONE LEVEL |
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| • | |
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| START ID |
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| OPEN/CLOSE | STOP | PLAY | PAUSE | REC |
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| • | AUTO | REHEARSAL | WRITE | ERASE | REPEAT | LOCATE |
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| SET | • |
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| • |
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| 6 | p | ( | P | r |
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| 0 | 10 |
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MIN• | MAX |
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| SKIP ID |
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| • |
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PHONES | RENUMBER REHEARSAL | WRITE | ERASE | SKIP PLAY | MARK |
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| • | ||
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SBM
Set SBM to ON.
“SBM” appears in the display during recording using the SBM function.
Note
The SBM function operates only during recording. The improved sound produced by the SBM function, however, can be enjoyed during playback, regardless of the SBM switch position or the DAT deck being used.
