USING YOUR SPIRIT STUDIO CONSOLE

 

Your choice of a SPIRIT STUDIO console has provided

 

you with a professional product capable of top quality

 

recording. But good results will only come through ex-

 

perience and time spent understanding the facilities on

 

your console. Recording sessions must focus on the

 

creativity of the artists, and not be disrupted by unfa-

 

miliarity and difficulty with the operation of the console.

 

It is important to recognise, and learn by experiment,

 

the importance of correct choice of inputs, microphone

 

placement and control settings.

 

The fold-out front panel drawing shows suitable initial

 

control positions to get you started.

 

 

 

INITIAL SET UP

The diagram on page 5 demonstrated how the match-

 

ing of input gain to the signal source was crucial to

 

avoid distortion at one extreme and excessive noise at

 

the other. Set up individual input channel as follows:

 

∙ Connect the Control Room outputs to a suitable am-

 

plifier and monitor loudspeakers.

 

∙ Connect the input required (microphone, keyboard

 

etc.)

 

Note: Phantom powered mics should be connected

 

before the +48V is switched on. Connect the Group

 

outputs to your tape machine inputs, and the tape

 

outputs to the tape returns on selected input chan-

 

nels

 

∙ Set Master and Group faders at ‘0’ and input faders

 

to the ‘0’ marking.

 

∙ Provide a typical level of source signal and press the

 

PFL button on the particular channel, monitoring the

 

level on the right-hand meter.

 

∙ Adjust the input gain until the meter is just reaching

 

the amber section (0dB) at a typical maximum

 

source level. This allows sufficient headroom to ac-

 

commodate peaks and establishes the maximum

 

level for normal operation. Note that the gain may

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Image 24
SoundCraft Audio Mixing Console Model Spirit Studio manual Using Your Spirit Studio Console, Initial SET UP