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 | BASIC PRINCIPLES OF RECORDING | 
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| The Mixer | As one would expect, the main purpose of the mixer is | 
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 | to combine sounds, but under precise and smooth | 
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 | control. This is why  | 
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 | any professional product. The faders provide you with | 
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 | total control of the final sound at your finger tips and | 
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 | like an artist playing an instrument you should listen to | 
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 | your fader movements, not look at your hands. | 
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 | Your SPIRIT STUDIO mixer accepts a wide range of in- | 
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 | put signals via a microphone input, for very low level | 
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 | signals, or a line input, for higher level signals from, for | 
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 | instance, tape machines, effects processors, etc. | 
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 | The mixer is split into two sections. The Inputs receive, | 
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 | match and process individual source signals, and dis- | 
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 | tributes them at precise mix levels to a choice of | 
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 | outputs. The Master and Group sections allow overall | 
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 | level control of all outputs, and provides monitoring of | 
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 | the audio signal at many points in the mixer, either on | 
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 | headphones or meters. | 
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 | The Equaliser controls are the most flexible and poten- | 
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 | tially destructive feature of the mixer. They have a | 
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 | similar effect on the frequency response of the input | 
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 | channel as the tone controls on a  | 
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 | much greater precision, and allow particular charac- | 
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 | teristics of the input signal to be emphasised or | 
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 | reduced. It is very important that you become familiar | 
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 | with the effect each control has on the sound and this | 
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 | is best achieved by spending time listening to the effect | 
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 | of each control on a  | 
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 | the mixer. | 
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 | The Auxiliary Sends provide a way of routing the input | 
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 | signals to a number of secondary outputs, for artists | 
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 | foldback, echo units or additional speaker outputs. | 
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 | The Pan control adjusts the position of the input signal | 
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 | within the stereo mix, and can be swept from full left, | 
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 | through to full right. This allows particular artists to re- | 
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 | tain their correct spatial position within the mix, | 
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 | particularly important for stereo recording. | 
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 | at many points in the mixer. Pressing any PFL switch | 
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 | places the signal at that particular point onto the control | 
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 | room outputs (or headphones if plugged in) and the | 
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