
GETTING TO KNOW YOUR CONSOLE
FACILITIES
Refer to the 
INPUT - CHANNEL PATH
| 1. | MICROPHONE INPUT | 
| 
 | The Microphone input is via a standard female  | 
| 
 | connector and is available when the LINE switch is re- | 
| 
 | leased. It is designed to accept a wide range of | 
| 
 | balanced or unbalanced low impedance input signals. | 
| 
 | 
 | 
| 2. | +48V PHANTOM POWER | 
| 
 | Each microphone input can provide the +48V neces- | 
| 
 | sary for  | 
| 
 | turned on or off with the +48V switch. | 
| 
 | NOTE: The microphone should always be plugged in | 
| 
 | before switching the +48V on or off. Also you should | 
| 
 | be aware that some microphones draw an unusually | 
| 
 | large current which may overload the power supply, re- | 
| 
 | sulting in distortion. Consult your microphone supplier | 
| 
 | for guidance if necessary. | 
| 
 | |
| 
 | used without causing damage, even when the +48V | 
| 
 | power is connected, but care must be taken when us- | 
| 
 | ing unbalanced sources, because of the voltage | 
| 
 | present on pins 2 and 3 of the XLR connector. | 
| 
 | 
 | 
| 3. | INSERT | 
| 
 | The INSERT is a break point in the input channel signal | 
| 
 | path. It allows the signal to be taken out of the mixer, | 
through an external piece of equipment and then back into the mixer to continue through to the final output. The Insert is a 
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