16.

MIX & GROUPS 1-8

 

The input channel signal is routed to the main STEREO

 

mix (MIX) or to the GROUPS as stereo pairs (1-2, 3-4, 5-

 

6, 7-8) as selected by these switches.

 

 

17.

CHANNEL FADER

 

This long-throw fader determines the proportion of the

 

channel in the mix and provides a clear visual indica-

 

tion of channel level. Normal operating position is at

 

the ‘0’ mark, providing 10dB of gain above that point if

 

required.

 

 

 

INPUT - MONITOR PATH

 

 

 

 

18.

TAPE SEND & RETURN

 

The TAPE SEND is normally fed from one of the 8

 

GROUP outputs. These are repeated across each 8

 

channels, e.g. Group 1 feeds Tape Sends 1,9,17 and

 

Group 2 feeds Tape Sends 2,10,18 etc. When the DI-

 

RECT switch (8) is pressed the Tape Send receives

 

only that channel output instead.

 

The electronically balanced TAPE RETURN is the nor-

 

mal input to the MONITOR path but is swapped to the

 

Channel path when CHANMNTR INPUT REV (7) is

 

pressed.

 

 

19.

TAPE TRIM

 

This centre-detented control provides -10dB to +20dB

 

of gain trim on the Tape Return input. Note that the

 

centre-detented position is the line-up point for +4dBu

 

type Tape Machines. For matching -10dBV machines

 

the control will need to be reset to about the ‘3 o’clock’

 

position.

 

 

20.

AUXILIARY SENDS (see 12 above)

 

The MONITOR path normally has a pre-fade Foldback

 

(FB2) send, and two post-fade Auxiliary sends (AUX

3,4) as described for the Channel path. AUX 3 & 4 may be switched to the Channel path by the CHAN switch if required.

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SoundCraft Audio Mixing Console Model Spirit Studio Input Monitor Path, MIX & Groups, Channel Fader, Tape Send & Return