2-7. DESCRIPTIONS OF THE SOUND FIELD PROGRAMS
The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at the locations described using sophisticated sound field measurement equipment.
*The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
1. CONCERT HALL 1 |
| 2. CONCERT HALL 2 |
|
Hall A in Europe: | This is a large | Hall C in Europe: | A classic |
| Munich which has approximately 2500 |
| approximately 1700 seats. Pillars and |
| seats. Almost the whole interior is made of |
| ornate carvings create extremely complex |
| wood. There is relatively little reflection |
| reflections. Those reflections and the |
| from the right and left walls, and sounds |
| reflections from all directions of the hall |
| spread finely and beautifully. |
| produce a very full, rich sound. |
Hall B in Europe: | This is a large | Hall D in U.S.A.: | This is a large |
| with approximately 2500 seats. Almost the |
| United States which features a fairly |
| whole interior except the ceiling is made of |
| traditional European design. The interior is |
| wood, including mahogany reflective |
| relatively simple, suggesting an American |
| panels. Special reflective paneling above |
| taste. Sound of the middle and high |
| the stage produces strong frontal |
| frequencies are richly and beautifully |
| reflections which tend to reinforce the |
| reproduced. |
| direct sound from the stage. This hall has a |
|
|
| very solid, powerful sound. |
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