Yamaha DSP-AZ2 40

DIGITAL SOUND FIELD PROCESSING (DSP)

Mode

CINEMA DSP

STRAIGHT DECODE

Type of	No.	Program	Sub program	Features
sources
	10	MOVIE	Adventure	This program is ideal for precisely reproducing the
		THEATER 2		sound design of the newest 70-mm and multichannel
				soundtrack films. The sound field is made to be
				similar to that of the newest movie theaters, so the
				reverberations of the sound field itself are restrained
				as much as possible.

			General	This program is for reproducing sounds from 70-mm
				and multichannel soundtrack films, and is
				characterized by a soft and extensive sound field. The
				presence sound field is relatively narrow. It spatially
				spreads all around and toward the screen, restraining
				the echo effect of conversations without losing
				clarity.

	11	DOLBY DIGITAL	Enhanced	This program ideally simulates the multi-surround
				speaker systems of the 35-mm film theaters. Dolby
		DTS DIGITAL	Enhanced	speaker systems of the 35-mm film theaters. Dolby
		DTS DIGITAL	Enhanced	Pro Logic decoding, Dolby Digital decoding or DTS
For movie		SUR		decoding and digital sound field processing create
programs				precise effects without altering the original sound
programs		PRO LOGIC	Enhanced	precise effects without altering the original sound
		PRO LOGIC	Enhanced	orientation.
				The surround effects produced by this sound field
				wrap around the viewer naturally from the back to the
				left and right, and toward the screen.

	11	DOLBY DIGITAL	Normal	The built-in decoder precisely reproduces sounds and
				sound effects from sources. The highly efficient
		DTS DIGITAL	Normal	sound effects from sources. The highly efficient
		DTS DIGITAL	Normal	decoding process improves crosstalk and channel
		SUR		separation and makes sound positioning smoother
				and more precise.
				In this program, no DSP effect is applied.

		PRO LOGIC	Normal	To reproduce 2 channel sources decoding into
				multichannels in each decoding mode.
		PRO LOGIC	Movie	multichannels in each decoding mode.
		PRO LOGIC	Movie

			Music

		DTS Neo:6	Cinema

			Music

38

Contents

AV Amplifier Amplificateur Audio-Video CAUTION: READ THIS BEFORE OPERATING YOUR UNIT CONTENTS FEATURES GETTING STARTED Checking the Package Contents Installing Batteries in the Remote Control CONTROLS AND FUNCTIONS Front Panel ■Opening and closing the front panel door Remote Control Using the Remote Control Front Panel Display Rear Panel SPEAKER SETUP Speakers to Be Used Speaker Placement Connecting the Speakers ■MAIN SPEAKERS terminals ■REAR SPEAKERS terminals ■CENTER SPEAKER terminals ■REAR CENTER SPEAKER terminals ■FRONT EFFECT SPEAKERS terminals ■IMPEDANCE SELECTOR switch CONNECTIONS Before Connecting Components Connecting Video Components Page Page Connecting Audio Components Page Connecting to an External Amplifier Connecting to the 6CH INPUT Jacks Connecting the Power Supply Cords Turning on the Power ON-SCREENDISPLAY (OSD) Selecting the OSD Mode OSD Modes P01 CONCERT HALL SPEAKER MODE SETTINGS Summary of SPEAKER SET Items 1A through 1H ADJUSTING THE SPEAKER OUTPUT LEVELS Before You Begin TEST DOLBY SUR TEST DOLBY SUR TEST DSP TEST DSP BASIC PLAYBACK ■BGV (background video) function ■To mute the sound ■When you have finished using this unit Input Modes and Indications Selecting a Sound Field Program Selecting PRO LOGIC PRO LOGIC or Neo: ■Virtual CINEMA DSP ■SILENT CINEMA DSP ■Normal Stereo Reproduction ■Displaying the information about the input source DIGITAL SOUND FIELD PROCESSING (DSP) Understanding Sound Fields Hi-FiDSP Programs CINEMA-DSP Straight Decode Sound Field Effect Features of DSP Programs Page Page Table of Program Names for Each Input Format BASIC RECORDING REMOTE CONTROL FEATURES Control Area Setting the Manufacturer Code Learn Feature Changing the Source Name in the Display Window Using the Macro Feature ■Operating the macro ■Programming a macro Clearing Learned Functions Macros, Renamed Source Names and Setup Manufacturer Codes Clearing a Learned Function Clearing a Macro Function ■SOURCE SELECT k / n ■OPTN (option) area ■Light up function Each Component Control Area Operating a TV/digital TV ■Operating an LD player (D-TV/LDarea) ■Operating a CD player (CD area) ■Operating a CD recorder (CD-Rarea) or an MD recorder (MD/TAPE area) ■Operating a tape deck (MD/TAPE area) ■Operating a tuner (TUNER area) ■Operating the component set in Å or ı SET MENU Adjusting the Items on the SET MENU SET MENU 1/4 2 LOW FRQ TEST 1SPEAKER SET (speaker mode settings) 1A CENTER SP 1B MAIN SP 1C REAR L/R SP 1D REAR CT SP 1E LFE/BASS OUT 1F FRONT EFCT SP 1G MAIN LEVEL 1H SP B SET 1H SP B SET 2 LOW FRQ TEST 3 L/R BALANCE 4HP TONE CTRL (headphone tone control) 4 HP TONE CTRL 6 INPUT RENAME 6 INPUT RENAME 5CENTER GEQ (center graphic equalizer) 7 I/O ASSIGNMENT 7A CMPNT-VINPUT 7B OPTICAL OUT 7C OPTICAL IN 7D COAXIAL IN 8INPUT MODE (initial input mode) 8 INPUT MODE 10 LFE LEVEL 10 LFE LEVEL 9 PARAM. INI 11 D-RANGE(dynamic range) 11 D-RANGE 12 SP DELAY 12 SP DELAY 13DISPLAY SET 13 DISPLAY SET 14 MEMORY GUARD 14 MEMORY GUARD 15 6CH INPUT SET 15A CENTER to 15B SWFR to ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS SLEEP TIMER Setting the Sleep Timer Canceling the Sleep Timer SOUND FIELD PROGRAM PARAMETER EDITING What Is a Sound Field Sound Field Program Parameters Changing Parameter Settings P05 ROCK CONCERT Resetting a Parameter to the Factory-setValue DIGITAL SOUND FIELD PARAMETER DESCRIPTIONS ■ LIVENESS Control Range 0 – ■ S. DELAY (Surround Delay) Control Range 0 – 49 msec (The range depends on the signal format.) ■ REV. TIME (Reverberation Time) Control Range 1.0 – 5.0 sec ■ REV. DELAY (Reverberation Delay) Control Range 0 – 250 msec ■ REV. LEVEL (Reverberation Level) For 8ch Stereo ■ CT LEVEL (Center Level) ■ RL LEVEL (Rear Left Level) ■ RR LEVEL (Rear Right Level) ■ RC LEVEL (Rear Center Level) TROUBLESHOOTING Page Page ■Remote control GLOSSARY ■LFE 0.1 channel ■ CINEMA DSP ■SILENT CINEMA ■S VIDEO signal ■Component video signal SPECIFICATIONS