■Onkyo-Original DSP Listening Modes
Listening Mode | Description | Input | Speaker | |||
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Orchestra | Suitable for classical or operatic music, this mode emphasizes the surround | A | CN*1 | |||
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| channels in order to widen the stereo image, and simulates the natural | S |
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| O r c h e s t r a |
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| reverberation of a large hall. | D |
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Unplugged | Suitable for acoustic instruments, vocals, and jazz, this mode emphasizes the | F |
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| front stereo image, giving the impression of being right in front of the stage. | G |
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| U n p l u g g e d |
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| Suitable for rock or pop music, listening to music in this mode creates a |
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| lively sound field with a powerful acoustic image, like being at a club or rock |
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| S t u d i o – M i x |
| concert. |
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TV Logic | This mode adds realistic acoustics to TV shows produced in a TV studio, |
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| surround effects to the entire sound, and clarity to voices. |
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| T V | L o g i c |
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| In this mode, the sound has a dramatic feel with a similar atmosphere to |
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| Orchestra mode. |
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| G a m e – R P G |
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In this mode, sound localization is distinct with emphasis on bass. |
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| G a m e – A c t i o n |
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In this mode, sound pressure is emphasized to heighten live feel. |
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| G a m e – R o c k |
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| In this mode, reverberation is increased and sound localization decreased |
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| slightly. |
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| G a m e – S p o r t s |
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All Ch Stereo | Ideal for background music, this mode fills the entire listening area with |
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| stereo sound from the front, surround, and surround back speakers. |
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| A l l C h S t e r e o |
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Full Mono | In this mode, all speakers output the same sound in mono, so the sound you |
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| hear is the same regardless of where you are within the listening room. |
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| F u l | l M o n o |
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With this mode you can enjoy a virtual surround sound even with only two |
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Dimensional) | or three speakers. This works by controlling how sounds reach the listener’s |
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| left and right ears. Good results may not be possible if there’s too much |
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| T – D |
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| reverb, so we recommend that you use this mode in an environment with |
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| little or no natural reverb. |
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■Listening Modes
Listening Mode | Description | Input | Speaker | |||
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Pure Audio*2 | In this mode, the display and video circuitry are turned off, minimizing | A | ZXC | |||
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| possible noise sources for the ultimate in | S | N*3 |
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| A/V Sync does not have effect on the analog audio. (As the video circuitry is | D |
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| turned off, only video signals input through HDMI input can be output from | F |
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| an HDMI output(s).) | G |
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Direct | In this mode, audio from the input source is output without |
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| processing. The speaker configuration (presence of speakers) and speaker |
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| D i r e c t |
| distance settings are enabled, but much of the processing set via Home menu |
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| is disabled. A/V Sync does not have effect on the analog audio. See |
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| “Advanced Setup” for more details (➔ page 44). |
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Stereo | Sound is output from the front left and right speakers and subwoofer. |
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| N |
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Mono | Use this mode when watching an old movie with a mono soundtrack, or use |
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| it with the foreign language soundtracks recorded in the left and right |
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| M o n o |
| channels of some movies. It can also be used with DVDs or other sources |
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| containing multiplexed audio, such as karaoke DVDs. |
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Multichannel | This mode is for use with PCM multichannel sources. | D | XCN | |||
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| M u l t i c h |
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En
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