Bryston SP1.7 manual Appendix B THX Information, DTS as per THX licensing agreements

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APPENDIX B - THX INFORMATION

Below is a summary of issues and information related to the proprietary and patented THX processing incorpo- rated used in the SP1. The available space cannot include all the available information on this topic. Therefore, if you want more information or wish to research the topic in more detail please use the THX website at WWW.THX.COM.

When you choose the THX option for surround decoding modes within the SP1.7, by pressing the THX button on the front panel or the remote, an additional “post-processing” method is activated. The additional signal pro- cessing used in this mode is the result of extensive research, testing and refinement by the technical and engi- neering staff at LucasFilm, Ltd. All movie soundtracks regardless of their original encoding format (Dolby Digital, Dolby Pro-Logic, DTS, Stereo or Mono) can benefit from THX post-processing.

NOTE: THX is only available with movie modes PLII Film, NEO:6 Cinema, Pro Logic, Dolby Digital, and

DTS as per THX licensing agreements.

The THX mode would not normally be activated for music or movies that were made specifically for television or other broadcast shows such as sports programming. The THX processing, designed to compensate for large room mixing environments is not required for these programs because they are normally mixed/post-produced in small room environments, as opposed to the large room environments normally used for theatrical motion pic- ture mixing/post-production.

The SP1’s THX mode adds additional DSP post-processing to either the Dolby or DTS processing already in place to help create a more precise match between the sound produced within a commercial motion picture the- ater and the sound produced in your residential ‘theater’.

THX’s research shows that this is necessary because, all of the multi-channel film sound formats were originally designed and spectrally balanced for use within large commercial movie theaters. Moreover, the specially equipped and designed theater used by the sound mixing professionals to produce the final theatrical audio track on any film (called a ‘dubbing stage’) is also considerably larger than your ‘home theater’ since it was created to replicate the environment of a typical commercial cinema space, not your home theater space.

It is in those “dubbing stages” that the dialogue, sound effects and music are all individually recorded and mixed to a six (5.1) or four channel(Pro- Logic) soundtrack for release in commercial movie theaters. This is the same soundtrack that is later released on videotape and DVD for playback in a Home Theatre system.

During their research, the THX engineers identified the fundamental tonal and spatial errors created when Theatre environment film sound tracks are reproduced in residential spaces.

The SP1.7, contains special processing designed by THX to correct those errors and restore the appropriate tonal and spatial balance to a movie soundtrack, so that you can hear what the film’s producer/director intended.

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Contents SP1.7 Bryston 20-YEARWARRANTY 800 632Contents Accessories SP1.7 Functional LayoutPower Power Input ModeFront Panel Controls and Indicators Power Momentary SwitchStandby and IR Infrared Activity Indicator Using the Dynamic Range Control LCD Display windowSource Selection Buttons and Indicators Menu Control ButtonsMode Selection Buttons Digital Mode and IndicatorSurround Button Stereo and Stereo Downmix Mode Mono and Mono Downmix ModesTHX Button Mode Button Available with THX Listening Mode…Master Volume Bypass ButtonAnalog Balance Rear Panel Input and Output Connections Balanced and 2. Unbalanced OutputsAnalog Inputs Digital Audio Coaxial InputsSetting the Optical Audio Input Assignment Toslink Digital Audio Optical InputsTape/Recording Outputs RS-232 connector Remote 12V Trigger OutputsProgramming the AUX Trigger Output Aux IR ReceiverSP1.7 Remote Control IEC Power Connector FusesMaster Power Switch Source Select ButtonsMode Select Buttons Volume/Trim ButtonsPower Button Setup ButtonsStatus LED Photo SensorSET UP and Calibration of the SP1.7 To accomplish this process the following tools are neededExplanation of ‘Saved Settings per Source’ Feature Setting the Speaker ConfigurationExplanation of ‘Xtra Bass’ Mode Setting the Speaker Crossover Frequency Highlight SP Setup MenuSetting the Channel Delays Change the Crossover FrequencyCalibrating and Setting Levels/Channel to Channel Balance Setting Channel Levels without Pink NoiseSetting the Bplm with Pink Noise Setting the THX Subwoofer Limiter or Bass Peak Level ManagerSetting the Bplm without Pink Noise Enabling DTS-ES 6.1 DecodingHightlight ES Other Settings Menu Enabling THX Surround EX DecodingChanging Dolby Plii Music Settings Change EX Control SettingHighlight Plii Setup Menu Changing DTS NEO6 Settings Center Image is a variable in Neo6 music mode onlyTo change the Center Image AcknowledgementsAppendix a SP1.7 Surround Modes Surround ModesPage Signal Table of all available surround modesAppendix B THX Information DTS as per THX licensing agreementsExample HOOK-UP Diagrams XLR/PHONESP1.7 Specifications InputsSuggested Surround Speaker Placement