Table 4-1. Aspect Ratio Settings (continued)
| Remote |
|
|
|
|
|
|
|
Aspect Ratio | Control |
|
|
| Description | |||
| Key |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Cinema | CINEMA |
|
|
|
|
|
| Select Cinema to view 2.35 |
|
|
|
|
|
|
|
| source material in its native |
|
|
|
|
|
|
|
| aspect ratio. |
|
|
|
|
|
|
|
| With a 16:9 screen and a |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| |
|
|
|
| 2.35:1 Image on |
|
|
| anamorphic lens), the upper and |
|
|
|
|
|
|
| lower portions of the screen are | |
|
|
|
| 16:9 Screen |
|
|
| |
|
|
|
| (Cinema aspect ratio / no CineWide) |
|
|
| masked, but the geometry of the |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| active image area is unchanged. |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| With a 2.35:1 screen and a |
|
|
|
|
|
|
|
| |
|
|
|
| 2.35:1 Image on |
|
|
| |
|
|
|
|
|
|
| the | |
|
|
|
| 2.35:1 Screen |
|
|
| |
|
|
|
| (Cinema aspect ratio / CineWide) |
|
|
| image so that the active image |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| area fills the 16:9 chip surface, |
|
|
|
|
|
|
|
| eliminating the black bars. The |
|
|
|
|
|
|
|
| secondary, anamorphic lens |
|
|
|
|
|
|
|
| then restores the proper |
|
|
|
|
|
|
|
| geometry to the 2.35:1 image. |
|
|
|
|
|
|
|
|
|
Virtual Cinema | VCINE |
|
|
|
|
|
| A 16:9 image is scaled |
|
|
|
|
|
| |||
|
|
|
|
|
|
|
| |
|
|
|
| 16:9 IImage on |
|
|
| than in the center) to fit a 2.35:1 |
|
|
|
| 22..35:1 Screen |
|
|
| screen. |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| Virtual Cinema is available only |
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
| on the |
|
|
|
| 16:9 Image on |
|
|
|
|
|
|
|
| 2.35:1 Screen with |
|
|
|
|
|
|
|
| Virtual Cinema |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Use the controls in the Picture Menu to calibrate your
The
All signal types require separate processing. Therefore, you need to calibrate each input separately.
Picture
Picture
Brightness
Contrast
Color
Tint
Sharpness
Runco | 49 |