Arcam AVR500 / AVR600 / AV888 manual Video Inputs, Video Outputs, Progressive scan playback

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Video Inputs

Settings to optionally assign a video source to each of the normally audio-only inputs.

These settings are stored in memory and recalled each time the unit is powered up.

Video Input Tape –

Video Input CD –

Video Input Aux –

Video Input AM / FM –

Video Input Phono –

Video Input MCH –

Video Input iPod –

Video Input Net –

Video In Digital Radio –

The default for each of the audio inputs is ‘None’, however for example you could associate the satellite ‘Sat’ video with AM, FM and Digital Radio audio if you wished. This way you could listen to the FM or AM or Digital Radio commentary of a sports game but have the pictures from the satellite coverage.

Video Outputs

The settings in this menu control the output resolution from the video processor in the unit as well as the operation of the two HDMI outputs.

These settings are applied to all video inputs and are stored in memory and recalled each time the unit is powered up.

Progressive scan playback

The AVR500, AVR600 and AV888 can support 1080p, 24 frames per

second source materials. To enjoy 24p playback both the source device (e.g., a Blu-ray disc player) and the display device (e.g. a TV or projector) must be capable of supporting 24p.

To enjoy 24p playback, set the Video Source to HDMI in the Input Config. menu, and set the Output resolution to 1080p (i.e. not to Preferred) in the Video Outputs menu. Also, ensure that the Frame Rate is set to Auto.

NOTE

Important points to remember:

For analogue outputs

The analogue output resolution should be chosen carefully; Composite and S-Video connections can only carry 480i (525-line NTSC) or 576i (625-line PAL) signals. If an output resolution higher than this is chosen in Out 1 Resolution, the Composite and S-Video main zone outputs will be disabled.

You should also set the frame rate (50Hz Interlaced for PAL, 60Hz Interlaced for NTSC) and the aspect ratio (4:3 standard or 16:9 widescreen) to match your display device. Note that S-Video and Composite can only carry Interlaced video. If you select Progressive analogue video, Zone 1 S-Video and Composite outputs will be disabled.

For HDMI outputs

The output resolution, frame rate and display aspect ratio can be automatically determined by the unit. Alternatively these settings can be manually selected. If you have two HDMI display devices connected, you can also configure which of the two HDMI outputs takes priority.

Zone 1 OSD – Selects whether the main zone pop-up OSD messages are On or Off. It is stored in memory and recalled each time the unit is powered up.

<When On, all user adjustments that are made during the general use of the unit are displayed on screen as well as the front panel display. This includes the adjustment of volume, subwoofer level, lip sync, tone controls, etc. It is stored in memory and recalled each time the unit is powered up.

<When Off, the above user adjustments will not appear on screen, only on the front panel display. This leaves the picture on your display device clear of pop-up text. However, regardless of this setting the Setup menus are always displayed on screen.

Analogue Output – This setting controls the output resolution of the analogue video outputs of Zone 1. This applies to all Zone 1 analogue video outputs:

Component, S-Video and Composite. This setting is only valid if neither of the HDMI outputs Out 1 or Out 2 are being used at the time. See ‘Important points to remember’ above regarding analogue resolutions.

The dropdown list shows all the resolutions that the unit’s video processor can output.

Analogue Frame Rate – This setting controls the output frame rate of the analogue video outputs of Zone 1. This applies to all Zone 1 analogue video outputs: Component, S-Video and Composite. This setting is only valid if neither of the HDMI outputs Out 1 or Out 2 are being used at the time. See the Note ‘Important points to remember’ regarding analogue frame rates.

Display Type – Set the aspect ratio of your display device; 4:3 standard or 16:9 widescreen.

Output Switching – This setting controls the operation of the two HDMI outputs.

<Auto-Priority Out 1/Out 2 senses which display device is turned on and gives priority to the named output (Out 1 or Out 2) if both display devices are on at the same time. When both display devices are on at the same time, the output with the highest priority is used to configure the settings of the unit’s video processor.

<Output 1 or Output 2: forces only the named HDMI output to be enabled.

<Output 1 & 2: enables both HDMI outputs simultaneously. In order to do this however, the settings of the unit’s video processor are reduced down to the highest common set that can be supported by both display devices.

Out 1 Resolution – This setting controls the output resolution of HDMI output Out 1. This setting is only valid if HDMI output Out 1 is the only active HDMI output at the time.

<The dropdown list shows all the resolutions that the video processor can output. Resolutions that are not supported by the connected display device are greyed out and cannot be selected.

<Preferred: sets the Out 1 resolution to be the preferred resolution that is requested by the display device. This is often the highest resolution the display device can receive.

Out 1 Frame Rate – This setting controls the output frame rate of HDMI output Out 1. This setting is only valid if HDMI output Out 1 is the only active HDMI output at the time.

<The dropdown list shows all the frame rates that the video processor can output. Frame rates that are not supported by the connected display device at

the above resolution are greyed out and cannot be selected.

<Auto sets the Out 1 frame rate to be the preferred frame rate that is requested by the display device for the currently used resolution.

<Follow Input forces the out 1 frame rate to the same as the input frame rate, regardless of the reported capabilities of the display device.

Lipsync 1 – (Information only) Displays how much lip sync is automatically applied to HDMI output Out 1 to compensate for video processing delays in the attached display device. Not all display devices support this function.

Out 2 Resolution – This setting controls the output resolution of HDMI output Out 2. This setting is only valid if HDMI output Out 2 is the only active HDMI output at the time.

<The dropdown list shows all the resolutions that the AVR500, AVR600 or AV888 video processor can output. Resolutions that are not supported by the connected display device are greyed out and cannot be selected.

<Preferred: sets the Out 2 resolution to be the preferred resolution that is requested by the display device. This is often the highest resolution the display device can receive.

Out 2 Frame Rate – This setting controls the output frame rate of HDMI output Out 2. This setting is only valid if HDMI output Out 2 is the only active HDMI output at the time.

<The dropdown list shows all the frame rates that the video processor can output. Frame rates that are not supported by the connected display device at the above resolution are greyed out and cannot be selected.

<Auto: sets the Out 2 frame rate to be the preferred frame rate that is requested by the display device for the currently used resolution.

<Follow Input forces the out 2 frame rate to the same as the input frame rate, regardless of the reported capabilities of the display device.

Lipsync 2 – (Information only) Displays how much lip sync is automatically applied to HDMI output Out 2 to compensate for video processing delays in the attached display device. Not all display devices support this function.

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Contents N d b o o k AVR surround amplifier / AV processor AVR500 / AVR600 / AV888Important safety instructions Safety GuidelinesSafety compliance Class II productClass II produit Instructions de sécurité importantesRespect des consignes de sécurité Page Professional Installation? ContentsDIY setup? WelcomeBefore you Begin… Standby power PowerPlacing the unit Interconnect cablesTrademark acknowledgements Making connections GeneralProduct differences and options Component/RGB Video CompositeAVR600 AV888 Zone 3 connectors Hdmi connectorsComponent/RGB video connectors Zone 2 connectorsDigital audio Phono Analogue audio ConnectorsTape inputs MCH inputInfra-red IR connectors Trigger connectorsSatellite receiver DVD playerCD player Use the Composite connection if HdmiConnecting an iPod using the Arcam rDock Component, S-Video and Composite connectors, see Video connectorsAVR500 Aerials, control and communicationAV, SAT, DVD For more information on connecting speakers, see Subwoofer outputsFront panel Phones socket Trigger connectors Preferred video hook-up, in order of preference is VCR, Camcorder, Games Console etcConnecting an iPod using the Arcam rDock Aerial connectors AVR500/AVR600 only Radio ConnectorsSirius DAB optionConnecting an aerial Data connectors Network connectors USB connector Other ConnectorsRS232 serial connector RLead/rDockConnecting subwoofers Connecting speakers AVR500 & AVR600Speakers Speaker cablesSubwoofer CentreFront left and right Surround left and rightOperation Switching onOperating your AVR500 /AVR600 / AV888 Selecting a sourceUsing Zone 2 Updating firmware using a PCExtended front panel menu Front panel Operation CR102 universal remote controller Inserting batteries into the remote controlUsing the remote control Useful information Device Mode / Source keysCode blink-back Controlling other devicesAMP AMP Device Mode IPod commandsOK selects/play the highlighted file DVD DVD Device Mode TUN TUN Device ModeNetwork commands Highlighted menu on the screenSAT SAT Device Mode AV AV Device ModeMenus VCR VCR Device Mode PVR PVR Device ModeStarts Program mode CD CD Device ModeShift + rcycles through the repeat Options track, disc, etcSpeaker types Essential SetupSpeaker Distances Speaker LevelsAuto speaker setup Auto speaker SetupProblems Using a subwooferNavigating the setup menu Setup menusVideo Selecting the video sourceSelecting the audio source Treble Bass Input ConfigPlii Dimension Plii Centre Width Plii Panorama General SetupGeneral information and system controls Is usedSpkr Types Auto SetupSpkr Distance Spkr LevelsVideo Outputs Video InputsProgressive scan playback Important points to rememberMode Zone SettingsNetwork For Stereo sourcesEnglish Decoding Modes IntroductionTwo-channel source modes Decoding modes Multichannel source modesVolume Leveller SettingsDolby Volume is a sophisticated new Calibration OffsetEnglish Saving and selecting Presets Tuning/Channel SelectionDeleting Presets Tuner OperationDefault unlock code is Sirius errorsAdd to your subscription OperationSelecting the playback source Network/usb OperationUSB playback Internet radio stationsAnalogue pre-amplifier outputs AVR600/AV888 only External AmplifiersEnglish XLR balanced line outputs AV888 only SW2, SW3Zone Multi-room Set upZone 3 AVR600/AV888 only Zone 2 and 3 control outputsZone English Multi-room connection guideCode Learning Customising CR102Volume punch-through Creating MacrosKey Mover Locking/Unlocking a specific Device Mode Mode MoverTo restore a moved Device Mode key to its original state Copy a key between Device ModesResetting the CR102 Mode key IR punch-throughProblem Check that When I turn on Volume is always too loudSwitched off Wired networkContinual improvement policy SpecificationsWorldwide Guarantee Product GuaranteeClaims under guarantee Problems?Device code Tables GEC GBCHCM HYDOKI NU-TECRBM RCAYU-MA-TU AVPGPX ADB STSNTL UPCAKI 3D LABAMW AtacomTVE TSMXMS AsciIdte HNEKPN SATSH222E Issue

AVR500 / AVR600 / AV888 specifications

The Arcam AVR500, AVR600, and AV888 are high-performance audio-video receivers that exemplify Arcam's commitment to delivering exceptional sound quality and versatility in home theater systems. Each model boasts a combination of advanced technologies, robust build quality, and a user-friendly interface, making them popular choices among audiophiles and home cinema enthusiasts.

The Arcam AVR500 is designed for those who appreciate high fidelity sound. It features a 7.1 channel amplifier delivering 100 watts per channel, allowing for immersive audio experiences. The AVR500 supports various audio formats, including Dolby TrueHD and DTS-HD Master Audio, ensuring that users can enjoy their favorite movies and music with rich, dynamic sound. The unit is equipped with extensive connectivity options, including multiple HDMI inputs and outputs, enabling seamless integration with other devices.

Moving up the line, the AVR600 enhances the AVR500's capabilities with additional power and features. It features a more powerful 120 watts per channel amplification and includes advanced room calibration technology known as Arc. This innovative feature optimizes audio playback by analyzing the room’s acoustics and adjusting the sound accordingly, helping to create a more immersive home theater experience. The AVR600 also supports 3D video pass-through and features HDMI 1.4 compatibility, making it future-proof for new video technologies.

At the pinnacle of this lineup, the Arcam AV888 takes a slightly different approach, focusing on becoming a premier preamp/processor that connects to external amplification. The AV888's superior processing ensures audiophiles experience the highest quality sound possible. With support for multi-channel PCM audio and a range of processing formats, users can experience the latest high-definition audio technologies. The unit houses advanced digital-to-analog converters for enhanced sound clarity and supports 4K video upscaling, making it an excellent choice for those invested in the latest visual standards.

All three models share a commitment to high-quality construction, ensuring durability and longevity. The user interface is intuitive, making navigation between functions seamless. This trio of receivers is compatible with various streaming services, allowing music to be enjoyed effortlessly from multiple sources.

In summary, the Arcam AVR500, AVR600, and AV888 provide exceptional sound quality, advanced features, and robust build quality, catering to an array of home entertainment needs. Whether for music or movies, these receivers promise rewarding and captivating listening experiences.
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