Korg Synthesizer manual 1e Scale, Type Scale Type, Key Scale Key, Random …99

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1-1: Prog Basic

1–1e: Scale

Specifies the scale type

Type (Scale Type)

[Equal Temperament…All Range User Scale]

Selects the basic scale for the internal tone generator. The user scales can be specified in Global mode “3-1: User Scale” (☞ page 127 in Parameter Guide).

Equal Temperament

The most widely used scale, consisting of equally-spaced semitone steps.

Pure Major

The major chords of the selected key will be perfectly in tune.

Pure Minor

The minor chords of the selected key will be perfectly in tune.

Arabic

This reproduces a quarter-tone scale of Arabic music.

Pythagorean

A scale based on ancient Greek musical theory, suitable for playing melodies.

Werckmeister (Werkmeister III)

An equal-tempered scale used in the later Baroque period.

Kirnberger (Kirnberger III)

A scale created in the 18th century, and used mainly for tuning harpsichords.

Slendro

An Indonesian gamelan scale in which the octave consists of 5 notes.

If the Key parameter is set to C, use the C, D, F, G, and A keys. (Other keys will produce the same pitches as equal temperament.)

Pelog

An Indonesian gamelan scale in which the octave consists of 7 notes.

If the Key parameter is set to C, use only the white keys. (The black keys will produce the same pitches as equal temperament.)

Octave User Scale

This is the one-octave scale that you create in Global mode “3-1b: Octave Notes” (☞ page 127 in Parameter Guide).

Stretch

This is a tuning used on acoustic pianos.

All Range User Scale

This is the full-range scale (C-1=G9) that you create in Global mode “3-1a: All Notes” (☞ page 127 in Parameter Guide).

Key (Scale Key)

[C…B]

Specifies the tonic note of the selected scale.

Random

[0…99]

As this value is increased, the pitch of the note will become increasingly unpredictable. Normally you will leave this set at zero.

Adjust this parameter when you wish to simulate instruments whose pitch is naturally unstable, such as tape- mechanism organs or acoustic instruments.

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Contents Page Contents Features of MOSS-TRI IntroductionSub oscillator Program structureOSC 1 Noise generatorEditing Filter sectionCharacteristics of each oscillator Program Play Mode Program Play P1 Program PlayProg Basic Program Edit ModeProgram Edit P1 1a Program Name1c Assign/Hold 1d UnisonKey Scale Key 1e ScaleType Scale Type Random …991f Panel Switch Assign SW2OSC Basic 2a Multi Oscillator Synthesis Setup2b Common Pitch Modulation 2c Bending 2d Portamento3a Basic Pitch OSC 1 Pitch3b Pitch Modulation Sub Pitch OSC 2 Pitch3c Pitch Slope OSC 01 Standard Program Edit P2Waveform modulation 1b WaveformWaveform Modulation 1a Wave1c Wave Shape Shape …99 Type Wave Shape Table TypeOffset Wave Shape Offset 99…+99 Intensity Shape AMS Intensity 99…+991a Input Comb FilterInput 1c Feedback 1b Level Modulation1d High Damp 1a Carrier 03 VPM1b Wave Shape 1d Modulator 1c Feedback …991e Frequency Resonance 1b BPF1…4 1c ResonanceRing Modulation 1b Mod. DepthCross Modulation Carrier Saw, Square, Triangle, SineSync Modulation Slave Saw, Square, Triangle, SineCoarse Harmonics Coarse …16 Organ Model1a Drawbar Fine Harmonics Coarse Fine 99…+991d Drawbar 1b Percussion Level …991c Drawbar 1e Percussion GeneratorElectric Piano Model 1a Hammer1d Pickup Position 1b Tone Generator1c Overtone 1e Low EQBrass Model Brass Model1b Breath Pressure 1a Inst Type1c Lip Character 1d Bell Character 1e Peaking EQReed Model Reed ModelIntensity Reed AMS Intensity 99…+99 1c Reed Character1e Wave Shape Offset 99…+991f Peaking EQ Attack Level …99 Plucked String Model1a Attack Velocity 99…+991b Attack Curve 1c StringIntensity Damp AMS Intensity 99…+99 KTr Damp Keyboard Track 99…+99KTr Decay Keyboard Track 99…+99 1e Pickup 1d Harmonics1f Low EQ Int. Speed Modulation EG Intensity 99…+99 Bowed String Model1a Bowing Speed Int. Speed AMS.1 Intensity 99…+991b Bow Pressure OSC 1d Peaking EQ3a Sub Oscillator Sub/NoiseWave Form 3b Noise Generator 1a OSC 1 Out Program Edit P3Mixer Output Level 00...991d OSC 2 Out 1b OSC 1 Out1c OSC 2 Out 1e Sub OutFilter 2a Routing Filter Routing Serial 1/serial 2/parallelEG Cutoff Frequency Modulation EG 2b Filter2c Cutoff/Cutoff a Cutoff Frequency Intensity Cutoff Frequency Mod. EG Intensity 99…+99Low Key …G9 2d Keyboard Track2e Resonance/Resonance a High Key …G93b Cutoff B Cutoff Frequency B Filter 1SUB3a Input Trim …99 3c Keyboard Track3d Resonance B AMS Intensity 99…+99Filter 2 SUB 4a Link to Filter1a Amp Program Edit P4Amp 1b Keyboard Track Amplitude 1 Keyboard Track1d Keyboard Track Amplitude 2 Keyboard Track 1c Amp1e Pan/Outputs 2a Level Amp EG Level …99 Amp EG2b Time Amp EG Time 2e Time Modulation 2c Level Control2d Level Modulation Intensity EG Level AMS Intensity 99…+991a Level Program Edit P5EG 1 AMSource 1b Time Amp EG Time1e Time Modulation 1c Level Control1dLevel Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG LFO Program Edit P61a Wave Form/Key Sync 1b Frequency 1c Midi SyncOffset 50…+50 1d Amplitude ModulationFade In Time …99 Program Edit P7 Program Edit P8Retrigger Controller List Modulation Source List 18AfterTouchAdditional message PrecautionsBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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