Korg Synthesizer manual 2a Level Amp EG Level …99, 2b Time Amp EG Time

Page 57

4-2: Amp EG

4-2: Amp EG

AMSource

Here, you can make settings for the Amp EG. The Amp EG lets you specify how the sound will change over time. Since the Amp EG can also be used as a general-purpose controller, it can create time-variant change in parameters other than volume.

Time-variant change in volume created by the amp EG

Volume

Attack level

Sustain level

Note-off

 

Note-on

 

 

 

Break

 

 

level

Time

Attack

Decay

Slope

Release

time

time

time

time

4–2a

4–2b

4–2c

4–2d

4–2e

4–2a: Level (Amp EG Level)

[0…99]

Attack (Attack Level)

[0…99]

Specifies the volume that will be reached after the Attack Time has elapsed.

Parameters

Break (Break Level)

[0…99]

Specifies the volume level that will be reached after the Decay Time has elapsed.

 

 

Sustain (Sustain Level)

[0…99]

Specifies the volume level that will be reached after the Slope Time has elapsed.

 

Prog.

4–2b: Time (Amp EG Time)

 

Edit

 

P4

Attack (Attack Time)

[0…99]

Specifies the time from note-on (when a note is played) until the volume reaches the attack level. With a value of 0, the volume will change instantly. With a value of 99, the volume will change slowly.

Decay (Decay Time)

[0…99]

Specifies the time from when the attack time ends until the break level is reached.

Slope (Slope Time)

[0…99]

Specifies the time from when the decay time ends until the sustain level is reached.

Release (Release Time)

[0…99]

Specifies the time from note-off (when a note is released) until the volume falls to zero.

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Contents Page Contents Introduction Features of MOSS-TRIOSC 1 Program structureSub oscillator Noise generatorFilter section EditingCharacteristics of each oscillator Program Play Program Play Mode Program Play P1Program Edit P1 Program Edit ModeProg Basic 1a Program Name1d Unison 1c Assign/HoldType Scale Type 1e ScaleKey Scale Key Random …99SW2 1f Panel Switch Assign2a Multi Oscillator Synthesis Setup OSC Basic2b Common Pitch Modulation 2d Portamento 2c BendingOSC 1 Pitch 3a Basic Pitch3b Pitch Modulation OSC 2 Pitch Sub Pitch3c Pitch Slope Program Edit P2 OSC 01 StandardWaveform modulation 1a Wave 1b WaveformWaveform Modulation1c Wave Shape Offset Wave Shape Offset 99…+99 Type Wave Shape Table TypeShape …99 Intensity Shape AMS Intensity 99…+99Comb Filter 1a InputInput 1b Level Modulation 1c Feedback1d High Damp 03 VPM 1a Carrier1b Wave Shape 1c Feedback …99 1d Modulator1e Frequency Resonance 1c Resonance 1b BPF1…41b Mod. Depth Ring ModulationCarrier Saw, Square, Triangle, Sine Cross ModulationSlave Saw, Square, Triangle, Sine Sync Modulation1a Drawbar Organ ModelCoarse Harmonics Coarse …16 Fine Harmonics Coarse Fine 99…+991c Drawbar 1b Percussion Level …991d Drawbar 1e Percussion Generator1a Hammer Electric Piano Model1c Overtone 1b Tone Generator1d Pickup Position 1e Low EQBrass Model Brass Model1a Inst Type 1b Breath Pressure1c Lip Character 1e Peaking EQ 1d Bell CharacterReed Model Reed Model1e Wave Shape 1c Reed CharacterIntensity Reed AMS Intensity 99…+99 Offset 99…+991f Peaking EQ 1a Attack Plucked String ModelAttack Level …99 Velocity 99…+991c String 1b Attack CurveKTr Damp Keyboard Track 99…+99 Intensity Damp AMS Intensity 99…+99KTr Decay Keyboard Track 99…+99 1d Harmonics 1e Pickup1f Low EQ 1a Bowing Speed Bowed String ModelInt. Speed Modulation EG Intensity 99…+99 Int. Speed AMS.1 Intensity 99…+991b Bow Pressure 1d Peaking EQ OSCSub/Noise 3a Sub OscillatorWave Form 3b Noise Generator Mixer Program Edit P31a OSC 1 Out Output Level 00...991c OSC 2 Out 1b OSC 1 Out1d OSC 2 Out 1e Sub Out2a Routing Filter Routing Serial 1/serial 2/parallel Filter2c Cutoff/Cutoff a Cutoff Frequency 2b FilterEG Cutoff Frequency Modulation EG Intensity Cutoff Frequency Mod. EG Intensity 99…+992e Resonance/Resonance a 2d Keyboard TrackLow Key …G9 High Key …G93a Input Trim …99 Filter 1SUB3b Cutoff B Cutoff Frequency B 3c Keyboard TrackAMS Intensity 99…+99 3d Resonance B4a Link to Filter Filter 2 SUBAmp Program Edit P41a Amp 1b Keyboard Track Amplitude 1 Keyboard Track1c Amp 1d Keyboard Track Amplitude 2 Keyboard Track1e Pan/Outputs Amp EG 2a Level Amp EG Level …992b Time Amp EG Time 2d Level Modulation 2c Level Control2e Time Modulation Intensity EG Level AMS Intensity 99…+99EG 1 AMSource Program Edit P51a Level 1b Time Amp EG Time1dLevel Modulation 1c Level Control1e Time Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG Program Edit P6 LFO1a Wave Form/Key Sync 1c Midi Sync 1b Frequency1d Amplitude Modulation Offset 50…+50Fade In Time …99 Program Edit P8 Program Edit P718AfterTouch Retrigger Controller List Modulation Source ListPrecautions Additional messageBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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