Korg Synthesizer manual Cross Modulation, Carrier Saw, Square, Triangle, Sine

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2:1 OSC 1 (06: Cross Modulation)

06: Cross Modulation

This uses a modulator to frequency-modulate a carrier. You can select one of four waveforms as the carrier. In general, a pitch envelope is applied to the modulator. A carrier oscillator is built-in to the Cross Modulation OSC. You can select the output of the other oscillator etc. as the modulator.

2–1a

2–1b

Cross Modulation

Cross Modulation Depth

Modulator

Carrier Wave

2–1a: Input

Input

[OSC2(1), SubOSC, Noise, Filter1, Filter2]

Specifies the modulator.

 

Carrier

[Saw, Square, Triangle, Sine]

Specifies the carrier waveform.

 

Wave Edge

[0…99]

Specifies the amount of high frequency harmonics for the carrier waveform. As this value is decreased, the sound will have less high-frequency harmonics, and as it approaches 0 the volume will also decrease.

2–1b: Mod. Depth

Mod. Depth

[0…99]

Specifies the depth of modulation. At a setting of 0, the carrier waveform will be output without change.

AMS.1 (Alternate Modulation Source 1)

[OFF…MIDI (CC#83)]

Selects a modulation source 1 (☞ page 64 of this manual) that will control “Mod. Depth.”

Intensity (Modulation Depth AMS.1 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.1.”

 

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (☞ page 64 of this manual) that will control “Mod. Depth.”

Intensity (Modulation Depth AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.2.”

 

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Contents Page Contents Features of MOSS-TRI IntroductionSub oscillator Program structureOSC 1 Noise generatorEditing Filter sectionCharacteristics of each oscillator Program Play Mode Program Play P1 Program PlayProg Basic Program Edit ModeProgram Edit P1 1a Program Name1c Assign/Hold 1d UnisonKey Scale Key 1e ScaleType Scale Type Random …991f Panel Switch Assign SW22b Common Pitch Modulation 2a Multi Oscillator Synthesis SetupOSC Basic 2c Bending 2d Portamento3b Pitch Modulation OSC 1 Pitch3a Basic Pitch 3c Pitch Slope OSC 2 PitchSub Pitch Waveform modulation Program Edit P2OSC 01 Standard 1c Wave Shape 1a Wave1b WaveformWaveform Modulation Shape …99 Type Wave Shape Table TypeOffset Wave Shape Offset 99…+99 Intensity Shape AMS Intensity 99…+99Input Comb Filter1a Input 1d High Damp 1b Level Modulation1c Feedback 1b Wave Shape 03 VPM1a Carrier 1e Frequency 1c Feedback …991d Modulator Resonance 1b BPF1…4 1c ResonanceRing Modulation 1b Mod. DepthCross Modulation Carrier Saw, Square, Triangle, SineSync Modulation Slave Saw, Square, Triangle, SineCoarse Harmonics Coarse …16 Organ Model1a Drawbar Fine Harmonics Coarse Fine 99…+991d Drawbar 1b Percussion Level …991c Drawbar 1e Percussion GeneratorElectric Piano Model 1a Hammer1d Pickup Position 1b Tone Generator1c Overtone 1e Low EQBrass Model Brass Model1c Lip Character 1a Inst Type1b Breath Pressure 1d Bell Character 1e Peaking EQReed Model Reed ModelIntensity Reed AMS Intensity 99…+99 1c Reed Character1e Wave Shape Offset 99…+991f Peaking EQ Attack Level …99 Plucked String Model1a Attack Velocity 99…+991b Attack Curve 1c StringKTr Decay Keyboard Track 99…+99 KTr Damp Keyboard Track 99…+99Intensity Damp AMS Intensity 99…+99 1f Low EQ 1d Harmonics1e Pickup Int. Speed Modulation EG Intensity 99…+99 Bowed String Model1a Bowing Speed Int. Speed AMS.1 Intensity 99…+991b Bow Pressure OSC 1d Peaking EQWave Form Sub/Noise3a Sub Oscillator 3b Noise Generator 1a OSC 1 Out Program Edit P3Mixer Output Level 00...991d OSC 2 Out 1b OSC 1 Out1c OSC 2 Out 1e Sub OutFilter 2a Routing Filter Routing Serial 1/serial 2/parallelEG Cutoff Frequency Modulation EG 2b Filter2c Cutoff/Cutoff a Cutoff Frequency Intensity Cutoff Frequency Mod. EG Intensity 99…+99Low Key …G9 2d Keyboard Track2e Resonance/Resonance a High Key …G93b Cutoff B Cutoff Frequency B Filter 1SUB3a Input Trim …99 3c Keyboard Track3d Resonance B AMS Intensity 99…+99Filter 2 SUB 4a Link to Filter1a Amp Program Edit P4Amp 1b Keyboard Track Amplitude 1 Keyboard Track1e Pan/Outputs 1c Amp1d Keyboard Track Amplitude 2 Keyboard Track 2b Time Amp EG Time Amp EG2a Level Amp EG Level …99 2e Time Modulation 2c Level Control2d Level Modulation Intensity EG Level AMS Intensity 99…+991a Level Program Edit P5EG 1 AMSource 1b Time Amp EG Time1e Time Modulation 1c Level Control1dLevel Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG 1a Wave Form/Key Sync Program Edit P6LFO 1b Frequency 1c Midi SyncFade In Time …99 1d Amplitude ModulationOffset 50…+50 Program Edit P7 Program Edit P8Retrigger Controller List Modulation Source List 18AfterTouchBank S was skipped PrecautionsAdditional message

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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