Korg Synthesizer manual Precautions, Additional message, Bank S was skipped

Page 67

Data

Precautions

Regarding program change (MIDI) reception

Depending on the oscillator type used by a program, some time may be required after a program change is received until a bank M program is actually selected. When selecting programs, please leave ample time between the program change and the following note-on.

Regarding noise

The effect settings and the parameter settings of the oscillator used by the program may affect each other so as to cause noise to appear in the sound. Also, if a program is played immediately (less than one second) after it is selected, noise may appear in the output sound.

Data dump compatibility

The bank M programs created using MOSS are not compatible with the Prophecy or Z1.

Please use an insertion effect with the program

In all modes (Program, Combination, Sequencer), be sure to use an insertion effect when using a bank M program. If you do not use an insertion effect, the output of the bank M program will diminish.

When MIDI Clock Source is set to Internal

If a bank M program is selected for any timbre in a combination, the D-mod Src “Tempo” for the AMS or effect of the timbre program will use the Prog. Tempo setting (☞ page 61 of this manual).

SOLO-TRI convert sounds (SOLO_TRI.PCG)

The SOLO_TRI.PCG sounds in the included disk are data which was created to allow the SOLO-TRI preset sounds (☞ page 14 of this manual) to be simulated on the MOSS-TRI. For some sounds, the audible result may not be precisely identical.

Additional message

Bank S was skipped

Situation: Bank S data was skipped while loading data. Bank S programs cannot be used.

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Contents Page Contents Introduction Features of MOSS-TRINoise generator Program structureOSC 1 Sub oscillatorFilter section EditingCharacteristics of each oscillator Program Play Program Play Mode Program Play P11a Program Name Program Edit ModeProgram Edit P1 Prog Basic1d Unison 1c Assign/HoldRandom …99 1e ScaleType Scale Type Key Scale KeySW2 1f Panel Switch AssignOSC Basic 2a Multi Oscillator Synthesis Setup2b Common Pitch Modulation 2d Portamento 2c Bending3a Basic Pitch OSC 1 Pitch3b Pitch Modulation Sub Pitch OSC 2 Pitch3c Pitch Slope OSC 01 Standard Program Edit P2Waveform modulation 1b WaveformWaveform Modulation 1a Wave1c Wave Shape Intensity Shape AMS Intensity 99…+99 Type Wave Shape Table TypeOffset Wave Shape Offset 99…+99 Shape …991a Input Comb FilterInput 1c Feedback 1b Level Modulation1d High Damp 1a Carrier 03 VPM1b Wave Shape 1d Modulator 1c Feedback …991e Frequency Resonance 1c Resonance 1b BPF1…41b Mod. Depth Ring ModulationCarrier Saw, Square, Triangle, Sine Cross ModulationSlave Saw, Square, Triangle, Sine Sync ModulationFine Harmonics Coarse Fine 99…+99 Organ Model1a Drawbar Coarse Harmonics Coarse …161e Percussion Generator 1b Percussion Level …991c Drawbar 1d Drawbar1a Hammer Electric Piano Model1e Low EQ 1b Tone Generator1c Overtone 1d Pickup PositionBrass Model Brass Model1b Breath Pressure 1a Inst Type1c Lip Character 1e Peaking EQ 1d Bell CharacterReed Model Reed ModelOffset 99…+99 1c Reed Character1e Wave Shape Intensity Reed AMS Intensity 99…+991f Peaking EQ Velocity 99…+99 Plucked String Model1a Attack Attack Level …991c String 1b Attack CurveIntensity Damp AMS Intensity 99…+99 KTr Damp Keyboard Track 99…+99KTr Decay Keyboard Track 99…+99 1e Pickup 1d Harmonics1f Low EQ Int. Speed AMS.1 Intensity 99…+99 Bowed String Model1a Bowing Speed Int. Speed Modulation EG Intensity 99…+991b Bow Pressure 1d Peaking EQ OSC3a Sub Oscillator Sub/NoiseWave Form 3b Noise Generator Output Level 00...99 Program Edit P3Mixer 1a OSC 1 Out1e Sub Out 1b OSC 1 Out1c OSC 2 Out 1d OSC 2 Out2a Routing Filter Routing Serial 1/serial 2/parallel FilterIntensity Cutoff Frequency Mod. EG Intensity 99…+99 2b Filter2c Cutoff/Cutoff a Cutoff Frequency EG Cutoff Frequency Modulation EGHigh Key …G9 2d Keyboard Track2e Resonance/Resonance a Low Key …G93c Keyboard Track Filter 1SUB3a Input Trim …99 3b Cutoff B Cutoff Frequency BAMS Intensity 99…+99 3d Resonance B4a Link to Filter Filter 2 SUB1b Keyboard Track Amplitude 1 Keyboard Track Program Edit P4Amp 1a Amp1d Keyboard Track Amplitude 2 Keyboard Track 1c Amp1e Pan/Outputs 2a Level Amp EG Level …99 Amp EG2b Time Amp EG Time Intensity EG Level AMS Intensity 99…+99 2c Level Control2d Level Modulation 2e Time Modulation1b Time Amp EG Time Program Edit P5EG 1 AMSource 1a LevelRelease Slope Time …99 1c Level Control1dLevel Modulation 1e Time ModulationEG 2, 5-3 EG 3, 5-4 EG LFO Program Edit P61a Wave Form/Key Sync 1c Midi Sync 1b FrequencyOffset 50…+50 1d Amplitude ModulationFade In Time …99 Program Edit P8 Program Edit P718AfterTouch Retrigger Controller List Modulation Source ListAdditional message PrecautionsBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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