Characteristics of each oscillator

Bank M Program Structure

For bank M sounds, OSC 1 provides thirteen oscillator types (methods of sound generation) and OSC 2 provides nine types. In Program Edit P1 “1-2: OSC Basic” you can select one of these types for each oscillator, to specify the combination.

If OSC 1 is set to an oscillator type of 01:Standard to 09:Electric Piano Model, you will also be able to select an oscillator type of 01:Standard to 09:Electric Piano Model for OSC 2. If OSC 1 is set to an oscillator type of 10:Brass Model to 13: Bowed String Model, OSC 2 will not be available for use.

01: Standard OSC

This simulates the oscillator of an analog synthesizer. It can produce the same effects as an analog synthesizer, such as pulse width modulation (☞ page 14 of this manual).

02: Comb Filter OSC

This oscillator creates pitched sound from noise or an impulse. It can create a wide variety of sounds — not only noisy sounds, but also sounds ranging from synth-bass to strings (☞ page 7 of this manual).

03: VPM OSC (Variable Phase Modulation OSC)

This oscillator uses phase modulation to create overtones. By modulating the phase of two oscillators and using a wave shaping table to process the sound, rich overtones can be produced (☞ page 19 of this manual)

04: Resonance OSC

This oscillator uses four tunable filters which are set up in series. Noise is input through the filter bank for very ethereal sounds (☞ page 21 of this manual).

05:Ring Modulation OSC - This oscillator multiplies the modulator and carrier and outputs the resultant signal.

06:Cross Modulation OSC - This oscillator uses a modulator to frequency-modulate a carrier.

07:Sync Modulation OSC (oscillator sync)

These are special oscillators which simulate the effect of two oscillators which are used to modulate each other, which was a technique that was possible on analog synthesizers. These are especially suitable for producing sounds that are rich in overtones, such as bells, metallic sounds or gongs (☞ page 23, 24, 25 of this manual).

08: Organ Model

This simulates a drawbar organ with three drawbars (when one oscillator is used) or six drawbars (when two oscillators are used) (☞ page 26 of this manual). Since each drawbar can use one of four types of waveform, a wide range of tones can be produced.

09: Electric Piano Model

This is a physical model which simulates a warm, vintage electric piano sound (☞ page 8 of this manual).

10: Brass Model

This is a physical model which simulates a brass instrument such as a trumpet or trombone (☞ page 30 of this manual).

11: Reed Model

This is a physical model which simulates a wind instrument such as a saxophone or flute (☞ page 33 of this manual)

12: Plucked String Model

This is a physical model which simulates a plucked string instrument such as a guitar or bass guitar (☞ page 36 of this manual).

13: Bowed String Model

This is a physical model which simulates a bowed string instrument (☞ page 40 of this manual).

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.