Korg Synthesizer manual Filter 1SUB, 3a Input Trim …99, 3b Cutoff B Cutoff Frequency B

Page 52

3-3: Filter 1 SUB

3–3: Filter 1SUB

If the “3-2b: Filter 1” Type parameter was set to Dual BPF, you can make settings for the “3-3: Filter 1 SUB” parameters.

3–3a

3–3b

3–3c

3–3d

3–3a: Input Trim

[0…99]

Specifies the level of the input to filter 1.

If this value is raised, the sound may become distorted if the resonance setting is high, etc.

3–3b: Cutoff B (Cutoff Frequency B)

Frequency

[0…99]

Specifies the cutoff frequency of filter 1. As this value is increased, the cutoff frequency will rise.

Since the BPF and Dual BPF filter types use filters with differing characteristics, their actual cutoff frequency may differ even if their settings are identical.

EG Intensity (Cutoff Frequency Modulation EG Intensity)

[–99…+99]

Specifies the depth and direction of the effect that the EG specified by “3-2: Filter 1” will have on the cutoff frequency. With positive (+) settings of this parameter, positive (+) EG levels will make the sound brighter relative to the value specified by Frequency, and negative (–) EG levels will make the sound darker. (When an EG level is 0, the value specified by Frequency will be used unchanged.) With negative (–) settings of this parameter, the change will take place in the opposite direction of positive (+) settings.

AMS.1 Intensity

[–99…+99]

Specifies the depth and direction of the effect that the AMS.1 specified in “3-2c: Cutoff” will have on the cutoff frequency.

AMS.2 Intensity

[–99…+99]

Specifies the depth and direction of the effect that the AMS.2 specified in “3-2c: Cutoff” will have on the cutoff frequency.

It is not possible to change EG, AMS.1 or AMS.2 in the Filter 1 SUB page.

3–3c: Keyboard Track

Keyboard tracking settings specify how the cutoff frequency of filter 1 will be varied according to keyboard position.

Low Key

[C-1…G9]

Specifies the key at which Lower keyboard tracking will begin.

 

High Key

[C-1…G9]

Specifies the key at which Higher keyboard tracking will begin.

 

Page 51 Page 53
Image 52
Page 51 Page 53
Contents Page Contents Features of MOSS-TRI IntroductionProgram structure OSC 1Sub oscillator Noise generatorEditing Filter sectionCharacteristics of each oscillator Program Play Mode Program Play P1 Program PlayProgram Edit Mode Program Edit P1Prog Basic 1a Program Name1c Assign/Hold 1d Unison1e Scale Type Scale TypeKey Scale Key Random …991f Panel Switch Assign SW2OSC Basic 2a Multi Oscillator Synthesis Setup2b Common Pitch Modulation 2c Bending 2d Portamento3a Basic Pitch OSC 1 Pitch3b Pitch Modulation Sub Pitch OSC 2 Pitch3c Pitch Slope OSC 01 Standard Program Edit P2Waveform modulation 1b WaveformWaveform Modulation 1a Wave1c Wave Shape Type Wave Shape Table Type Offset Wave Shape Offset 99…+99Shape …99 Intensity Shape AMS Intensity 99…+991a Input Comb FilterInput 1c Feedback 1b Level Modulation1d High Damp 1a Carrier 03 VPM1b Wave Shape 1d Modulator 1c Feedback …991e Frequency Resonance 1b BPF1…4 1c ResonanceRing Modulation 1b Mod. DepthCross Modulation Carrier Saw, Square, Triangle, SineSync Modulation Slave Saw, Square, Triangle, SineOrgan Model 1a DrawbarCoarse Harmonics Coarse …16 Fine Harmonics Coarse Fine 99…+991b Percussion Level …99 1c Drawbar1d Drawbar 1e Percussion GeneratorElectric Piano Model 1a Hammer1b Tone Generator 1c Overtone1d Pickup Position 1e Low EQBrass Model Brass Model1b Breath Pressure 1a Inst Type1c Lip Character 1d Bell Character 1e Peaking EQReed Model Reed Model1c Reed Character 1e Wave ShapeIntensity Reed AMS Intensity 99…+99 Offset 99…+991f Peaking EQ Plucked String Model 1a AttackAttack Level …99 Velocity 99…+991b Attack Curve 1c StringIntensity Damp AMS Intensity 99…+99 KTr Damp Keyboard Track 99…+99KTr Decay Keyboard Track 99…+99 1e Pickup 1d Harmonics1f Low EQ Bowed String Model 1a Bowing SpeedInt. Speed Modulation EG Intensity 99…+99 Int. Speed AMS.1 Intensity 99…+991b Bow Pressure OSC 1d Peaking EQ3a Sub Oscillator Sub/NoiseWave Form 3b Noise Generator Program Edit P3 Mixer1a OSC 1 Out Output Level 00...991b OSC 1 Out 1c OSC 2 Out1d OSC 2 Out 1e Sub OutFilter 2a Routing Filter Routing Serial 1/serial 2/parallel2b Filter 2c Cutoff/Cutoff a Cutoff FrequencyEG Cutoff Frequency Modulation EG Intensity Cutoff Frequency Mod. EG Intensity 99…+992d Keyboard Track 2e Resonance/Resonance aLow Key …G9 High Key …G9Filter 1SUB 3a Input Trim …993b Cutoff B Cutoff Frequency B 3c Keyboard Track3d Resonance B AMS Intensity 99…+99Filter 2 SUB 4a Link to FilterProgram Edit P4 Amp1a Amp 1b Keyboard Track Amplitude 1 Keyboard Track1d Keyboard Track Amplitude 2 Keyboard Track 1c Amp1e Pan/Outputs 2a Level Amp EG Level …99 Amp EG2b Time Amp EG Time 2c Level Control 2d Level Modulation2e Time Modulation Intensity EG Level AMS Intensity 99…+99Program Edit P5 EG 1 AMSource1a Level 1b Time Amp EG Time1c Level Control 1dLevel Modulation1e Time Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG LFO Program Edit P61a Wave Form/Key Sync 1b Frequency 1c Midi SyncOffset 50…+50 1d Amplitude ModulationFade In Time …99 Program Edit P7 Program Edit P8Retrigger Controller List Modulation Source List 18AfterTouchAdditional message PrecautionsBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
Top Page Image Contents