Korg Synthesizer 1b OSC 1 Out, 1c OSC 2 Out, 1d OSC 2 Out, 1e Sub Out, 1f Sub Out, 1g Noise Out

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3-1: Mixer

3–1b: OSC 1 ➝ Out 2

These parameters adjust the level at which the oscillator 1 signal is output from mixer output 2, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1c: OSC 2 ➝ Out 1

These parameters adjust the level at which the oscillator 2 signal is output from mixer output 1, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1d: OSC 2 ➝ Out 2

These parameters adjust the level at which the oscillator 2 signal is output from mixer output 2, and specify a modulation source that will control this level.

Refer to the above explanation of ”3-1a: OSC1 ➝ OUT1.”

3–1e: Sub ➝ Out 1

These parameters adjust the level at which the sub oscillator signal output is output from mixer output 1, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1f: Sub ➝ Out 2

These parameters adjust the level at which the sub oscillator signal output is output from mixer output 2, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1g: Noise ➝ Out 1

These parameters adjust the level at which the output of the noise generator is output from mixer output 1, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1h: Noise ➝ Out 2

These parameters adjust the level at which the output of the noise generator is output from mixer output 2, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

3–1i: Feedback ➝ Out 1

These parameters adjust the level at which the feedback from the amp section is output from mixer output 1, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

Raising the Feedback level excessively may cause the sound to distort.

3–1j: Feedback ➝ Out 2

These parameters adjust the level at which the feedback from the amp section is output from mixer output 2, and specify a modulation source that will control this level.

Refer to the above explanation of “3-1a: OSC1 ➝ OUT1.”

Raising the Feedback level excessively may cause the sound to distort.

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Contents Page Contents Features of MOSS-TRI IntroductionProgram structure OSC 1Sub oscillator Noise generatorEditing Filter sectionCharacteristics of each oscillator Program Play Mode Program Play P1 Program PlayProgram Edit Mode Program Edit P1Prog Basic 1a Program Name1c Assign/Hold 1d Unison1e Scale Type Scale TypeKey Scale Key Random …991f Panel Switch Assign SW22a Multi Oscillator Synthesis Setup OSC Basic2b Common Pitch Modulation 2c Bending 2d PortamentoOSC 1 Pitch 3a Basic Pitch3b Pitch Modulation OSC 2 Pitch Sub Pitch3c Pitch Slope Program Edit P2 OSC 01 StandardWaveform modulation 1a Wave 1b WaveformWaveform Modulation1c Wave Shape Type Wave Shape Table Type Offset Wave Shape Offset 99…+99Shape …99 Intensity Shape AMS Intensity 99…+99Comb Filter 1a InputInput 1b Level Modulation 1c Feedback1d High Damp 03 VPM 1a Carrier1b Wave Shape 1c Feedback …99 1d Modulator1e Frequency Resonance 1b BPF1…4 1c ResonanceRing Modulation 1b Mod. DepthCross Modulation Carrier Saw, Square, Triangle, SineSync Modulation Slave Saw, Square, Triangle, SineOrgan Model 1a DrawbarCoarse Harmonics Coarse …16 Fine Harmonics Coarse Fine 99…+991b Percussion Level …99 1c Drawbar1d Drawbar 1e Percussion GeneratorElectric Piano Model 1a Hammer1b Tone Generator 1c Overtone1d Pickup Position 1e Low EQBrass Model Brass Model1a Inst Type 1b Breath Pressure1c Lip Character 1d Bell Character 1e Peaking EQReed Model Reed Model1c Reed Character 1e Wave ShapeIntensity Reed AMS Intensity 99…+99 Offset 99…+991f Peaking EQ Plucked String Model 1a AttackAttack Level …99 Velocity 99…+991b Attack Curve 1c StringKTr Damp Keyboard Track 99…+99 Intensity Damp AMS Intensity 99…+99KTr Decay Keyboard Track 99…+99 1d Harmonics 1e Pickup1f Low EQ Bowed String Model 1a Bowing SpeedInt. Speed Modulation EG Intensity 99…+99 Int. Speed AMS.1 Intensity 99…+991b Bow Pressure OSC 1d Peaking EQSub/Noise 3a Sub OscillatorWave Form 3b Noise Generator Program Edit P3 Mixer1a OSC 1 Out Output Level 00...991b OSC 1 Out 1c OSC 2 Out1d OSC 2 Out 1e Sub OutFilter 2a Routing Filter Routing Serial 1/serial 2/parallel2b Filter 2c Cutoff/Cutoff a Cutoff FrequencyEG Cutoff Frequency Modulation EG Intensity Cutoff Frequency Mod. EG Intensity 99…+992d Keyboard Track 2e Resonance/Resonance aLow Key …G9 High Key …G9Filter 1SUB 3a Input Trim …993b Cutoff B Cutoff Frequency B 3c Keyboard Track3d Resonance B AMS Intensity 99…+99Filter 2 SUB 4a Link to FilterProgram Edit P4 Amp1a Amp 1b Keyboard Track Amplitude 1 Keyboard Track1c Amp 1d Keyboard Track Amplitude 2 Keyboard Track1e Pan/Outputs Amp EG 2a Level Amp EG Level …992b Time Amp EG Time 2c Level Control 2d Level Modulation2e Time Modulation Intensity EG Level AMS Intensity 99…+99Program Edit P5 EG 1 AMSource1a Level 1b Time Amp EG Time1c Level Control 1dLevel Modulation1e Time Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG Program Edit P6 LFO1a Wave Form/Key Sync 1b Frequency 1c Midi Sync1d Amplitude Modulation Offset 50…+50Fade In Time …99 Program Edit P7 Program Edit P8Retrigger Controller List Modulation Source List 18AfterTouchPrecautions Additional messageBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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