Korg Synthesizer manual OSC 2 Pitch, Sub Pitch, 3c Pitch Slope

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1-3: Osc1 Pitch, 1-4: OSC2 Pitch, 1-5: Sub Pitch

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (☞ page 64 of this manual) which will modify the pitch (e.g., apply vibrato).

Intensity (Pitch AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the pitch change that will be controlled by “AMS.2.”

1–3c: Pitch Slope

Specifies how pitch will change in relation to the keyboard (key)

Center Key

[C–1…G9]

Specifies the key at which Lower/Higher keyboard tracking will begin to apply.

Low Slope

[–1.00…+2.00]

Specify the depth and direction of the pitch change that will occur for notes below the “Center Key.”

High Slope

[–1.00…+2.00]

Specifies the depth and direction of the pitch change that will occur for notes above the Center Key.

When Low Slope and High Slope are set to +2.0, playing one octave upward from the Center Key will cause the pitch to rise two octaves.

With a setting of –1.0, playing one octave upward will cause the pitch to fall one octave. With a setting of 0.0, the notes in the respective areas will produce the same pitch as the Center Key. To play pitches normally, set this parameter to +1.0.

Pitch

 

 

C9

Int=+2.0

Int=+1.0

 

Int=-1.0

 

 

 

Int=0.0

C-1

C4

Key

C-1

C9

 

Center Key

 

1–4: OSC 2 Pitch

Here, you can make settings for the oscillator type, basic pitch, pitch keyboard tracking, and pitch modulation of oscillator 2. The parameters of oscillator 2 are the same as for oscillator 1. (Refer to the explanation of the “1–3: OSC 1 Pitch” page).

Parameters

Prog.

Edit

P1

1–5: Sub Pitch

Here, you can make settings for the oscillator type, basic pitch, pitch keyboard tracking, and pitch modulation of sub oscillator . The parameters of sub oscillator are the same as for oscillator 1. (Refer to the explanation of the “1–3: OSC 1 Pitch” page).

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Contents Page Contents Introduction Features of MOSS-TRINoise generator Program structureOSC 1 Sub oscillatorFilter section EditingCharacteristics of each oscillator Program Play Program Play Mode Program Play P11a Program Name Program Edit ModeProgram Edit P1 Prog Basic1d Unison 1c Assign/HoldRandom …99 1e ScaleType Scale Type Key Scale KeySW2 1f Panel Switch Assign2a Multi Oscillator Synthesis Setup OSC Basic2b Common Pitch Modulation 2d Portamento 2c BendingOSC 1 Pitch 3a Basic Pitch3b Pitch Modulation OSC 2 Pitch Sub Pitch3c Pitch Slope Program Edit P2 OSC 01 StandardWaveform modulation 1a Wave 1b WaveformWaveform Modulation1c Wave Shape Intensity Shape AMS Intensity 99…+99 Type Wave Shape Table TypeOffset Wave Shape Offset 99…+99 Shape …99Comb Filter 1a InputInput 1b Level Modulation 1c Feedback1d High Damp 03 VPM 1a Carrier1b Wave Shape 1c Feedback …99 1d Modulator1e Frequency Resonance 1c Resonance 1b BPF1…41b Mod. Depth Ring ModulationCarrier Saw, Square, Triangle, Sine Cross ModulationSlave Saw, Square, Triangle, Sine Sync ModulationFine Harmonics Coarse Fine 99…+99 Organ Model1a Drawbar Coarse Harmonics Coarse …161e Percussion Generator 1b Percussion Level …991c Drawbar 1d Drawbar1a Hammer Electric Piano Model1e Low EQ 1b Tone Generator1c Overtone 1d Pickup PositionBrass Model Brass Model1a Inst Type 1b Breath Pressure1c Lip Character 1e Peaking EQ 1d Bell CharacterReed Model Reed ModelOffset 99…+99 1c Reed Character1e Wave Shape Intensity Reed AMS Intensity 99…+991f Peaking EQ Velocity 99…+99 Plucked String Model1a Attack Attack Level …991c String 1b Attack CurveKTr Damp Keyboard Track 99…+99 Intensity Damp AMS Intensity 99…+99KTr Decay Keyboard Track 99…+99 1d Harmonics 1e Pickup1f Low EQ Int. Speed AMS.1 Intensity 99…+99 Bowed String Model1a Bowing Speed Int. Speed Modulation EG Intensity 99…+991b Bow Pressure 1d Peaking EQ OSCSub/Noise 3a Sub OscillatorWave Form 3b Noise Generator Output Level 00...99 Program Edit P3Mixer 1a OSC 1 Out1e Sub Out 1b OSC 1 Out1c OSC 2 Out 1d OSC 2 Out2a Routing Filter Routing Serial 1/serial 2/parallel FilterIntensity Cutoff Frequency Mod. EG Intensity 99…+99 2b Filter2c Cutoff/Cutoff a Cutoff Frequency EG Cutoff Frequency Modulation EGHigh Key …G9 2d Keyboard Track2e Resonance/Resonance a Low Key …G93c Keyboard Track Filter 1SUB3a Input Trim …99 3b Cutoff B Cutoff Frequency BAMS Intensity 99…+99 3d Resonance B4a Link to Filter Filter 2 SUB1b Keyboard Track Amplitude 1 Keyboard Track Program Edit P4Amp 1a Amp1c Amp 1d Keyboard Track Amplitude 2 Keyboard Track1e Pan/Outputs Amp EG 2a Level Amp EG Level …992b Time Amp EG Time Intensity EG Level AMS Intensity 99…+99 2c Level Control2d Level Modulation 2e Time Modulation1b Time Amp EG Time Program Edit P5EG 1 AMSource 1a LevelRelease Slope Time …99 1c Level Control1dLevel Modulation 1e Time ModulationEG 2, 5-3 EG 3, 5-4 EG Program Edit P6 LFO1a Wave Form/Key Sync 1c Midi Sync 1b Frequency1d Amplitude Modulation Offset 50…+50Fade In Time …99 Program Edit P8 Program Edit P718AfterTouch Retrigger Controller List Modulation Source ListPrecautions Additional messageBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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