Korg Synthesizer Bowed String Model, 1a Bowing Speed, Int. Speed Modulation EG Intensity 99…+99

Page 42

2:1 OSC 1 (13: Bowed String Model)

13: Bowed String Model

This oscillator is a physical model which simulates the sound of a bowed string instrument such as a violin or cello. By controlling the bowing speed and the bowing pressure, you can create performance expressions that are very close to those of an actual bowed string instrument.

Bowed String Model

Bow

Bridge Reflection

Position

Peaking EQ

Pressure

Bridge Reflection

String

 

Bow Speed

Parameters related to the string

String Damp

 

 

Dispersion

String vibration

Bowed String Model

2–1a

2–1b

2–1c

2–1d

2–1a: Bowing Speed

EG

[EG 1…EG 4, Amp EG]

Selects the EG which will control bowing speed (the speed at which the bow moves across the string).

Int. (Speed Modulation EG Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “EG” With negative (–) settings, the direction of the bow speed will be inverted.

AMS.1 (Alternate Modulation Source 1)

[OFF…MIDI (CC#83)]

Selects a modulation source 1 (☞ page 64 of this manual) that will control bowing speed.

Instead of using an EG to modify the bowing speed, you can use the Ribbon Controller or Joy Stick to simulate bowing without using an EG.

Int. (Speed AMS.1 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.1.”

 

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (☞ page 64 of this manual) that will control bowing speed.

Int. (Speed AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.2.”

Page 41 Page 43
Image 42
Page 41 Page 43
Contents Page Contents Features of MOSS-TRI IntroductionSub oscillator Program structureOSC 1 Noise generatorEditing Filter sectionCharacteristics of each oscillator Program Play Mode Program Play P1 Program PlayProg Basic Program Edit ModeProgram Edit P1 1a Program Name1c Assign/Hold 1d UnisonKey Scale Key 1e ScaleType Scale Type Random …991f Panel Switch Assign SW22a Multi Oscillator Synthesis Setup OSC Basic2b Common Pitch Modulation 2c Bending 2d PortamentoOSC 1 Pitch 3a Basic Pitch3b Pitch Modulation OSC 2 Pitch Sub Pitch3c Pitch Slope Program Edit P2 OSC 01 StandardWaveform modulation 1a Wave 1b WaveformWaveform Modulation1c Wave Shape Shape …99 Type Wave Shape Table TypeOffset Wave Shape Offset 99…+99 Intensity Shape AMS Intensity 99…+99Comb Filter 1a InputInput 1b Level Modulation 1c Feedback1d High Damp 03 VPM 1a Carrier1b Wave Shape 1c Feedback …99 1d Modulator1e Frequency Resonance 1b BPF1…4 1c ResonanceRing Modulation 1b Mod. DepthCross Modulation Carrier Saw, Square, Triangle, SineSync Modulation Slave Saw, Square, Triangle, SineCoarse Harmonics Coarse …16 Organ Model1a Drawbar Fine Harmonics Coarse Fine 99…+991d Drawbar 1b Percussion Level …991c Drawbar 1e Percussion GeneratorElectric Piano Model 1a Hammer1d Pickup Position 1b Tone Generator1c Overtone 1e Low EQBrass Model Brass Model1a Inst Type 1b Breath Pressure1c Lip Character 1d Bell Character 1e Peaking EQReed Model Reed ModelIntensity Reed AMS Intensity 99…+99 1c Reed Character1e Wave Shape Offset 99…+991f Peaking EQ Attack Level …99 Plucked String Model1a Attack Velocity 99…+991b Attack Curve 1c StringKTr Damp Keyboard Track 99…+99 Intensity Damp AMS Intensity 99…+99KTr Decay Keyboard Track 99…+99 1d Harmonics 1e Pickup1f Low EQ Int. Speed Modulation EG Intensity 99…+99 Bowed String Model1a Bowing Speed Int. Speed AMS.1 Intensity 99…+991b Bow Pressure OSC 1d Peaking EQSub/Noise 3a Sub OscillatorWave Form 3b Noise Generator 1a OSC 1 Out Program Edit P3Mixer Output Level 00...991d OSC 2 Out 1b OSC 1 Out1c OSC 2 Out 1e Sub OutFilter 2a Routing Filter Routing Serial 1/serial 2/parallelEG Cutoff Frequency Modulation EG 2b Filter2c Cutoff/Cutoff a Cutoff Frequency Intensity Cutoff Frequency Mod. EG Intensity 99…+99Low Key …G9 2d Keyboard Track2e Resonance/Resonance a High Key …G93b Cutoff B Cutoff Frequency B Filter 1SUB3a Input Trim …99 3c Keyboard Track3d Resonance B AMS Intensity 99…+99Filter 2 SUB 4a Link to Filter1a Amp Program Edit P4Amp 1b Keyboard Track Amplitude 1 Keyboard Track1c Amp 1d Keyboard Track Amplitude 2 Keyboard Track1e Pan/Outputs Amp EG 2a Level Amp EG Level …992b Time Amp EG Time 2e Time Modulation 2c Level Control2d Level Modulation Intensity EG Level AMS Intensity 99…+991a Level Program Edit P5EG 1 AMSource 1b Time Amp EG Time1e Time Modulation 1c Level Control1dLevel Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG Program Edit P6 LFO1a Wave Form/Key Sync 1b Frequency 1c Midi Sync1d Amplitude Modulation Offset 50…+50Fade In Time …99 Program Edit P7 Program Edit P8Retrigger Controller List Modulation Source List 18AfterTouchPrecautions Additional messageBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
Top Page Image Contents