Korg Synthesizer manual Ring Modulation, 1b Mod. Depth

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2:1 OSC 1 (05: Ring Modulation)

05: Ring Modulation

This multiplies the modulator and carrier and outputs the signal produced. One of four types of waveform can be selected as the carrier. Since the result will be a metallic sound with little sense of pitch, this is suitable for producing sound effects. The Ring Modulation oscillator contains an internal carrier oscillator. The output of the other oscillator etc. can be selected as the modulator.

Ring Modulation

Modulator

Carrier Wave

2–1a

2–1b

2–1a: Input

Input

[OSC2(1), SubOSC, Noise, Filter1, Filter2]

Specifies the modulator.

If you select 05:Resonance for OSC 1 and 2 in “1-2a: Multi Oscillator Synthesis Setup,” and select the other oscillator as the Input for each, you may hear no sound at all for some parameter settings.

Carrier

[Saw, Square, Triangle, Sine]

Specifies the carrier waveform.

 

Wave Edge

[0…99]

Specifies the amount of high frequency harmonics for the carrier waveform. As this value is decreased, the sound will have less high-frequency harmonics, and as it approaches 0 the volume will also decrease.

Type

[1, 2]

Selects the modulation type. The two types differ in the tone of the high range. Type 2 will produce a brighter sound than type 1.

2–1b: Mod. Depth

Mod. Depth

[0…99]

Specifies the depth of modulation. At a setting of 0, the carrier waveform will be output without change.

AMS.1 (Alternate Modulation Source 1)

[OFF…MIDI (CC#83)]

Selects a modulation source 1 (☞ page 64 of this manual) that will control “Mod. Depth.”

Intensity (Modulation Depth AMS.1 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.1.”

 

AMS.2 (Alternate Modulation Source 2)

[OFF…MIDI (CC#83)]

Selects a modulation source 2 (☞ page 64 of this manual) that will control “Mod. Depth.”

Intensity (Modulation Depth AMS.2 Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.2.”

Parameters

Prog.

Edit

P2

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Contents Page Contents Introduction Features of MOSS-TRIOSC 1 Program structureSub oscillator Noise generatorFilter section EditingCharacteristics of each oscillator Program Play Program Play Mode Program Play P1Program Edit P1 Program Edit ModeProg Basic 1a Program Name1d Unison 1c Assign/HoldType Scale Type 1e ScaleKey Scale Key Random …99SW2 1f Panel Switch AssignOSC Basic 2a Multi Oscillator Synthesis Setup2b Common Pitch Modulation 2d Portamento 2c Bending3a Basic Pitch OSC 1 Pitch3b Pitch Modulation Sub Pitch OSC 2 Pitch3c Pitch Slope OSC 01 Standard Program Edit P2Waveform modulation 1b WaveformWaveform Modulation 1a Wave1c Wave Shape Offset Wave Shape Offset 99…+99 Type Wave Shape Table TypeShape …99 Intensity Shape AMS Intensity 99…+991a Input Comb FilterInput 1c Feedback 1b Level Modulation1d High Damp 1a Carrier 03 VPM1b Wave Shape 1d Modulator 1c Feedback …991e Frequency Resonance 1c Resonance 1b BPF1…41b Mod. Depth Ring ModulationCarrier Saw, Square, Triangle, Sine Cross ModulationSlave Saw, Square, Triangle, Sine Sync Modulation1a Drawbar Organ ModelCoarse Harmonics Coarse …16 Fine Harmonics Coarse Fine 99…+991c Drawbar 1b Percussion Level …991d Drawbar 1e Percussion Generator1a Hammer Electric Piano Model1c Overtone 1b Tone Generator1d Pickup Position 1e Low EQBrass Model Brass Model1b Breath Pressure 1a Inst Type1c Lip Character 1e Peaking EQ 1d Bell CharacterReed Model Reed Model1e Wave Shape 1c Reed CharacterIntensity Reed AMS Intensity 99…+99 Offset 99…+991f Peaking EQ 1a Attack Plucked String ModelAttack Level …99 Velocity 99…+991c String 1b Attack CurveIntensity Damp AMS Intensity 99…+99 KTr Damp Keyboard Track 99…+99KTr Decay Keyboard Track 99…+99 1e Pickup 1d Harmonics1f Low EQ 1a Bowing Speed Bowed String ModelInt. Speed Modulation EG Intensity 99…+99 Int. Speed AMS.1 Intensity 99…+991b Bow Pressure 1d Peaking EQ OSC3a Sub Oscillator Sub/NoiseWave Form 3b Noise Generator Mixer Program Edit P31a OSC 1 Out Output Level 00...991c OSC 2 Out 1b OSC 1 Out1d OSC 2 Out 1e Sub Out2a Routing Filter Routing Serial 1/serial 2/parallel Filter2c Cutoff/Cutoff a Cutoff Frequency 2b FilterEG Cutoff Frequency Modulation EG Intensity Cutoff Frequency Mod. EG Intensity 99…+992e Resonance/Resonance a 2d Keyboard TrackLow Key …G9 High Key …G93a Input Trim …99 Filter 1SUB3b Cutoff B Cutoff Frequency B 3c Keyboard TrackAMS Intensity 99…+99 3d Resonance B4a Link to Filter Filter 2 SUBAmp Program Edit P41a Amp 1b Keyboard Track Amplitude 1 Keyboard Track1d Keyboard Track Amplitude 2 Keyboard Track 1c Amp1e Pan/Outputs 2a Level Amp EG Level …99 Amp EG2b Time Amp EG Time 2d Level Modulation 2c Level Control2e Time Modulation Intensity EG Level AMS Intensity 99…+99EG 1 AMSource Program Edit P51a Level 1b Time Amp EG Time1dLevel Modulation 1c Level Control1e Time Modulation Release Slope Time …99EG 2, 5-3 EG 3, 5-4 EG LFO Program Edit P61a Wave Form/Key Sync 1c Midi Sync 1b FrequencyOffset 50…+50 1d Amplitude ModulationFade In Time …99 Program Edit P8 Program Edit P718AfterTouch Retrigger Controller List Modulation Source ListAdditional message PrecautionsBank S was skipped

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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