Korg PS60 manuals
Fitness & Sports > Bicycle
When we buy new device such as Korg PS60 we often through away most of the documentation but the warranty.
Very often issues with Korg PS60 begin only after the warranty period ends and you may want to find how to repair it or just do some service work.
Even oftener it is hard to remember what does each function in Bicycle Korg PS60 is responsible for and what options to choose for expected result.
Fortunately you can find all manuals for Bicycle on our side using links below.
148 pages 16.55 Mb
2 iiAbout the Parameter Guide Conventions in the operation manualsAbbreviations for the manuals: OM, PG Symbols , , , Note, Tips Example screen displays MIDI-related explanations 3 Table of Contents5 Performance EditMode Select, Utility Display Performance Controls Split Setting Modulation Reverb/Delay 2 EQ 6 Keyboard, Wheels7 OverViewMain TimbresTimbreTimbre On [On, Off] Program Select [001...] Octave [-5...+0...+5] Volume [000...127] 4 MFX1 (Mod.) EQ SplitPoint 8 Sub TimbresTimbre Param (Timbre Parameters) Scale 9 Timbre Param (Timbre Parameters)Scale Type[Equal Temperament...User Octave Scale 03] 6Key (Scale Key) [C...B] Random [0...7] 10 Timbre Mi xerPanPan (Pre) [RND, L001...C064...R127] SendModulation [000...127] Reverb/Delay [000...127]A.PIANO Pan(Pre) CC#10 Pan(Post) CC#8 E.PIANO ORGAN BRASS STRINGS Timbre Param (Timbre Parameters) MIDI/OSC 7 11 MIDI/OSCMIDIStatus [INT, EXT, EX2] MIDI Ch. (MIDI Channel) [01...16, Gch] Bank MSB [000..127] Bank LSB [000..127] OSCForce OSC Mode [PRG, Poly, Mono, LGT] OSC Select [BTH, OSC1, OSC2] Portamento [PRG, Off, 001...127] 12 Pitch/OtherTranspose [60...+00...+60] Detune [1200...+0000...+1200] Bend Range [PRG, 24...+00...+24] Use Prog Scale [Off, On] Timbre Param (Timbre Parameters) Tone 9 13 Ton e14 MIDI FilterProgram Change [Off, On] Damper [Off, On] Portamento SW [Off, On] JS X as AMS [Off, On] JS+Y [Off, On] JSY [Off, On] Ribbon (CC#16) [Off, On] Foot SW [Off, On] Foot Pedal [Off, On] Other CC [Off, On] MFX/EQ (Master Effect/EQ) MFX&EQ Routing 11 15 MFX/EQ (Master Effect/EQ)MFX&EQ RoutingMFX1, MFX2:On/Off [Off, On] Return 1 [000...127] Return 2 [000...127] ChainMastern FX Chain [Off, On] Chain Level [000...127] UTILITY Command EQ 17 13Procedure for utility commands Store PerformanceNew Name [characters] Choose Destination [A-1...D-5: name] Initialize Performance Copy MFX/EQFrom Mode [Prog, Perf ] Src (Source) [A000: name..., 000: name...] FX [All, Mod. Rev/Dly, EQ] Load... Save... Receive All Transmit All Receive All Performance Transmit All Performance Receive Current Performance Transmit Current Performance All Sound Off 19 Program EditSelecting the program that you want to edit 16 20 Quick ParametersQuickOverview OSC CommonOSC CommonVoiceVoice Assign Mode (Voice Mode) [Poly, Mono] Mono Legato [Off, On] Unison [On, Off] Voices (N umbe r of Voi ces) [2...6] Detune [cents] [00...99 cents] Thickness [Off, 1...9] Quick OSC Common 21 17OscillatorPtchStrtch (Pitch Stretch) [12...0...+12 (Rel)] Hold [Off, On] Reverse [PROG, Off, On (Rel)] Tone p ar ame ter s Filter/AmpFilterCutoff (Filter Cutoff) [99...+99 (Rel, CC#74)] Resonance (Filter Resonance)[99...+99 (Rel, CC#71)] Flt EG Int (Filter EG Intensity)[99...+99 (Rel, CC#79)] AmpAmpVel Int (Amp Velocity Intensity)[99...+99 (Rel)] AuditionAudition Riff No. [000: Off...383: name] Transpose [-24...+24] 18 22 OSC EG/LFOOSC EGFilter/Amp EG Filter EG Amp EG Pitch EG/LFO Quick OSC1 19 OSC LFO 23 OSC1OSC Mixer PitchPitch JS+X [60...+12] Pitch JSX [60...+12] 24 PortamentoPortamento (Portamento Enable) [Off, On] PortaFingr (Portamento Fingered) [Off, On] PortaMode (Portamento Mode) [Rate, Time] PortaTime (Portamento Time) [000...127] LFOLFO1 [Triangle...Rnd6(Cnt)] LFO2 [Triangle...Rnd6(Cnt)] Filter LFO1 Intensity to A (FltLFO1toA) [99...+99] Filter LFO1 Intensity to B (FltLFO1toB) [99... +99] Quick OSC2Filter LFO 2 Intensity to A (FltLFO2toA) [99...+99] Filter LFO2 Intensity to B (FltLFO2toB) [99...+99] Amp LFO1 Intensity (AmpLFO1Int) [99...+99] Amp LFO2 Intensity (AmpLFO2Int) [99...+99] Pitch LFO1 AMS Intensity (P.LFO1 AMS Int) [12.00...+12.00] Pitch LFO2 AMS Intensity (P.LFO2 AMS Int) [12.00...+12.00] 25 OSC2About Relative (Rel) and Absolute parametersSaving Tone parameter Edits Interaction between parameters and MIDI CCs 22 26 Full ParametersBasicOSC ModeOscillator Mode [Single, Double] ScaleType [Equal Temperament...User Octave Scale03] Key (Scale Key) [C...B] Random [0...7] Half-Damper ControlBasic About Relative (Rel) and Absolute parameters 27 23Enable Half-Damper [On, Off] Half-Damper Pedal and Release Time Key ZoneBottom Key [C1...G9] Top Key [C1...G9] Bottom Key [C1...G9] Top Key [C1...G9] Hold [On, Off] Hold Bottom Key [C1...G9] Hold Top Key [C1...G9] Using Hold with Acoustic Pianos 24 28 Program BasicVoice Assign ModeVoice Assign Mode (Mode) [Poly, Mono] PolyPoly Legato [Off, On] Single Trigger [Off, On] MonoMono Legato [Off, On] Mono Mode [Normal, Use Legato Offset] Priority [Low, High, Last] Unison [On, Off] Voices (N umbe r of Voi ces) [2...6] Detune [cents] [00...99 cents] Thickness [Off, 1...9] OSC/Pitch Program Basic 29 OSC/PitchVelocity splits, crossfades, and layers Oscillator Mode Single, Double HighMultisample On/Off [Off, On] Bank [Mono, Stereo] Multisample select [List of Multisample] 26 OSC2 PITCH EG 30 OSC1 MultisampleWhat is a multisample? HighStart Offset [Off, 1st...8th] Level [0...127] Reverse [Off, On] CrossfadeBottom Vel (Bottom Velocity) [1...127] OSC/Pitch OSC1 Multisample 31 27Range (Crossfade Range) [Off, 1...127] Curve [Linear, Power, Layer] Mid High, Mid-Low, Low 28 32 OSC1 PitchAlternate Modulation AMS (Alternate Modulation Source) Tips for using AMS Pitch Slope [1.0...+2.0] Ribbon (CC#16) [12...+12] JS (+X) [60...+12] JS (X) [60...+12] AMS (Pitch) [List of AMS Sources] Pitch EGIntensity [12.00...+12.00] OSC/Pitch OSC1 Pitch 33 29AMS (Pitch EG) [List of AMS Sources] Portament oEnable [Off, On] Fingered [Off, On] Mode [Rate, Time] Time [000...127] LFO1LFO1 Intensity [12.00...+12.00] JS+Y Intensity [12.00...+12.00] AMS (LFO1) [List of AMS Sources] LFO2 30 34 OSC2 MultisampleOSC2 Pitch OSC CommonFrequencyOSC1, OSC2Octave [32', 16', 8', 4'] Transpose [12...+12] Tune [1200...+1200] Freq Ofs [Hz] (Frequency Offset) [10.0Hz ... +10Hz] Note On ControlDelay [ms] [0000ms...5000ms, KeyOff] Mode [Key, Key + Damper] OSC/Pitch Pitch EG 31Delay [ms] [0000ms...5000ms, KeyOff] Mode [Key, Key + Damper] Velocity ZoneOSC Top [001...127] OSC Bottom [001...127] OSC2 Top [001...127] OSC2 Bottom [001...127] OSC 1/2 Velocity Zone Window: 35 Pitch EG 39 FilterFilter1Routing [Single, Serial, Parallel, 24dB(4Pole)] 40 36Filter A FilterB Filter1 EG Filter2 37 41 Filter1FilterAFilterBypass [Off, On] Input Trim [00...99] ResonanceLevel [00...99] AMS Source (Resonance) [List of AMS Sources] Output Level Filter B 38 42 Filter1 ModulationKeyboard TrackBreak KeyLow Key [C1...G9] Center Key [C1...G9] High Key [C1...G9] Intensity Filter Filter1 Modulation 43 39Key Follow Filter Keyboard Track is also an AMS source Filter EG 44 40Velocity to B [99...+99] AMS Source (Filter EG) [List of AMS Sources] AMS Int to A [99...+99] AMS Int to B [99...+99] Filter ModulationFilter A:AMS1 Source [List of AMS Sources] AMS1 Intensity [99...+99] AMS2 Source [List of AMS Sources] AMS2 Intensity [99...+99] Filter B: Filter Filter1 LFO Mod. 41 45 Filter1 LF O Mod.LFO 1JSY Int to A [99...+99] JSY Int to B [99...+99] AMS Source (LFO1) [List of AMS Sources] AMS Int to A [99...+99] AMS Int to B [99...+99] LFO 2 Common LFO 46 Filter1 EG48 Filter2Filter2 Modulation Filter2 LF O Mod. Filter2 EG 49 AmpAmp1Level [000...127] MIDI and volume Pan [RND, L001...C064...R127] Pan AMS Src (Pan AMS Source)[List of AMS Sources] Pan AMS Int (Pan AMS Intensity) [99...+99] 46 Amp2 50 Amp1 ModulationKeyboard TrackBreak KeyLow Key [C1...G9] Center Key [C1...G9] High Key [C1...G9] Amp Amp1 Modulation 51 47Differences from other Keyboard Tracks Amp KTrk is also an AMS source Amp Modulation 52 Amp1 EGStart [00...99] Break [00...99] Sustain [00...99] Amp Amp2 Modulation AMS2, AMS3AMS [List of AMS Sources] 53 Amp2 ModulationAmp2 EG 54 LFOOSC 1 55 51OSC 2 Common 52 56 OSC1 LFO1 OSC 1 LFO 1Shape AMS Src [List of AMS Sources] Shape AMS Int [99...+99] Stop [Off, On] Key Sync. [Off, On] Offset [99...+99] Fade [00...99] Delay [00...99] Frequency Modulation 53IntMod Src (Intensity Mod AMS) [List of AMS Sources] IntMod Int [99...+99] AMS2 Frequency MIDI/Tempo Sync.MIDI/Tempo Sync. [Off, On] Base Note [ ] Times [01...32] 57 OSC1 LFO2 OSC2 LFO1 OSC2 LFO2 58 Common LFO Differences from LFO1/2 Common LFOShape AMS Src [List of AMS Sources] Shape AMS Int [99...+99] Stop [Off, On] Reset AMS [List of AMS Sources] Offset [99...+99] Frequency Modulation Frequency MIDI/Tempo SyncAMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common LFO 59 AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track)AMS Mixer1Mixer Type [A+B, Amt AxB, Offset, Smoothing, Shape, Quantize, Gate Control] 56AMS Mixer2Mixer Type [A+B, Amt AxB, Offset, Smoothing, Shape, Quantize, Gate Control] OSC 2 60 OSC1 AMS Mix AMS Mixer1 60Gate OutputBelow Thresh. [Fixed Value, AMS A] Fixed Value [99...+99] At & Above Thresh. [Fixed Value, AMS B] Fixed Value [99...+99] Gate ControlControl At Note-On Only [Off, On] Tips: Examples of using GateUsing a foot switch to apply pitch bend to specific notes Selective pitch-bend, using only the joystick Generating a static value AMS Mix2 64 OSC 2 AMS Mix AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common KeyTrack (Common Key- 61 65 Common KeyTrack (Common Keyboard Track)What does Keyboard Tracking do? Keyboard Track 1 KeyLow Break [C1...G9] Center [C1...G9] High Break [C1...G9] 66 62Keyboard Track 2 IFX (Insert Effect) Common KeyTrack (Common Keyboard Track) 63 67 IFX (Insert Effect)IFX RoutingIFX [00...52 (53, 54)] IFX On/Off [Off, On] Send1 (Mod) [000...127] Send2 (Rev) [000...127] 64 68 IFXInsert Effect (IFX)IFX1 Parameters MFX/EQ (Master Effect/EQ) IFX 65 69 MFX/EQ (Master Effect/EQ)MFX&EQ RoutingMFX1, MFX2On/Off [Off, On] Return 1 [000...127] Return 2 [000...127] ChainMastern FX Chain [Off, On] Chain Level [000...127] 70 MFX1MFX2 EQUTILITY Command EQ 71 67Procedure for utility commands Write Progr amSelect Category [A.PIANO...SYNTH] Select Sub Category [A.PIANO...Hit/SFX] New Name [characters] Choose Destination [A, B, C, D, 000...127: name] Remove Program from Category Copy Oscillator Swap Oscillator Copy EG Copy LFO Swap LFO 1&2 Copy Insert E ffect Copy MFX/EQFrom Mode [Prog, Perf] Src (Source) [A000: name..., 000: name] 69 73 GlobalSoftware SetupTotal Recall & Data Sync Settings Auto Load FileLoad data file automatically at starting up Local Control MIDI SettingsMIDI IN Port / MIDI OUT Port 70 74 Basic/MIDI ControllersBasic SetupBasicMaster Tune [50cent (427.47Hz)...+50cent (452.89Hz)] Key Transpose [12...+00...+12] 75 Basic/MIDI ControllersOctave [-3...+0...+3] Velocity Curve (Vel Curve) [1...9] After Touch Curve [1...8] System Preference EQ OffsetBass [-18.0...+00.0...+18.0 dB] Mid [-18.0...+00.0...+18.0 dB] Treble [-18.0...+00.0...+18.0 dB] 76 72Memory ProtectProgram [Off, On] Performance [Off, On] MIDIBasicMIDI Channel (Global MIDI Channel) [1...16] MIDI received MIDI output when playing the PS60 Local Control On [Off, On] Convert Position [PreMIDI, PostM IDI] 77 Basic/MIDI ControllersNote Receive [All, Even, Odd] MIDI ClockMIDI Clock [Internal, External MIDI, External USB, Auto] MIDI Filter:Program Change (Prog Chg) [Off, On] Bank Change (Bank Chg) [Off, On] After Touch (AfterTouch) [Off, On] Control Change (Ctrl Chg) [Off, On] SysEx (System Exclusive) [Off, On] 74 Controllers 78 X Y +Y -Y XYJS Lock [X, Y, +Y, -Y, XY] Foot Switch & Pedal / Damper (PEDAL SW 1)Type [Damper, Switch, Pedal] Foot Switch function [List of Foot Switch Assign] Foot Pedal function [List of Foot Pedal Assign] Damper/Switch Polarity [() KORG Standard, (+)] Foot Switch & Pedal (PEDAL SW 2)Type [Switch, Pedal] Foot SW function [List of Foot Switch Assign] Foot Pedal function [List of Foot Pedal Assign] Damper/Switch Polarity [() KORG Standard, (+)] User Scale 75 79 User ScaleUser Octave ScaleUser Octave Scale [User Octave Scale 00...03] Tune [99...+99] User All Notes Scale 76 80 CategoryCategory NameMain Category [00...17] Sub Category [00...07] 79 83 Effect GuideOverviewEffect structureInsert effects Master effect 1 (Modulation) Master effect 2 (Reverb/Delay) EQ (stereo three-band EQ) Effect structure for a program Effect structure for a performance Effect priorityInsert effect Master effects and EQSingle settings (i.e., other than Split or Layer) Single -> Layer settings Single or Layer -> Split settings Effect Guide 80 Use caution when changing the category Editing effect parameters on the PS60 itself Dynamic modulation (Dmod) and Tempo SynchronizationDynamic modulation (Dmod) Tempo Synchronization 84 PERFORMANCEA.PIANO (Timbre1) E.PIANO (Timbre2) ORGAN (Timbre3) STRINGS (Timbre4) BRASS (Timbre5) SYNTH (Timbre6) PROGRAMInsert Effects (IFX) Dynamic modulation to control an effect parame- ter in realtimeNow, we can set the Dmod to change the delay level via the Joystick Using a foot switch connected to the DAMPER/PEDAL/SW jack to vary the feedback level via Dmod Effect I/O 85 Insert Effects (IFX)In/Out Mixer Controlling the Insert Effects via MIDI 86 Master Effects (MFX1, 2)EQIFX (Insert effects) List 000: No Effect 87 IFX (Insert effects) List000: No Effect 001: St.Comp (Stereo Compressor)Envelope Sensitivity LevelThisparametercontrolstheattacklevel. 002: Red Comp 88 003:St. Limitr (Stereo Limiter)Envelope Source Envelope Ratio Threshold [dB] Gain Adjust [dB] Release IFX (Insert effects) List 004: MulLimitr (Multiband Limiter) Trigger MonitorD Theseparameterssetthegainofthetriggersignal. PEQ Insert PEQ Cutoff [Hz] Q Gain [dB] 89 004: MulLimitr (Multiband Limiter)Low Offset [dB] Mid Offset [dB] High Offset [dB] 005: St.MstLmt (Stereo Mastering Limiter)Thisisastereolimiterthatisoptimizedformasteringsongs. 006: St.Gate (Stereo Gate)Threshold ReleaseSelectsafiltertypeforBand1and4. Polarity Delay Time [ms] 90 007: St.P4EQ (Stereo Parametric 4- Band EQ)Band1 Type Band4 Type IFX (Insert effects) List 008: St.G7EQ (Stereo Graphic 7-Band EQ) 91 008: St.G7EQ D Q DBand2 Dynamic Gain Source Amount [dB]YoucancontrolthegainofBand2usingthemodulation source. (Stereo Graphic 7- Band EQ) 009: St.Excitr (Stereo Exciter)ThiseffectisacombinationoftheExciter. DExciter Blend Emphasis FreqThisparametersetsthefrequencytobeemphasized.Higher valueswillemphasizelowerfrequencies. 92 010: St.Isolat (Stereo Isolator)011: St. Wah (Stereo Wah/Auto Wah)IFX (Insert effects) List 012: St.VtgWah (Stereo Vintage/Custom Wah) 93 012: St.VtgWah D D Frequency Bottom Frequency Top Sweep Mode Envelope Sens Envelope ShapeThisparameterdeterminesthesweepcurvefortheauto wah. BPM/MIDI Sync BPM Base Note Times LFO Type (Stereo Vintage/ Custom Wah)Shape Mode Frequency Bottom Frequency Top Resonance Bottom Resonance Top 94 013: VOX Wah014: St.RndFlt (Stereo Random Filter)IFX (Insert effects) List 014: St.RndFlt (Stereo Random Filter) Phase [deg] LFO Waveform Step Freq [Hz] BPM Step Base Note Times 95 015: St.MMFltr (Multi Mode Filter)96 016: St.SubOsc (Stereo Sub Oscillator)D OSC Mode Note Interval Note Fine Env. Pre LPF 017: Talk Mod (Talking Modulator)IFX (Insert effects) List 018: St.Decimt (Stereo Decimator) Voice Top Voice Center Voice Bottom Formant Shift Resonance 97 018: St.Decimt (Stereo Decimator)Pre LPF Resolution [bit] Output Level D 98 019: St. Record (Stereo Analog Record)D FlutterThisparameterenablesyoutosetthedepthofthe modulationcausedbyawarpedturntable. Click Level 020: OD Wah (Overdrive/Hi.Gain Wah)IFX (Insert effects) List 021: St.Gt Cab (Stereo Guitar Cabinet) Wah Switch Mode Sweep Range Source Pre Low Cut Drive Output Level 99 021: St.Gt Cab (Stereo Guitar Cabinet)100 022: St.Bs Cab (Stereo Bass Cabinet)Thissimulatestheacousticalcharacterofabassamps speakercabinet. 023: Bass AmpThissimulatesabassamp. IFX (Insert effects) List 025: TrebleBST (Treble Booster) 101 024: B.Amp Cab Thissimulatesabassampandspeakercabinet. (Bass Amp Model+Cabinet)Amp Type Cabinet Type Recommended Combinations of Bass Amp Models and Cabinets: 025: TrebleBST (Treble Booster) 102 026: Tube Pre (Tube PreAmp Modeling)027: St.TubPre Saturation [%] Tube1 Bi as Tube1 Ph ase (Stereo Tube PreAmp Modeling) 028: Mic Model (Mic Modeling + PreAmp)IFX (Insert effects) List 029: Stereo Phaser Mic Position 103 029: Stereo Phaser030: Small Phs (Small Phaser) 104 031: OrangePhs (Orange Phaser)032: BlackPhsr (Black Phaser)ThismodelsaDanishmadefourstagephaserthatfeatured awiderange. 033: U-VIBE 034: St.RndPhs (Stereo Random IFX (Insert effects) List 035: St.EnvPhs (Stereo Envelope Phaser) 105 035: St.EnvPhs (Stereo Envelope D Sweep Mode Source EG Attack EG DecayAttackandDecayspeedaretheonlyadjustableparameters onthisEG. 036: 2Vo.Reso (2-Voice Resonator)D Control Mode Voice 1 Resonance Voice 2 Resonance LFO/D-mod Invert Voice 1 Pi tch Voice 1 Fine [cents] Voice 2 Pi tch Voice 2 Fine [cents] High Damp [%] 106 037: St.Tremlo (Stereo Tremolo)IFX (Insert effects) List 038: TEX Treml (TEXTREM) LFO Waveform 107 038: TEX Treml (TEXTREM)039: St. Env.Trm (Stereo Envelope Envelope Amount [Hz] Tremolo Dep th Tremolo Amount 108 040: St.AutPan (S tereo Auto Pan)LFO ShapeYoucanchangethepanningcurvebymodifyingtheLFOs Shape. 041: St.PhsTrm (Stereo Phaser + IFX (Insert effects) List 042: St.Ring M (Stereo Ring Modulator) Type Phaser Wet/Dry 109 042: St.Ring M (Stereo Ring Modulator)OSC ModeThisparameterdetermineswhetherornottheoscillator frequencyfollowsthenotenumber. Pre LPF Fixed Freq [Hz]ThisparametersetstheoscillatorfrequencywhenOSC ModeissettoFixed. andanexciter. Note Offset Note Fine 110 043: P4EQ-Xctr (Parametric 4-Band EQ - Exciter)044: P4EQ-Wah (Parametric 4-Band EQ - Wah/A uto Wah )andawah.Youcanchangetheorderoftheconnection. IFX (Insert effects) List 045: P4EQ-Phaser (Parametric 4-Band EQ - Phaser) 111 045: P4EQ-Phaser (Parametric 4- Band EQ - Phaser)D andaphaser. Output Mode Routing 046: Comp-Wah (Compressor - Wah/Au to Wah)Thiseffectcombinesamonocompressorandawah.Youcan changetheorderoftheconnection. 112 047: Comp-Amp (Compressor - Amp Simulation)048: Comp-OD (Compressor - Overdrive/Hi.Gain)IFX (Insert effects) List 049: Comp-P4EQ (Compressor - Parametric 4-Band EQ) 113 049: Comp-P4EQ (Compressor - Parametric 4 -Band EQ)050: Comp-Phsr (Compressor - Thiseffectcombinesamonocompressorandaphaser.You canchangetheorderoftheeffects. Output Mode 114 051: Lmtr-P4EQ (Limiter - Parametric 4 -Band EQ)Ratio Threshold [dB] Gain Adjust [dB] 052: Limtr-Phsr (Limiter - Phaser)Thiseffectcombinesamonolimiterandaphaser.Youcan changetheorderoftheeffects. IFX (Insert effects) List 053: Xctr-Comp (Exciter - Compressor) 115 053: Xctr-Comp (Exciter - Compressor)Thiseffectcombinesamonoexciterandacompressor.You canchangetheorderoftheeffects. 054: Xctr- Lmtr (Exciter - Limiter)Thiseffectcombinesamonoexciterandalimiter.Youcan changetheorderoftheeffects. 116 055: Xctr- Phsr (Exciter - Phaser)Thiseffectcombinesamonolimiterandaphaser. 056: OD-Amp (Overdrive/Hi.Gain - Amp Simulation)IFX (Insert effects) List 058: Wah-Amp (Wah - Amp Simulation) 117 057: OD-Phsr (Overdrive/Hi.Gain - 058: Wah-Amp (Wah - Amp Simulation)Thiseffectcombinesamonowahandanampsimulation. Youcanchangetheorderoftheeffects. 118 059: Deci-Amp (Decimator - Amp Simulation) 060: Deci-Comp (Decimator - Compressor)Thiseffectcombinesamonodecimatorandacompressor. Youcanchangetheorderoftheeffects. IFX (Insert effects) List 061: Amp-Trml (Amp Simulation- Tremolo) 119 061: Amp-Trml (Amp Simulation- Thiseffectcombinesamonoampsimulationandatremolo. 062: Organ Vib/Chorus (Organ Vibrato/C horus)Control Mode Preset Type Custom Mix Custom Depth Custom Speed Amount 120 063: Rotary SP (Rotary Speaker)Switch Mode Speed Switch Manual Speed Horn Acceleration Rotor Acceleration Mic Distance Mic Spread MFX1 (Mod.) (Master Effect1Modulation) List No Effect 121 MFX1 (Mod.) (Master Effect1Modulation) ListNo Effect St.Chorus (Stereo Chorus) St.Flange (Stereo Flanger) Vntg.Cho/Flg (Vintage Chorus/ Flanger) 122 St.Phaser (Stereo Phaser)MFX2 (Rvb/Dly) (Master Effect2Revreb/Delay) List No Effect 123 MFX2 (Rvb/Dly) (Master Effect2Revreb/Delay) ListNo Effect Hall Plate Room Delay 124 EQ (Equalizer)125 AppendicesAlternate Modulation Source (AMS)Alternate Modulation OverviewAlternate Modulation Sources AMS (Alternate Modulation Source) ListPhysical and MIDI controllersOff Note Number Velocity Exp. Velocity (Exponential Velocity) Poly After After Touch JS X JS+Y: CC#01 JSY: CC#02 JS +Y & AT/2 (Joy Stick +Y & After Touch/2) JS Y & AT/2 (Joy Stick Y & After Touch/2) Pedal: CC#04 (Foot Pedal: CC#04) Damper: #64 Portamento SW: #6 5 Sostenuto: #66 Soft: CC#67 SW 1: CC#80 (SW 1 Modulation: CC#80) SW 2: CC#81 (SW 2 Modulation: CC#81) Foot SW: #82 (Foot SW: CC#82) Tempo Gate1 Gate1+Damper Gate2 Gate2+Damper 126 Alternate Modulation settings127 Alternate Modulation Source (AMS) Alternate Modulation settingsAMS operations and their result Notes for the table 128 124The effects of AMS on various param- eters, and example applicationsPitch (page 28) Pitch EG (page 31) LFO 1/2 (page 52) Filter (Cutoff) Frequency (page 37) Resonance (page 37) Output (page 37) Filter EG Intensity (page 39) 129 Alternate Modulation Source (AMS) Alternate Modulation settingsFilter LFO1/2 Intensity (page 41) Filter Common LFO (page 54) Amp (page 45) Amp LFO1/2 Intensity (page 47) Pan (page 45) EG Reset Pitch EG (page 33) Filter EG (page 43) Amp EG (page 49) EG Level Pitch EG (page 32) Filter EG (page 42) Amp EG (page 48) EG Time Pitch EG (page 32) Filter EG (page 42) Amp EG (page 48) 130 LFO Frequency (page 51)LFO Frequency AMS Intensity (page 52) LFO Shape (page 51) Common LFO Reset (page 54) Dynamic Modulation Source (Dmod) Alternate Modulation settings 131 Dynamic Modulation Source (Dmod)D Dmod List (Dynamic Modulation Source List)Gate1, Gate1+Dmpr (Gate1, Gate1+Damper) 132 Foot Switch AssignList of Foot Switch assignments Foot Pedal Assign Alternate Modulation settings 133 Foot Pedal AssignList of Foot Pedal assignments 134 MIDI transmission when the PS60s controllers are usedPS60 and MIDI CCs Responses to standard MIDI controllers 135 PS60 and MIDI CCs138 MIDI applicationsAbout MIDI Settings when connected to a MIDI device or computerThe Convert Position setting Local Control On settings Messages transmitted and received by the PS60MIDI channels Note on/offNote-on [9n, kk, vv] Note-off [8n, kk, vv] Program changes / Bank selectChanging the program/bankProgram change [Cn, pp] Bank select MSB (CC#0) [Bn, 00, mm] Bank select LSB (CC#32) [Bn, 20, bb] 139 135AftertouchChannel aftertouch [Dn, vv] Polyphonic aftertouch [An, kk, vv] Pitch bendPitch bend change [En, bb, mm] Control change Selecting program/performance banksBank select (CC#00, CC#32) Using the joystick to apply modulationModulation 1 depth (CC#01) [Bn, 01, vv] Modulation 2 depth (CC#02) [Bn, 02, vv] Bank No. MSB (CC#00) LSB (CC#32) Program Change Performance A-1D-5 019 00 00 0019 Program A 000127 00 00 000127 B 0001 27 00 01 000127 C 000127 00 02 000127 D 000127 00 03 000127 140 136Controlling portamentoPortamento time (CC#05) [Bn, 05, vv] Portamento switch (CC#65) [Bn, 41, vv] Controlling volumeVolume (CC#07) [Bn, 07, vv] Expression (CC#11) [Bn, 0B, vv] Controlling pan (stereo position)Pan (CC#10) [Bn, 0A, vv] Post insert effect pan (CC#08) [Bn, 08, vv] Controlling effectsEffect control 1 (CC#12) [Bn, 0C, vv] Effect control 2 (CC#13) [Bn, 0D, vv] Effect 1 depth (Send 2) (CC#91) [Bn, 5B, vv] Effect 3 depth (Send 1) (CC#93) [Bn, 5D, vv] 141 137Using various controllersFoot pedal (CC#04) [Bn, 04, vv] Damper pedal (CC#64) [Bn, 40, vv] Foot switch (CC#82) [Bn, 52, vv] Sostenuto (CC#66) [Bn, 42, vv] Soft pedal (CC#67) [Bn, 43, vv] Controlling via the controllers of a connected MIDI instrument such as the M3Ribbon Controller (CC#16) [Bn, 10, vv] SW1 modulation (CC#80) [Bn, 50, vv] SW2 modulation (CC#81) [Bn, 51, vv] Controller (CC#85, 86, 87, 88) Controlling Program tone & envelope shapes Silencing all notes on a specific channelAll note off (CC#123) [Bn, 7B, 00] (value 00) All sound off (CC#120) [Bn, 78, 00] (value 00) 142 138Resetting all controllers on a specific channelReset all controllers (CC#121) [Bn, 79, 00] (value 00) Using RPN (Registered Parameter Numbers)TuningRPN fine tune [Bn, 65, 00, 64, 01] Transp osingRPN coarse tune [Bn, 65, 00, 64, 02] Changing the pitch bend rangeRPN pitch bend range [Bn, 64, 00, 65, 00] About system exclusive messagesUniversal system exclusive messages 143 139Master volume [F0, 7F, nn, 04, 01, vv, mm, F7] Master balance [F0, 7F, nn, 04, 02, vv, mm, F7] Master fine tuning [F0, 7F, nn, 04, 03, vv, mm, F7] Master coarse tuning [F0, 7F, nn, 04, 04, vv, mm, F7] Transmitting sound settings data (Data Dump) Editing sounds via SysEx If notes are stuck 144 MIDI Implementation
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Making connections via USB cable Making connections via MIDI cables About the software USB-MIDI Setup GuidePlease note before use Operating requirementsKORG USB-MIDI driver PS60 Editor/Plug-In Editor 2 Installing the softwareInstallation in WindowsUsing the PS60 application installer Installing the KORG USB-MIDI driver About the PS60 and USB-MIDI driver ports Installing and setting up the PS60 Editor/Plug- In Editor Allowing installation of drivers that are not digitally signed (Windows XP only) 3 Installation in Mac OS XInstalling the software About the PS60 and USB-MIDI driver ports 4 Connecting a computerUSB connection and setupUsing the PS60 Editor/Plug-In Editor via a USB connection Connecting your computer via the MIDI connectorsVerifying the functionality of the PS60 Editor (stand-alone version) 5 Verifying the functionality of the PS60 Editor (stand-alone version)Setting up the PS60 Editor Global mode settings on the PS60Local Ctrl settings MIDI Filter SysEx setting
Also you can find more Korg manuals or manuals for other Fitness & Sports.