AUTO

When this mode is selected, the unit determines whether the digital input signal is Dolby Digital, Dolby Digital Surround EX, DTS, DTS-ES, DTS 96/24 or PCM-audio.

Surround EX & DTS-ES will operate for multichannel source that has a Dolby Digital Surround EX or DTS- ES auto trigger flag in the digital signal.

When a Dolby Digital or DTS signal is input, the number of channels for which the corresponding signal is encoded will be played.

Inputting a Dolby Digital two channel signal with Dolby surround status automatically subjects that signal to Pro Logic IIx movie processing before play. PCM 96 kHz source material can be played in this mode.

Notes:

•When you use this mode with certain DVD and CD players, performing operations such as “Skip” or “Stop” may momentarily interrupt the output.

•When the signal is not decoded, the mode is changed to AUTO mode automatically. Refer to page 35 to confirm the available decoding mode.

SOURCE DIRECT

In the Source Direct mode, the tone control circuit and bass management configuration are bypassed for full-range frequency response and the purist audio reproduction.

Notes:

•Speaker size is set to Front L/R = LARGE, Center = LARGE, Surround L/R = LARGE and Subwoofer = YES automatically. Tone controls, equalizer and additional processing are deactivated.

•When you use this mode with certain DVD and CD players, performing operations such as skip or stop may momentarily interrupt the output.

PURE DIRECT

The Pure Direct mode further reduces sources of noise in addition to effect of the Source Direct mode, by blocking output from the video jacks (VIDEO, S-VIDEO, COMPONENT VIDEO and HDMI) and turning the FL display off.

EX/ES

This mode provides 6.1 channel surround for DOLBY DIGITAL EX, DTS-ES encoded source material such as DVD.

This mode cannot be used when an analog input has been selected.

Dolby Digital EX

In a movie theater, film soundtracks that have been encoded with Dolby Digital surround EX technology are able to reproduce an extra channel which has been added during the mixing of the program.

This channel, called Surround Back, places sounds behind the listener in addition to the currently available front left, front center, front right, surround right, surround left and subwoofer channels.

This additional channel provides the opportunity for more detailed imaging behind the listener and brings more depth, spacious ambience and sound localization than ever before.

Dolby Digital EX is not available in the system without surround back speaker(s).

DTS-ES (Discrete 6.1, Matrix 6.1)

DTS-ES adds the surround back channel audio to the DTS 5.1-channel format to improve the acoustic positioning and makes acoustic image movement more natural with the 6.1-channel reproduction.

This unit incorporates a DTS-ES decoder, which can handle DTS-ES Discrete-encoded and DTS-ES Matrix-encoded program sources from DVD, etc..

DTS-ES Discrete 6.1 features digital discrete recording of all channels including the surround back channel(s) and higher quality of audio reproduction. DTS-ES is not available in the system without a surround back speaker.

2MODE

(Dolby Digital, Pro Logic IIx MOVIE, Pro Logic IIx MUSIC, Pro Logic IIx GAME, Pro Logic)

This mode is used with source materials encoded in Dolby Digital and Dolby Surround.

DOLBY DIGITAL

This mode is enabled when playing source materials encoded in Dolby Digital.

Playing multichannel encoded 6.1 or 7.1-channel Dolby Digital sources provides five main audio channels (left, center, right, surround left and surround right) and Low Frequency Effect channel.

Dolby Digital EX decoding is not available in this mode.

Dolby Pro Logic IIx brings the excitement of surround sound to any stereo mix, while making existing Dolby Surround mixes sound more like discrete 5.1 channels Surround sound.

Dolby Pro Logic IIx has 3 modes. Please see below.

Pro Logic IIx MOVIE

This mode provides 6.1 or 7.1 channel surround sound from Dolby Surround encoded stereo movie sound tracks.

Pro Logic IIx MUSIC

This mode provides 6.1 or 7.1 channel surround sound from conventional stereo sources, analog or digital, such as CD, Tape, FM, TV, Stereo VCR, etc.

Pro Logic IIx GAME

Game mode restores the impact low-frequency surround effects by routing them to the system’s subwoofer.

Pro Logic

This mode emulated original Dolby Pro Logic decoding (3/1 surround) suit for Dolby Surround encoded stereo movie soundtracks.

Notes:

•Pro Logic IIx mode will decode as Pro Logic II mode when the SURROUND BACK SPEAKER is set NONE in SPEAKER SETUP menu. (See SPEAKER SETUP, page 27)

•Pro Logic IIx mode is available for a 2ch input signal which is encoded in Dolby Digital or PCM format.

•PCM-audio signals can be subjected to Pro Logic processing when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz.

dts MODE

(dts, Neo:6 Cinema, Neo:6 Music)

This mode is for DTS encoded source materials such as LASER DISC, CD, and DVD. Neo:6 is for some 2 channel sources.

dts : This mode is enabled when playing source materials encoded in dts multichannel.

Playing multichannel encoded 5.1-channel dts sources provides five main audio channels (left, center, right, surround left and surround right) and Low Frequency Effect channel.

dts-ES decoding is not available in this mode.

The DTS mode cannot be used when an analog input has been selected.

Neo:6 Cinema, Neo:6 Music

This mode decodes 2-channel signals into 6- channel signals using high-accuracy digital matrix technology.

The DTS NEO:6 decoder has near-discrete properties in the frequency characteristics of the channels as well as in channel separation.

According to the signals to be played back, DTS NEO:6 uses either the NEO:6 CINEMA mode optimized for movie playback or the NEO:6 MUSIC mode optimized for music playback.

Notes:

•Neo:6 mode is available to 2ch input signals which are encoded in Dolby Digital or PCM Analog format.

•PCM-audio signals can be subjected to Neo:6 processing when the sampling frequency is 32 kHz, 44.1 kHz or 48 kHz.

ENGLISH

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Marantz SR4002/SR5002 manual Auto, Source Direct, Pure Direct, Ex/Es, Mode
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SR4002/SR5002 specifications

The Marantz SR4002 and SR5002 are two remarkable home theater receivers that deliver exceptional audio performance, making them stand out in the crowded market of AV receivers. Both models are designed for audiophiles and home theater enthusiasts who demand superior sound quality, versatility, and advanced features.

The SR4002, known for its robust build and high-quality components, provides 100 watts of power per channel, ensuring dynamic sound reproduction for a variety of media. This model supports a wide range of audio formats, including Dolby Digital, DTS, and PCM, enabling an immersive surround sound experience. It features multiple inputs and outputs, including HDMI, allowing seamless connectivity to a multitude of devices such as Blu-ray players, gaming consoles, and streaming devices. The SR4002 also includes a built-in AM/FM tuner, giving users the flexibility to enjoy their favorite radio stations.

On the other hand, the SR5002 takes it a step further with its enhanced specifications and features. With 110 watts of power per channel, it caters to larger home theaters without sacrificing sound quality. One of the standout features of the SR5002 is its advanced audio processing technology, which ensures precise sound staging and clarity in complex audio environments. The addition of Audyssey MultEQ room calibration technology helps automatically adjust the receiver's settings based on the acoustic characteristics of the room, optimizing audio performance for an unparalleled experience.

Both models boast a sleek design that fits seamlessly into any home entertainment setup. They feature an intuitive on-screen display that simplifies navigation through menus and settings. The user-friendly remote control provides easy access to all functionalities, making it simple to switch between inputs or adjust audio settings.

In terms of connectivity, both the SR4002 and SR5002 are equipped with multiple HDMI inputs, including support for 1080p video, ensuring compatibility with the latest high-definition content. They also feature legacy connections, such as composite and component video inputs, making them suitable for older equipment.

Overall, the Marantz SR4002 and SR5002 are solid choices for anyone looking to elevate their home entertainment experience. With their combination of robust power, advanced processing technologies, and versatile connectivity options, these receivers deliver rich, immersive sound that brings movies, music, and games to life. Whether you choose the SR4002 for its excellent features or the SR5002 for its enhanced capabilities, both models promise to transform your audio experience.
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