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Dolby Digital | In this mode, audio from the input source is output without | D | XCN | |||||
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| processing. “Sp Config” (presence of speakers), “Crossover”, “Sp Dis- |
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| tance”, “A/V Sync” and much of the processing set via AUDIO are enabled. |
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Dolby Digital Plus*5 | See “Advanced Setup” for more details (➔ 33). | D | XCN | |||||
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| F | XCN*1 | ||
| D o l b y | D + |
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Dolby TrueHD |
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| T r u e H D |
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DTS |
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| D | XCN | |
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| D T S |
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| D | XCN | ||||||
Resolution Audio |
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| D T S – H D | H R |
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| D | XCN | ||||||
Audio |
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| F | XCN*1 | ||
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| D T S – H D | M S T R |
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DTS Express |
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| D T S | E x p r e s s |
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DSD*6 |
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| D | XCN | ||
| D S D |
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DTS 96/24*7 | This mode is for use with DTS 96/24 sources. This is | D | XCN | |||||
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| with a 96 kHz sampling rate and |
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| D T S | 9 6 / 2 4 |
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| ity. Use it with DVDs that bear the DTS 96/24 logo. |
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This mode is for use with | G | N*4 | ||||||
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| crete surround back channel for true |
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| E S | D i s c r e t e |
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| totally separate audio channels provide better spatial imaging and 360- |
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| degree sound localization, perfect for sounds that pan across the surround |
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| channels. Use it with DVDs that bear the |
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This mode is for use with | G | N*4 | ||||||
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| encoded |
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| E S | M a t | r i x |
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| bear the |
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DTS Neo:6 |
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| This mode expands any | S | XCN*4 | ||
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| uses seven |
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| N e o : 6 |
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| material, providing a very natural and seamless surround sound experience |
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| that fully envelops the listener. |
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| N e o : 6 C i n e m a |
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| • Neo:6 Cinema |
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| Use this mode with any stereo movie (e.g., TV, DVD, VHS). |
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| N e o : 6 | M u s i c |
| • Neo:6 Music |
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| Use this mode with any stereo music source (e.g., CD, radio, cassette, TV, |
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| VHS, DVD). |
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| This mode uses Neo:6 to expand | D | N*4 |
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| playback. |
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En
31