Speaker Layout
The illustration shows which speakers are activated in each channel. See “Sp Config (Speaker Configuration)” for the speaker setup (➔ page 31).
Z | X | C | a b |
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| a Front speakers |
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| b Center speaker |
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| c Subwoofer |
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| d | d Surround speakers |
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■Onkyo-Original DSP Listening Modes
Listening Mode | Description | Input | Speaker | ||||
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| Source | Layout |
Orchestra*1 | Suitable for classical or operatic music, this mode emphasizes the surround channels | A | C | ||||
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| in order to widen the stereo image, and simulates the natural reverberation of a large | S |
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| O r c h e s t r a |
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| hall. | D |
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Unplugged*1 | Suitable for acoustic instruments, vocals, and jazz, this mode emphasizes the front | F |
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| stereo image, giving the impression of being right in front of the stage. |
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| U n p l u g g e d |
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| Suitable for rock or pop music, listening to music in this mode creates a lively sound |
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| field with a powerful acoustic image, like being at a club or rock concert. |
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| S t u d i o – M i x |
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TV Logic*1 | This mode adds realistic acoustics to TV shows produced in a TV studio, surround |
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| effects to the entire sound, and clarity to voices. |
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| T V | L o g i c |
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| In this mode, the sound has a dramatic feel with a similar atmosphere to Orchestra |
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| mode. |
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| G a m e – R P G |
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In this mode, sound localization is distinct with emphasis on bass. |
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| G a m e – A c t i o n |
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In this mode, sound pressure is emphasized to heighten live feel. |
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| G a m e – R o c k |
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| In this mode, reverberation is increased and sound localization decreased slightly. |
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| G a m e – S p o r t s |
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All Ch Stereo | Ideal for background music, this mode fills the entire listening area with stereo sound |
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| from the front, surround, and surround back speakers. |
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| A l l C h S t e r e o |
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Full Mono | In this mode, all speakers output the same sound in mono, so the sound you hear is the |
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| same regardless of where you are within the listening room. |
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| F u l | l M o n o |
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With this mode you can enjoy a virtual surround sound even with only two or three |
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Dimensional)*1 | speakers. This works by controlling how sounds reach the listener’s left and right |
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| ears. Good results may not be possible if there’s too much reverb, so we recommend |
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| T – D |
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| that you use this mode in an environment with little or no natural reverb. |
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■Listening Modes
| Listening Mode | Description | Input | Speaker | ||
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| Source | Layout |
| Direct | In this mode, audio from the input source is output without | A | ZX | ||
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| processing. The speaker configuration (presence of speakers) and speaker distance | S | C |
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| settings are enabled, but much of the processing set via Home menu is disabled. A/V | D |
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| Sync does not have effect on the analog audio. See “Advanced Setup” for more | F |
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| details (➔ page 29). |
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| Stereo | Sound is output from the front left and right speakers and subwoofer. |
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| Mono | Use this mode when watching an old movie with a mono soundtrack, or use it with the |
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| foreign language soundtracks recorded in the left and right channels of some movies. |
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| M o n o |
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| It can also be used with DVDs or other sources containing multiplexed audio, such as |
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En | karaoke DVDs. |
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24