internal fans must have a source of air that is not preheated by other equipment. If cool, the amplifier will start up in
Inadequate cooling due to preheated air, a reduction of air flow caused by blockage of the amplifier’s inlet/outlet ports, or severely overloading the amp may cause the amplifier’s thermal sensing system to temporarily shut down that particular channel. This will be indicated by the channel power LED on the front panel ceasing to illuminate. Depending upon available cooling air, operation will be restored to that channel relatively quickly, and the power LED will then be illuminated. Corrective action should be taken to determine the cause of the thermal shutdown. If the amplifier is not severely overloaded or shorted, and air flow is normal in and out of the unit, steps should be taken to provide a cooler environment for all the amplifiers. As a general rule, electronic equipment in a cooler environment will have a longer and more useful service life.
STUDIO INSTALLATION
In most low- to
BRIDGE MODE
The bridge mode on stereo amplifiers is often misunderstood as to its actual operation and usage. In basic terms, when a two- channel amplifier is operated in bridge mode, it is converted into a single channel unit with a power rating equal to the sum of both channels’ power ratings, at a load rating of twice that of the single channel rating. In this case, the CS™ 500A is rated at 250 W RMS per channel into 2 ohms. The bridge mode ratings are 500 W RMS into 4 ohms (minimum load). The bridge mode operation is accomplished by placing the mode switch into the bridge position, connecting the load between the red binding posts of each channel, and then using Channel A as the input channel. All Channel B input functions are defeated.
Often sound technicians use bridge mode operation to drive sound distribution systems in very large public address applications. Unfortunately, due to power levels involved, the CS® 500A power amplifier can only supply about 45 V RMS in bridge mode, and therefore cannot successfully drive
DDT™
Peavey’s patented DDT™ compression system enables the sound technician to maximize the performance of the amplifier/speaker combination by preventing the power amp from running out of headroom (clipping). This system is activated by unique circuitry that senses signal conditions that might overload the amplifier. The circuitry will reduce the amplifier’s gain whenever clipping is imminent. The threshold of compression is clipping itself and no specific threshold control is used. This technique effectively utilizes every precious watt available for the power amplifier to reproduce the signal, while at the same time minimizes clipping and distortion, and thus significantly reduces the potential of loudspeaker degradation and damage. The DDT™ system is an automatic,
Since the CS® 500A power amplifier uses a circuit breaker for
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