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Roland Fantom-X6, Fantom-X7, Fantom-X8 , Exchanging MIDI Messages with Your Computer (MIDI Mode)

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Connecting to Your Computer via USB (USB Mode)

Driver Installation and Settings

In order to use the Fantom-X as a USB MIDI device from your

computer, you must first install the USB MIDI driver. The USB MIDI

driver is on the included “Fantom-X Driver CD-ROM.”

In order to use USB in MIDI mode, you must install the driver from

the included CD-ROM into your computer.

The correct driver and the installation procedure will depend on

your system and on the other programs you are using. Be sure to

read the Readme file on the CD-ROM before installation.

Windows XP/2000

\Win2kXP\Readme_e.htm

Windows Me/98/98SE

\Win98Me\Readme_e.htm

Mac OS 9 (9.04 or later)

\Fantom-X Driver OS9 (E)\Readme_e.htm

Mac OS X

\Fantom-X Driver OSX (E)\Readme_e.htm

Exchanging MIDI Messages

with Your Computer

(MIDI Mode)

Caution when

disconnecting the USB cable

You must shut down your computer before disconnecting

the USB cable. Disconnecting the cable while your

computer’s power is on may destabilize its operation.

What is the USB MIDI Driver?

The USB MIDI Driver is a software which passes data between

the Fantom-X and the application (sequencer software, etc.) that

is running on the USB-connected computer.

The USB MIDI Driver sends data from the application to the

Fantom-X, and passes data from the Fantom-X to the

application.

fig.23-001_50

Application

USB

Driver

Computer

USB connector

USB cable

USB connector

Fantom-X

Fantom-X678_r_e.book 222 ページ２００５年５月１２日　木曜日　午後４時４０分

Contents

Main Information As of January 15, 2005 (ROLAND) 03569901 05-6-6N Owners Manual NOTICE AVIS For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS Power Supply IMPORTANT NOTES IMPORTANT NOTES Copyright Handling CD-ROMs Additional Precautions Contents Playing in Performance Mode ......................................................................97 Using the Chord Memory Function (Chord Memory)...............................133 Modifying the Sound in Real Time.............................................................121 Saving/Loading a song (Save/Load)..........................................................198 Playing a Phrase at the Touch of a Finger (RPS Function) .....................203 Page Page Main Features Panel Descriptions SEQUENCER ARPEGGIO / RHYTHM REALTIME CONTROL Panel Descriptions DYNAMIC PAD / SAMPLING DISPLAY Rear Panel Getting Ready Connecting an Amp and Speaker System Placing the Fantom-X8 on a Stand (For Fantom-X8 user) Turning On the Power Adjusting the Display Contrast (LCD Contrast) Turning Off the Power Listening to the Demo Songs Listening to the demo song loaded when you start up the Fantom-X Listening to the other demo songs Various Performance Features Hold Pedal Octave Shift (Oct) Pitch Bend/Modulation Lever Control Pedal Transpose (Trans) Overview of the Fantom-X How the Fantom-X Is Organized Envelope TVA (Time Variant Amplifier) Patches Part Rhythm Sets Performances WG (Wave Generator): 14 TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope Patch Tone 4 Tone 3 Tone 2 Tone 1 Layer Mixer Calculating the Number of Voices Being Used About Memory About the Onboard Effects In Patch Mode Song About the Sequencer What Is a Song? What Is a Track? Tempo Track Fantom-X Standard MIDI File (.MID) Song File (.SVQ) Songs and the Sound Generator Mode Positions for Storing a Song Memory Card About the Sampling Section Multisample Where Samples are Stored Basic Operation of the Fantom-X Switching the Sound Generator Mode About the Function Buttons Window Moving the Cursor VALUE Dial When inputting directly [INC] and [DEC] When inputting a numerical value Using the pads Modifying a Value [F1 (Change Type)]: Using the Pads to Specify Characters Assigning a Name Registering and recalling frequently used screen pages (Bookmark) Recalling a page Registering a page Viewing an explanation of each button (Help) Viewing the number of voices used by the sound generator (Voice Monitor) Playing in Patch Mode About the Patch Play Screen Displaying Patch Play Screen Selecting a Patch Selecting Patches by Category (Patch Finder) Selecting Patches from the List Auditioning Patches (Phrase Preview) Recalling sounds Creating a list of frequently used Patches and Performances (Live Setting) Importing a Text File (Import Text) Registering a sound Removing a registration Removing all sound registrations from a bank Changing the step at which a sound is registered Using [F1][F8] to Register Canceling a patch registration Selecting Favorite Patches (Favorite Patch) Using [F1][F8] to Register Transposing the Keyboard in Octave Units (Octave Shift) Transposing the Keyboard in Semitone Steps (Transpose) Selecting the Tones That Will Sound (Tone On/Off) Playing Single Notes (Monophonic) Bender and Modulation Part Select Beam Part Select Creating Smooth Pitch Changes (Portamento) Specifying the Part that Will be Affected by the Controller Knob Part Select D Beam (Pad Trigger) Assigning a Parameter to a Controller D Beam (Solo Synth) OSC Sync Switch D Beam (Assignable) Knob Switch 1/2 (Assignable Switch 12) Switch GM (GM2) PRST (Preset) Playing Percussion Instruments Selecting a Rhythm Set Playing a Rhythm Set Playing in Piano Mode Playing acoustic piano sounds Selecting from the Patch List Screen Selecting Patches by Category Selecting electric piano effects Saving a Sound (Patch) Playing electric piano sounds Creating a Patch Press [F8 (Tone Sw/Sel)] to select the tone that you want to edit. 5. How to Make Patch Settings Editing in a Graphic Display (Zoom Edit) Initializing Patch Settings (Init) Cautions When Using a One-shot += Copying Patch (Tone) Settings (Copy) The Compare Function Cautions When Selecting a Cautions When Using a Loop Saving Patches Youve Auditioning the Save-Destination Patch (Compare) Settings Common to the Entire Patch Functions of Patch (General) 1 2 3 Patch Category Cutoff Offset Analog Feel (Analog Feel Depth) Patch Fine Tune Stretch Tune Depth Resonance Offset Wave Bank Modifying Waveforms (Wave) Wave Gain Structure Type 1 & 2, 3 & 4 Changing How a Tone Is Sounded (TMT) Page TVA Booster 1&2, 3&4 (Booster Gain) Key Range Upper (Keyboard Range Upper) Booster Ring Modulator Key Fade Upper (Keyboard Fade Width Upper) TMT Control Sw (TMT Control Switch) Velo Fade Upper (Velocity Fade Width Upper) Velo Range Upper (Velocity Range Upper) TMT Velocity Control (TMT Velocity Control Switch) Pitch Modifying Pitch (Pitch/Pitch Env) Pitch Env TVF Filter Type Cutoff Frequency Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) Cutoff Key follow F-Env V-Curve (TVF Envelope Velocity Curve) Cutoff V-Sens (Cutoff Velocity Sensitivity) Cutoff V-Curve (Cutoff Frequency Velocity Curve) Resonance V-Sens (Resonance Velocity F-Env V-Sens (TVF Envelope Velocity F-Env T1 V-Sens (TVF Envelope Time 1 Velocity F-Env T4 V-Sens (TVF Envelope Time 4 Velocity TVF ENV Level V-Sens (TVA Level Velocity Sensitivity) Level V-Curve (TVA Level Velocity Curve) 24 Adjusting the Volume (TVA/TVA Env) TVA Env A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity) Output Tone Out Level LFO 1/2 Modulating Sounds (LFO) Page Pan Depth (LFO1/LFO2 Pan Depth) Step 116 (LFO Step 116) LFO Step Type (LFO Step Type) Step LFO How to Apply the LFO Solo/Portamento Portamento Type Portamento Mode Portamento Switch Legato Retrigger (Legato Retrigger Switch) Miscellaneous Settings (Misc) Tone Delay Time Tone Rx Hold-1 (Tone Receive Hold Switch) Tone Env Mode (Tone Envelope Mode) Tone Rx Bender (Tone Receive Pitch Bend Tone Rx Expression (Tone Receive Expression Tone Delay Tone Rx Pan Mode Tone Redamper Sw (Tone Redamper Switch) Matrix Control Settings (Ctrl14) Matrix Control Matrix Control 14 Source Changing the TVF Envelope Changing the Pitch Envelope Applying LFO to Modulate Sounds CTRL Destination 14 (Matrix Control Destination 14) Changing the TVF Envelope CTRL Tone 14 (Tone Control Switch 14) Setting Effects for a Patch (Effects/ MFX/MFX Control/Chorus/Reverb) Creating a Rhythm Set How to make Rhythm Set settings Initializing only a specific key Basic Procedure for Rhythm Tone Copy Editing in a Graphic Display (Zoom Edit) Initializing Rhythm Set Settings (Init) Copying Rhythm Tone Settings (Copy) Cautions When Using a One-shot Cautions When Using a Loop Cautions When Selecting a The Compare Function Saving Rhythm Sets Youve Auditioning the Save-Destination Rhythm Set (Compare) Functions of Rhythm Set Making Settings Common to the Entire Rhythm Set (General) 123 Modifying Waveforms (Wave) Tips on Creating a Rhythm Tone Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) Changing How a Rhythm Tone Is Sounded (WMT) FXM Wave Fine Tune Modifying Pitch (Pitch/Pitch Env) Pitch Pitch Env TVF Resonance Filter Type Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) TVF Env TVA TVA Env Adjusting the Volume (TVA/TVA Env) A-Env Level 13 (TVA Envelope Level 13) Tone Reverb Send (Send Level (Output=MFX)) Output Settings (Output) Tone Chorus Send (Send Level (Output=non MFX)) Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb) Playing in Performance Mode Displaying Performance Layer Screen Displaying Performance Mixer Screen Functions in the PERFORMANCE Layer/Mixer Screen MIXER2 screen MIXER1 screen LAYER screen Selecting a Performance Selecting Performances from the List Creating a list of frequently used Patches and Performances (the Live Setting function) Selecting Favorite Performances Selecting a Part Using the Layer Screen Selecting from a list display Selecting the Sound for a Part Selecting the Part that You want to Sound (Keyboard Switch) About the keyboard switch Combining and Playing Sounds Together (Layer) Playing Different Sounds in Different Areas of the Keyboard (Split) Selecting from a list display Selecting the Sound for a Part Using the Mixer Screen Selecting Parts for a Layer or Split Selecting in the Mixer Screen Editing the Part Settings Performance Mixer2 screen Selecting the Rhythm Set Performance Mixer1 screen Selecting a Part to Play Individually (Solo) Using pads to mute Parts Silencing the Playback of a Specific Part (Mute) Viewing the Part Settings as a List (Performance Part View) Viewing MIDI messages for each Part (Part Information) Creating a Performance Mute Switch Solo Switch Keyboard Switch [F2 (Output Effect)] Part Output MFX Select (Part Output Multi- Effects Select) [F3 (Pitch)] Part Portamento Time Part Portamento Switch Part Pitch Bend Range [F4 (Offset)] Keyboard Switch [F5 (Key Range)] Part Decay Time Offset Keyboard Range Lower (Part Keyboard Range Lower) Keyboard Range Upper (Part Keyboard Range Upper) [F6 (Scale Tune)] Calculating the Number of Voices Being Used [F7 (External)] Ext Level (External Level) Ext Bank Select LSB (External Bank Select LSB) [F8 (MIDI Filter)] MIDI Filter Program Change (Receive Program Change Channel Pressure (Receive Channel Pressure Make Settings for the Realtime Controllers and D Beam Controller (Ctrl) D Beam (Solo Synth) OSC1 Sync Switch D Beam (Assignable) Knob Rhythm Start/Stop: Switch 1/2 (Assignable Switch 12) Tempo Control Switch Settings (Ctrl Switch) Control Pedal (Control Pedal Switch) Control Hold Pedal (Control Hold Pedal Switch) Control Aftertouch (Control Aftertouch Switch) Changing the Settings of the Patch Assigned to a Part Initializing Performance Settings (Init) When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance Saving a Performance Youve Created (Write) Modifying the Sound in Real Time Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) The usable range of the D Beam controller Assignable Pad Trigger (Pad-related settings) Type Making Settings for the D Beam Controller OSC1 Sync Switch Solo Synth Using Knobs or Buttons to Modify the Sound (Realtime Controller) Realtime Controller Knob Settings TRANSPOSE DOWN Switch Assign Control Pedal Assign Continuous Hold Pedal Using a Pedal to Modify the Sound (Control Pedal) Making Control Pedal Settings Page Playing Arpeggios Playing Arpeggios When Using a Hold Pedal Playing Arpeggios Along with the Sequencer Arpeggio Settings Selecting Styles for Arpeggio Performances (Arpeggio Style) Applying Staccato and Tenuto (Arp/Rhythm Duration) Selecting the Part that Will Play Arpeggios in Performance Mode (Arp Part) Changing the Accent Strength (Arp Accent) Step-recording Creating an Arpeggio Style (Arpeggio Style Edit) Using the Dial or [INC][DEC] to Input Values Saving the Styles You Have Using the Chord Memory Function (Chord Memory) Selecting Chord Forms About the Chord Memory Function Using in Combination with the Arpeggio Function Creating Your Own Chord Forms Saving the Chord Forms You Have Created Playing Rhythms Playing Rhythm Using Rhythm Groups About Rhythm Patterns Rhythm Pattern Settings Changing the Beat and Shuffle (Grid) Applying Staccato and Tenuity (Duration) Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity) Changing the Accent Strength (Rhythm Accent) Creating an Rhythm Pattern (Rhythm Pattern Edit) Step-recording Using the Dial or [INC][DEC] to Input Values Saving the Patterns You Have Created (Write) Creating Your Own Styles (Rhythm Group Edit) Saving the Rhythm Group You Have Created (Write) Sampling Switching external input on/off Making Input Source Settings (Input Setting) Input Effect Setup Settings Sampling Procedure Page Dividing a Sample During Sampling Sampling Earlier in Time (Skip Back Sampling) Editing a Sample Selecting a Sample (Sample List) Selecting a Sample Loading a Sample Deleting a Sample Loading all Samples Unloading a Sample Importing an Audio File Displaying Sample Edit Screen Magnifying/Shrinking the Waveform Display (Zoom In/Out) Setting the Start/End Points of the Sample Using the knobs to edit the points About the beat Making Settings for Sample (Sample Parameters) Assigning Samples to a Pad (Assign To Pad) From Patch Mode From Performance Mode Assigning a Sample as a Patch to a Part (Assign to Keyboard) From Performance Mode From Patch Mode Create a Rhythm Set (Create Rhythm) Creating a Multisample (Create Multisample) Multisample Assigning a multisample to the desired keys Unloading a Sample (Unload) Removing Unwanted Portions of a Sample (Truncate) Boosting or Limiting the High-frequency Range of the Sample (Emphasis) Maximizing the Volume of a Sample (Normalize) Amp Stretching or Shrinking a Sample (Time Stretch) Procedure for Dividing a Sample Dividing a Sample into Notes (Chop) Automatically Dividing a Sample (Auto Chop) Deleting a Dividing Point Joining Two or More Samples (Combine) Saving a Sample Using the Pads To hold two or more samples To play other sounds while holding one sound Making Settings for the Pads (Pad Setting) Settings that Apply to All Pads Specify the Currently Used Sound Generator Writing the Pad Settings Exchanging the Sound of Two Pads (Pad Exchange) Page Playing Back a Song Playing a Song Immediately (Quick Play) Playing Back Songs Consecutively (Chain Play) Various Playback Methods Fast-Forward and Rewind During Playback Changing the Playback Tempo of a Song Using a Controller to Change the Playback Tempo Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) Playing Back a S-MRC Format Song Playing Back a Song Repeatedly (Loop Play) Using the D Beam Controller to Start/Stop Song Playback Recording Songs Two Recording Methods Patch/Rhythm set Overview of the Recording Process Specifying the Time Signature of a Pattern Setting the tempo Specify the Time Signature Recording Your Performance as You Play It (Realtime Recording) Basic Operation for Realtime Using Auto Punch-In Recording Using Manual Punch-In Recording Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In Input Quantize Correct the Timing of Your Playing as You Record (Recording Quantize) Selecting the Sequencer Data that will Be Recorded (Recording Select) Erasing Unwanted Data While You Record (Realtime Erase) Inputting Data One Step at a Time (Step Recording) Inputting Notes and Rests Inputting a Chord Moving the input location Moving the display region The Relation between Note Value Length and Gate Time Assigning a Pattern to a Phrase Track Editing Songs Loading the Song You Want to Edit Viewing the data within a track Using Different Sound Generators for Each Track Loading Individual Tracks/Patterns of Song Data Silencing the Playback of a Track (Mute) Assigning a Locate Position Moving to a Locate Position Assigning Markers (Locate Positions) to a Song Specifying the Area of a Song that will Repeat (Loop Points) Editing Sequencer Data Over the Specified Range (Track Edit) Basic Operation for Track Editing Aligning a Songs Timing (Quantize) Rate (Shuffle Quantize Rate) Timing (Quantize Timing) Quantize Template (Quantize Template) Erasing Unwanted Performance Data (Erase) Preview Function Copy Times Deleting Unwanted Measures (Delete) Copying Phrases (Copy) Beat Inserting a Blank Measure (Insert) Transpose the Key (Transpose) Magnify Changing the Velocity (Volume) (Change Velocity) If You Want to Lower the Bass Sound One Octave... When You Want to Change Percussion Sounds... Changing the MIDI Channel (Change Channel) Magnify Src Channel, Dst Channel (MIDI Channel) Modifying the Length of Notes (Change Duration) Src Track / Src Pattern (Source Track) Dst Track / Pattern (Destination Track/Pattern) Combining Two Phrase Tracks or Patterns into One (Merge) Extracting and Moving a Part of Sequencer Data (Extract) Extract Mode Shifting Performance Data Forward and Back (Shift Clock) Data Thin Time Data Thin Value Thinning Out the Sequencer Data (Data Thin) Time Original H/M/S Time H/M/S Swapping Two Phrase Tracks or Patterns (Exchange) Adjusting the Songs Playback Time (Time Fit) Deleting Blank Measures (Truncate) Editing a System Exclusive Message Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope) Data Handled by the Tempo Track Sequencer Data Handled by a Phrase Track/Pattern Data Handled by the Beat Track Inserting Sequencer Data (Create) Viewing Sequencer Data (View) Beat Change Erasing Sequencer Data (Erase) Copying Sequencer Data (Copy) Moving Sequencer Data (Move) Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song Assigning a Name to a Song (Song Name) Saving/Loading a song (Save/Load) Data saved together with a song Song Basic Procedure Saving a Song with Samples (Save Song+Samples) Saving a Song (Save Song) File Name and Song Name Saving Samples (Save All Samples) Saving a Song as an SMF File (Save as SMF) Loading a Song (Load) Song Basic Procedure Importing a WAV/AIFF File (Import Audio) Playing a Phrase at the Touch of a Finger (RPS Function) Settings for the RPS Function Record a Pattern Before You Use the RPS Function Using the RPS Function While You Perform Playing a Phrase at the Touch of a Finger (RPS Function) Recording a Performance Using the RPS Function Adding Effects Making Effect Settings Turning Effects On and Off Applying Effects in Patch Mode Specifying How the Sound Will Be Output (Routing) Signal Flow Diagram and Parameters Tone Output Assign Tone Reverb Send Level Tone Chorus Send Level Tone Output Level MFX Type (Multi-Effects Type) MFX Output Level (Multi-Effects Output Level) MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Chorus Type 3 4 2 3 5 6 7 Chorus Output Select Reverb Level Reverb Type Chorus Output Assign Reverb Output Assign Part Select Applying Effects in Performance Mode Specifying How the Sound Will Be Output (Routing) Signal Flow Diagram and Parameters Part Reverb Send Level MFX Type (Multi-Effects Type) MFX Output Level (Multi-Effects Output Level) MFX Chorus Send Level (Multi-Effects Chorus Send Level) MFX Reverb Send Level (Multi-Effects Reverb Send Level) MFX Output Assign (Multi-Effects Output Assign) Chorus Type Chorus Output Select Chorus Level Chorus Output Assign Reverb Type MFX13 Source (Multi-Effects 1 Source) Reverb Output Assign Reverb Level When Patch or Rhythm Set Settings Are Type (Multi-Effects Type) Making Multi-Effects Settings (MFX13) Making Multi-Effects Settings (MFX Control) Destination 14 (Multi-Effects Control Destination 14) Sens 14 (Multi-Effects Control Sensitivity 14) MFX Control Channel (Multi-Effects Control Channel) Multi-Effects Control Structure Type Specifying the multi-effect structure (MFX Structure) Making Chorus Settings (Chorus) Type (Reverb Type) Making Reverb Settings (Reverb) ATTACK Split Frequency Low Mastering Effect About THRESHOLD and RATIO Connecting to Your Computer via USB (USB Mode) About USB Functions Selecting MIDI Mode Selecting USB Storage Mode Transferring Files to or from Your Computer (Storage Mode) Specify the Connection-Destination Connections Importing Audio file (Import Audio) Exiting Storage Mode Cautions Regarding Folders and Files Canceling USB Communication Examples of Using Storage Mode Using a Bitmap File as a Background in the Display Importing a Bitmap File (Import BMP) Displaying text memos in the Live Setting screen (Import Text) Driver Installation and Settings Exchanging MIDI Messages with Your Computer (MIDI Mode) Caution when disconnecting the USB cable What is the USB MIDI Driver? File-Related Functions (File Utility) ROLAND TMP (User, Card) PNL SEQ SMPL SND Copying a File (Copy) Deleting a File (Delete) Moving a File (Move) Initializing a Memory Card (Card Format) Settings Common to All Modes (System Function) How to Make System Function Settings Saving the System Settings (System Write) Functions of System Keyboard Pedal/D Beam Sync/Temp MIDI Clock and MTC MTC Offset Time Hour Metronome Fantom-X Fantom-X Sound Using the Local Switch Connecting the Fantom-X to an external sequencer Keyboard Sequencer MIDI USB Scale Tune Switch Preview 14 Velocity Scale Tune Preview Equal Temperament Just Temperament (Tonic of C) Sys Ctrl 14 Source Skip Back Time Trimming Switch System Ctrl Background Screen Saver System Control Sampling System Information Data Management Functions Reset to Default Factory Settings (Factory Reset) Factory Reset Basic Procedure Using Fantom-X Editor Using Fantom-X Librarian Installing Fantom-X Editor into Your Computer Making Connections Fantom-X Editor System Requirements System Requirements (Windows) System Requirements (Mac OS) About V-LINK V-LINK Settings What is V-LINK? Connection Examples V-LINK Parameters Resetting the Image Installing the Wave Expansion Board Cautions When Installing an Wave Expansion Board How to Install a Wave Expansion Board Checking the Installed Wave Expansion Boards Installation de la carte dexpansion Wave (French Language for Canadian Safety Standard) Prcautions prendre lors de linstallation dune carte dexpansion Wave Vrification des cartes dextension audio aprs installation Expanding the Memory Precautions for Expanding Memory How to Expand the Memory Checking that memory is installed correctly Ajouter de la mmoire (French Language for Canadian Safety Standard) Prcautions prendre lors de lajout de mmoire Vrifier que la mmoire est installe correctement Using a Memory Card Before Using the Memory Card Writing data to the card memory card Troubleshooting Problems Concerning the Entire Fantom-X Issues Related to Sound Page Issues Related to Effects Issues Related to Saving Data Issues Related to Sequencer Issues Related to MIDI and External Devices Issues Related to Sampling Issues Related to a Memory Card Parameter List Patch Parameter TMT Group (P.63) General Group (P.60) Pitch Group (P.67) Pitch Env Group (P.68) TVF Group (P.69) TVF Env Group (P.71) TVA Group (P.71) TVA Env Group (P.72) Output Group (P.73) LFO1/2 Group (P.74) Step LFO Group (P.76) Solo/Porta Group (P.77) Misc Group (P.78) Effect Group (P.207) CTRL 14 Group (P.81) Rhythm Set Parameter Pitch Env Group (P.91) TVF Group (P.92) TVF Env Group (P.93) TVA Group (P.94) TVA Env Group (P.94) Output Group (P.95) Effect Group (P.207) General Group (P.120) Part View Group (P.107) Performance Parameter Control Setting Group (P.114) Pad Setting Group (P.161) Arpeggio Group (P.128) Rhythm Group (P.135) Chord Memory Group (P.133) Effect Group (P.210) Rhythm Group Parameter Sample Parameters Pedal/D Beam Group (P.226) Keyboard Group (P.226) Sync/Tempo Group (P.227) Metronome Group (P.228) Sound (P.229) System Parameters MIDI Group (P.230) Startup Group (P.234) System Information Group (P.234) D Beam (Solo Synth) Group (P.123) Parameter Input Setting Group (P.141) Mastering Effect Group (P.217) V-LINK Group (P.239) Pad Setting Group (P.161) Switch Group (P.51) Knob Group (P.51) Effects List Multi-Effects Parameter 01: EQUALIZER 04: LOW BOOST 02: SPECTRUM 03: ISOLATOR Isolator Low Boost Low Boost Isolator 05: SUPER FILTER SAW1 SAW2 07: ENHANCER 06: STEP FILTER 08: AUTO WAH Overdrive Specifications of each Speaker Type 09: HUMANIZER Cyclically controls a filter to create cyclic change in timbre. 12: STEP PHASER 13: MULTI STAGE PHASER L in L out Phaser Phaser 2-Band Tremolo 19: STEP PAN 15: RING MODULATOR 18: AUTO PAN Ring Mod Tremolo Auto Pan 21: ROTARY Flanger 25: STEP FLANGER 23: CHORUS 24: FLANGER 26: HEXA-CHORUS EQ R out 3D Chorus Tremolo Chorus 29: 3D CHORUS 31: 3D STEP FLANGER 33: 2BAND FLANGER 34: 2BAND STEP FLANGER Pre Amp Speaker Distortion Specifications for each Speaker Type This is an effect that simulates the sound of a guitar amplifier. 42: GATE This is a stereo delay. When Feedback Mode is NORMAL: 44: LONG DELAY Delay 2 When Feedback Mode is CROSS: 46: MODULATION DELAY 45: SERIAL DELAY 47: 3TAP PAN DELAY Rev. Delay Multi Tap Delay 1 Quadruple Tap Delay 51: SHUFFLE DELAY 3D Delay C R A stereo delay in which the delay time can be varied smoothly. 53: TIME CTRL DELAY 54: LONG TIME CTRL DELAY Noise Gen. Direct Level Echo Level 56: LOFI NOISE 57: LOFI COMPRESS 60: PHONOGRAPH 58: LOFI RADIO 59: TELEPHONE 64: REVERB Reverb 65: GATED REVERB Overdrive Overdrive Gated Reverb Flanger 68: OVERDRIVE Distortion Distortion Flanger Distortion 74: ENHANCER Delay DELAY 75: CHORUS 77: CHORUS 78: SYMPATHETIC RESONANCE FLANGER Chorus Parameters 04: LIMITER Reverb Parameters Input Effect Parameters Page Error Messages About MIDI MIDI THRU Connector MIDI OUT Connector About MIDI Connectors MIDI Implementation Control Change Polyphonic Key Pressure Note on Note off Page RPN MSB/LSB (Controller number 100, 101) Effect 3 (Chorus Send Level) (Controller number 93) Effect 1 (Reverb Send Level) (Controller number 91) Pitch Bend Change Channel Pressure Program Change System Realtime Message Channel Mode Messages Chorus Parameters Reverb Parameters Master Coarse Tuning Global Parameter Control Universal Realtime System Exclusive Messages Data Request 1 RQ1 Key-based Instrument Controllers Scale/Octave Tuning Adjust Data Transmission Data Entry (Controller number 6, 38) Portamento Time (Controller number 5) Breath type (Controller number 2) Active Sensing Channel Mode Messages Data set 1 DT1 Data Transmission Identity Reply Message (Fantom-X8) Identity Reply Message (Fantom-X7) Channel Mode messages 3.1 Messages recorded during recording 3. Data reception (Sequencer Section) 3.2 Messages not recorded during recording 3.3 Messages acknowledged for synchronization Format2LOCATE [TARGET] LOCATE (MCP) DEFERRED PLAY (MCS) STOP (MCS) Format2LOCATE [TARGET] LOCATE (MCP) DEFFERRED PLAY (MCS) STOP (MCS) System Common Setup Rhythm Group Chord System Controller System External Input System Mastering Performance Common Performance Common Chorus Performance Common MFX Performance Part Performance MIDI Performance Common Reverb Performance Controller Performance Zone Chord Pattern Arpeggio Pattern Arpeggio Common Rhythm Group Patch Common Patch Common MFX Patch Common Reverb Patch Common Chorus Patch Tone Patch TMT (Tone Mix Table) Rhythm Common MFX Rhythm Common Rhythm Common Reverb Rhythm Common Chorus Rhythm Tone 2. GS (Model ID = 42H) Common Parameter System Parameter Part Parameter Drum Setup Parameter <Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F <Example3> EA 00 28 <Example2> CE 49 <Example1> 92 3E 5F ASCII Code Table Arabian Scale Just Temperament (Tonic of C) Equal Temperament <Bank Select and Program Change Correspondence Chart> MSB LSB Rhythm Set Patch MIDI Implementation Chart (Sequencer Section) Model Fantom-X6/X7/X8 Date : Feb. 2, 2004 Version : 1.00 MIDI Implementation Chart Specifications Others Sequencer Section Sampling Section Specifications Index B A Symbols D C G F E L K J I M P O N R Q S T V U Z X W Page NOTICE AVIS For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT FOR HOME OR OFFICE USE IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS Information As of January 15, 2005 (ROLAND) 03569901 05-6-6N 202 Owners Manual