Main
Information
As of January 15, 2005 (ROLAND)
03569901 05-6-6N
Owners Manual
NOTICE AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
Power Supply
IMPORTANT NOTES
IMPORTANT NOTES
Copyright
Handling CD-ROMs
Additional Precautions
Contents
Playing in Performance Mode ......................................................................97
Using the Chord Memory Function (Chord Memory)...............................133
Modifying the Sound in Real Time.............................................................121
Saving/Loading a song (Save/Load)..........................................................198
Playing a Phrase at the Touch of a Finger (RPS Function) .....................203
Page
Page
Main Features
Panel Descriptions
SEQUENCER
ARPEGGIO / RHYTHM
REALTIME CONTROL
Panel Descriptions
DYNAMIC PAD / SAMPLING
DISPLAY
Rear Panel
Getting Ready
Connecting an Amp and Speaker System
Placing the Fantom-X8 on a Stand (For Fantom-X8 user)
Turning On the Power
Adjusting the Display Contrast (LCD Contrast)
Turning Off the Power
Listening to the Demo Songs
Listening to the demo song loaded when you start up the Fantom-X
Listening to the other demo songs
Various Performance Features
Hold Pedal
Octave Shift (Oct)
Pitch Bend/Modulation Lever
Control Pedal
Transpose (Trans)
Overview of the Fantom-X
How the Fantom-X Is Organized
Envelope
TVA (Time Variant Amplifier)
Patches
Part
Rhythm Sets
Performances
WG (Wave Generator): 14 TVF (Time Variant Filter) TVA (Time Variant Amplifier) Envelope
Patch
Tone 4 Tone 3 Tone 2 Tone 1
Layer Mixer
Calculating the Number of Voices Being Used
About Memory
About the Onboard Effects
In Patch Mode
Song
About the Sequencer
What Is a Song?
What Is a Track?
Tempo Track
Fantom-X
Standard MIDI File (.MID)
Song File (.SVQ)
Songs and the Sound Generator Mode
Positions for Storing a Song
Memory Card
About the Sampling Section
Multisample
Where Samples are Stored
Basic Operation of the Fantom-X
Switching the Sound Generator Mode
About the Function Buttons
Window
Moving the Cursor
VALUE Dial
When inputting directly
[INC] and [DEC]
When inputting a numerical value
Using the pads
Modifying a Value
[F1 (Change Type)]:
Using the Pads to Specify Characters
Assigning a Name
Registering and recalling frequently used screen pages (Bookmark)
Recalling a page
Registering a page
Viewing an explanation of each button (Help)
Viewing the number of voices used by the sound generator (Voice Monitor)
Playing in Patch Mode
About the Patch Play Screen
Displaying Patch Play Screen
Selecting a Patch
Selecting Patches by Category (Patch Finder)
Selecting Patches from the List
Auditioning Patches (Phrase Preview)
Recalling sounds
Creating a list of frequently used Patches and Performances (Live Setting)
Importing a Text File (Import Text)
Registering a sound
Removing a registration
Removing all sound registrations from a bank
Changing the step at which a sound is registered
Using [F1][F8] to Register
Canceling a patch registration
Selecting Favorite Patches (Favorite Patch)
Using [F1][F8] to Register
Transposing the Keyboard in Octave Units (Octave Shift)
Transposing the Keyboard in Semitone Steps (Transpose)
Selecting the Tones That Will Sound (Tone On/Off)
Playing Single Notes (Monophonic)
Bender and Modulation Part Select
Beam Part Select
Creating Smooth Pitch Changes (Portamento)
Specifying the Part that Will be Affected by the Controller
Knob Part Select
D Beam (Pad Trigger)
Assigning a Parameter to a Controller
D Beam (Solo Synth)
OSC Sync Switch
D Beam (Assignable)
Knob
Switch 1/2 (Assignable Switch 12)
Switch
GM (GM2)
PRST (Preset)
Playing Percussion Instruments
Selecting a Rhythm Set
Playing a Rhythm Set
Playing in Piano Mode
Playing acoustic piano sounds
Selecting from the Patch List Screen
Selecting Patches by Category
Selecting electric piano effects
Saving a Sound (Patch)
Playing electric piano sounds
Creating a Patch
Press [F8 (Tone Sw/Sel)] to select the tone that you want to edit.
5.
How to Make Patch Settings
Editing in a Graphic Display (Zoom Edit)
Initializing Patch Settings (Init)
Cautions When Using a One-shot
+=
Copying Patch (Tone) Settings (Copy)
The Compare Function
Cautions When Selecting a
Cautions When Using a Loop
Saving Patches Youve
Auditioning the Save-Destination Patch (Compare)
Settings Common to the Entire Patch
Functions of Patch
(General)
1 2 3
Patch Category
Cutoff Offset
Analog Feel (Analog Feel Depth)
Patch Fine Tune
Stretch Tune Depth
Resonance Offset
Wave Bank
Modifying Waveforms (Wave)
Wave Gain
Structure Type 1 & 2, 3 & 4
Changing How a Tone Is Sounded (TMT)
Page
TVA
Booster 1&2, 3&4 (Booster Gain)
Key Range Upper (Keyboard Range Upper)
Booster
Ring Modulator
Key Fade Upper (Keyboard Fade Width Upper)
TMT Control Sw (TMT Control Switch)
Velo Fade Upper (Velocity Fade Width Upper)
Velo Range Upper (Velocity Range Upper)
TMT Velocity Control (TMT Velocity Control Switch)
Pitch
Modifying Pitch (Pitch/Pitch Env)
Pitch Env
TVF
Filter Type
Cutoff Frequency
Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
Cutoff Key follow
F-Env V-Curve (TVF Envelope Velocity Curve)
Cutoff V-Sens (Cutoff Velocity Sensitivity)
Cutoff V-Curve (Cutoff Frequency Velocity Curve)
Resonance V-Sens (Resonance Velocity
F-Env V-Sens (TVF Envelope Velocity
F-Env T1 V-Sens (TVF Envelope Time 1 Velocity
F-Env T4 V-Sens (TVF Envelope Time 4 Velocity
TVF ENV
Level V-Sens (TVA Level Velocity Sensitivity)
Level V-Curve (TVA Level Velocity Curve)
24
Adjusting the Volume (TVA/TVA Env)
TVA Env
A-Env T1 V-Sens (TVA Envelope Time 1 Velocity Sensitivity)
Output
Tone Out Level
LFO 1/2
Modulating Sounds (LFO)
Page
Pan Depth (LFO1/LFO2 Pan Depth)
Step 116 (LFO Step 116)
LFO Step Type (LFO Step Type)
Step LFO
How to Apply the LFO
Solo/Portamento
Portamento Type
Portamento Mode
Portamento Switch
Legato Retrigger (Legato Retrigger Switch)
Miscellaneous Settings (Misc)
Tone Delay Time
Tone Rx Hold-1 (Tone Receive Hold Switch)
Tone Env Mode (Tone Envelope Mode)
Tone Rx Bender (Tone Receive Pitch Bend
Tone Rx Expression (Tone Receive Expression
Tone Delay
Tone Rx Pan Mode
Tone Redamper Sw (Tone Redamper Switch)
Matrix Control Settings (Ctrl14)
Matrix Control
Matrix Control 14 Source
Changing the TVF Envelope
Changing the Pitch Envelope
Applying LFO to Modulate Sounds
CTRL Destination 14 (Matrix Control Destination 14)
Changing the TVF Envelope
CTRL Tone 14 (Tone Control Switch 14)
Setting Effects for a Patch (Effects/ MFX/MFX Control/Chorus/Reverb)
Creating a Rhythm Set
How to make Rhythm Set settings
Initializing only a specific key
Basic Procedure for Rhythm Tone Copy
Editing in a Graphic Display (Zoom Edit)
Initializing Rhythm Set Settings (Init)
Copying Rhythm Tone Settings (Copy)
Cautions When Using a One-shot
Cautions When Using a Loop
Cautions When Selecting a
The Compare Function
Saving Rhythm Sets Youve
Auditioning the Save-Destination Rhythm Set (Compare)
Functions of Rhythm Set
Making Settings Common to the Entire Rhythm Set (General)
123
Modifying Waveforms (Wave)
Tips on Creating a Rhythm Tone
Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R)
Changing How a Rhythm Tone Is Sounded (WMT)
FXM
Wave Fine Tune
Modifying Pitch (Pitch/Pitch Env)
Pitch
Pitch Env
TVF
Resonance
Filter Type
Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
TVF Env
TVA
TVA Env
Adjusting the Volume (TVA/TVA Env)
A-Env Level 13 (TVA Envelope Level 13)
Tone Reverb Send (Send Level (Output=MFX))
Output Settings (Output)
Tone Chorus Send (Send Level (Output=non MFX))
Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/ Reverb)
Playing in Performance Mode
Displaying Performance Layer Screen
Displaying Performance Mixer Screen
Functions in the PERFORMANCE Layer/Mixer Screen
MIXER2 screen
MIXER1 screen
LAYER screen
Selecting a Performance
Selecting Performances from the List
Creating a list of frequently used Patches and Performances (the Live Setting function)
Selecting Favorite Performances
Selecting a Part
Using the Layer Screen
Selecting from a list display
Selecting the Sound for a Part
Selecting the Part that You want to Sound (Keyboard Switch)
About the keyboard switch
Combining and Playing Sounds Together (Layer)
Playing Different Sounds in Different Areas of the Keyboard (Split)
Selecting from a list display
Selecting the Sound for a Part
Using the Mixer Screen
Selecting Parts for a Layer or Split
Selecting in the Mixer Screen
Editing the Part Settings
Performance Mixer2 screen
Selecting the Rhythm Set
Performance Mixer1 screen
Selecting a Part to Play Individually (Solo)
Using pads to mute Parts
Silencing the Playback of a Specific Part (Mute)
Viewing the Part Settings as a List (Performance Part View)
Viewing MIDI messages for each Part (Part Information)
Creating a Performance
Mute Switch
Solo Switch
Keyboard Switch
[F2 (Output Effect)]
Part Output MFX Select (Part Output Multi- Effects Select)
[F3 (Pitch)]
Part Portamento Time
Part Portamento Switch
Part Pitch Bend Range
[F4 (Offset)]
Keyboard Switch
[F5 (Key Range)]
Part Decay Time Offset
Keyboard Range Lower (Part Keyboard Range Lower)
Keyboard Range Upper (Part Keyboard Range Upper)
[F6 (Scale Tune)]
Calculating the Number of Voices Being Used
[F7 (External)]
Ext Level (External Level)
Ext Bank Select LSB (External Bank Select LSB)
[F8 (MIDI Filter)]
MIDI Filter
Program Change (Receive Program Change
Channel Pressure (Receive Channel Pressure
Make Settings for the Realtime Controllers and D Beam Controller (Ctrl)
D Beam (Solo Synth)
OSC1 Sync Switch
D Beam (Assignable)
Knob
Rhythm Start/Stop:
Switch 1/2 (Assignable Switch 12)
Tempo
Control Switch Settings (Ctrl Switch)
Control Pedal (Control Pedal Switch)
Control Hold Pedal (Control Hold Pedal Switch)
Control Aftertouch (Control Aftertouch Switch)
Changing the Settings of the Patch Assigned to a Part
Initializing Performance Settings (Init)
When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance
Saving a Performance Youve Created (Write)
Modifying the Sound in Real Time
Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller)
The usable range of the D Beam controller
Assignable
Pad Trigger (Pad-related settings)
Type
Making Settings for the D Beam Controller
OSC1 Sync Switch
Solo Synth
Using Knobs or Buttons to Modify the Sound (Realtime Controller)
Realtime Controller Knob Settings
TRANSPOSE DOWN
Switch Assign
Control Pedal Assign
Continuous Hold Pedal
Using a Pedal to Modify the Sound (Control Pedal)
Making Control Pedal Settings
Page
Playing Arpeggios
Playing Arpeggios
When Using a Hold Pedal
Playing Arpeggios Along with the Sequencer Arpeggio Settings
Selecting Styles for Arpeggio Performances (Arpeggio Style)
Applying Staccato and Tenuto (Arp/Rhythm Duration)
Selecting the Part that Will Play Arpeggios in Performance Mode (Arp Part)
Changing the Accent Strength (Arp Accent)
Step-recording
Creating an Arpeggio Style (Arpeggio Style Edit)
Using the Dial or [INC][DEC] to Input Values
Saving the Styles You Have
Using the Chord Memory Function (Chord Memory)
Selecting Chord Forms
About the Chord Memory Function
Using in Combination with the Arpeggio Function
Creating Your Own Chord Forms
Saving the Chord Forms You Have Created
Playing Rhythms
Playing Rhythm
Using Rhythm Groups
About Rhythm Patterns
Rhythm Pattern Settings
Changing the Beat and Shuffle (Grid)
Applying Staccato and Tenuity (Duration)
Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity)
Changing the Accent Strength (Rhythm Accent)
Creating an Rhythm Pattern (Rhythm Pattern Edit)
Step-recording
Using the Dial or [INC][DEC] to Input Values
Saving the Patterns You Have Created (Write)
Creating Your Own Styles (Rhythm Group Edit)
Saving the Rhythm Group You Have Created (Write)
Sampling
Switching external input on/off
Making Input Source Settings (Input Setting)
Input Effect Setup Settings
Sampling Procedure
Page
Dividing a Sample During Sampling
Sampling Earlier in Time (Skip Back Sampling)
Editing a Sample
Selecting a Sample (Sample List)
Selecting a Sample
Loading a Sample
Deleting a Sample
Loading all Samples
Unloading a Sample
Importing an Audio File
Displaying Sample Edit Screen
Magnifying/Shrinking the Waveform Display (Zoom In/Out)
Setting the Start/End Points of the Sample
Using the knobs to edit the points
About the beat
Making Settings for Sample (Sample Parameters)
Assigning Samples to a Pad (Assign To Pad)
From Patch Mode
From Performance Mode
Assigning a Sample as a Patch to a Part (Assign to Keyboard)
From Performance Mode
From Patch Mode
Create a Rhythm Set (Create Rhythm)
Creating a Multisample (Create Multisample)
Multisample
Assigning a multisample to the desired keys
Unloading a Sample (Unload) Removing Unwanted Portions of a Sample (Truncate)
Boosting or Limiting the High-frequency Range of the Sample (Emphasis)
Maximizing the Volume of a Sample (Normalize)
Amp
Stretching or Shrinking a Sample (Time Stretch)
Procedure for Dividing a Sample
Dividing a Sample into Notes (Chop)
Automatically Dividing a Sample (Auto Chop)
Deleting a Dividing Point
Joining Two or More Samples (Combine)
Saving a Sample
Using the Pads
To hold two or more samples
To play other sounds while holding one sound
Making Settings for the Pads (Pad Setting)
Settings that Apply to All Pads
Specify the Currently Used Sound Generator
Writing the Pad Settings
Exchanging the Sound of Two Pads (Pad Exchange)
Page
Playing Back a Song
Playing a Song Immediately (Quick Play)
Playing Back Songs Consecutively (Chain Play)
Various Playback Methods
Fast-Forward and Rewind During Playback
Changing the Playback Tempo of a Song
Using a Controller to Change the Playback Tempo
Playing a Song Back at a Fixed Tempo (Muting the Tempo Track)
Playing Back a S-MRC Format Song
Playing Back a Song Repeatedly (Loop Play)
Using the D Beam Controller to Start/Stop Song Playback
Recording Songs
Two Recording Methods
Patch/Rhythm set
Overview of the Recording Process
Specifying the Time Signature of a Pattern
Setting the tempo
Specify the Time Signature
Recording Your Performance as You Play It (Realtime Recording)
Basic Operation for Realtime
Using Auto Punch-In Recording
Using Manual Punch-In Recording
Recording Tempo Changes in a Song (Tempo Recording)
Loop Recording and Punch-In
Input Quantize
Correct the Timing of Your Playing as You Record (Recording Quantize)
Selecting the Sequencer Data that will Be Recorded (Recording Select)
Erasing Unwanted Data While You Record (Realtime Erase)
Inputting Data One Step at a Time (Step Recording)
Inputting Notes and Rests
Inputting a Chord
Moving the input location
Moving the display region
The Relation between Note Value Length and Gate Time
Assigning a Pattern to a Phrase Track
Editing Songs
Loading the Song You Want to Edit
Viewing the data within a track
Using Different Sound Generators for Each Track
Loading Individual Tracks/Patterns of Song Data
Silencing the Playback of a Track (Mute)
Assigning a Locate Position
Moving to a Locate Position
Assigning Markers (Locate Positions) to a Song
Specifying the Area of a Song that will Repeat (Loop Points)
Editing Sequencer Data Over the Specified Range (Track Edit)
Basic Operation for Track Editing
Aligning a Songs Timing (Quantize)
Rate (Shuffle Quantize Rate)
Timing (Quantize Timing)
Quantize Template (Quantize Template)
Erasing Unwanted Performance Data (Erase)
Preview Function
Copy Times
Deleting Unwanted Measures (Delete)
Copying Phrases (Copy)
Beat
Inserting a Blank Measure (Insert)
Transpose the Key (Transpose)
Magnify
Changing the Velocity (Volume) (Change Velocity)
If You Want to Lower the Bass Sound One Octave...
When You Want to Change Percussion Sounds...
Changing the MIDI Channel (Change Channel)
Magnify
Src Channel, Dst Channel (MIDI Channel)
Modifying the Length of Notes (Change Duration)
Src Track / Src Pattern (Source Track)
Dst Track / Pattern (Destination Track/Pattern)
Combining Two Phrase Tracks or Patterns into One (Merge)
Extracting and Moving a Part of Sequencer Data (Extract)
Extract Mode
Shifting Performance Data Forward and Back (Shift Clock)
Data Thin Time
Data Thin Value
Thinning Out the Sequencer Data (Data Thin)
Time Original H/M/S
Time H/M/S
Swapping Two Phrase Tracks or Patterns (Exchange)
Adjusting the Songs Playback Time (Time Fit)
Deleting Blank Measures (Truncate)
Editing a System Exclusive Message
Editing Individual Items of Sequencer Data (Micro Edit)
Editing Sequencer Data (Basic Procedure in the Microscope)
Data Handled by the Tempo Track
Sequencer Data Handled by a Phrase Track/Pattern
Data Handled by the Beat Track
Inserting Sequencer Data (Create)
Viewing Sequencer Data (View)
Beat Change
Erasing Sequencer Data (Erase)
Copying Sequencer Data (Copy)
Moving Sequencer Data (Move)
Changing the Tempo Midway Through the Song
Changing the Time Signature Midway Through the Song
Assigning a Name to a Song (Song Name)
Saving/Loading a song (Save/Load)
Data saved together with a song
Song
Basic Procedure
Saving a Song with Samples (Save Song+Samples)
Saving a Song (Save Song)
File Name and Song Name
Saving Samples (Save All Samples)
Saving a Song as an SMF File (Save as SMF)
Loading a Song (Load)
Song
Basic Procedure
Importing a WAV/AIFF File (Import Audio)
Playing a Phrase at the Touch of a Finger (RPS Function)
Settings for the RPS Function
Record a Pattern
Before You Use the RPS Function
Using the RPS Function While You Perform
Playing a Phrase at the Touch of a Finger (RPS Function)
Recording a Performance Using the RPS Function
Adding Effects
Making Effect Settings
Turning Effects On and Off
Applying Effects in Patch Mode
Specifying How the Sound Will Be Output (Routing)
Signal Flow Diagram and Parameters
Tone Output Assign
Tone Reverb Send Level
Tone Chorus Send Level
Tone Output Level
MFX Type (Multi-Effects Type)
MFX Output Level (Multi-Effects Output Level)
MFX Chorus Send Level (Multi-Effects Chorus Send Level)
MFX Reverb Send Level (Multi-Effects Reverb Send Level)
MFX Output Assign (Multi-Effects Output Assign)
Chorus Type
3
4 2 3 5 6
7
Chorus Output Select
Reverb Level
Reverb Type
Chorus Output Assign
Reverb Output Assign
Part Select
Applying Effects in Performance Mode
Specifying How the Sound Will Be Output (Routing)
Signal Flow Diagram and Parameters
Part Reverb Send Level
MFX Type (Multi-Effects Type)
MFX Output Level (Multi-Effects Output Level)
MFX Chorus Send Level (Multi-Effects Chorus Send Level)
MFX Reverb Send Level (Multi-Effects Reverb Send Level)
MFX Output Assign (Multi-Effects Output Assign)
Chorus Type
Chorus Output Select
Chorus Level
Chorus Output Assign
Reverb Type
MFX13 Source (Multi-Effects 1 Source)
Reverb Output Assign
Reverb Level
When Patch or Rhythm Set Settings Are
Type (Multi-Effects Type)
Making Multi-Effects Settings (MFX13)
Making Multi-Effects Settings (MFX Control)
Destination 14 (Multi-Effects Control Destination 14)
Sens 14 (Multi-Effects Control Sensitivity 14)
MFX Control Channel (Multi-Effects Control Channel)
Multi-Effects Control
Structure Type
Specifying the multi-effect structure (MFX Structure)
Making Chorus Settings (Chorus)
Type (Reverb Type)
Making Reverb Settings (Reverb)
ATTACK
Split Frequency Low
Mastering Effect
About THRESHOLD and RATIO
Connecting to Your Computer via USB (USB Mode)
About USB Functions
Selecting MIDI Mode
Selecting USB Storage Mode
Transferring Files to or from Your Computer (Storage Mode)
Specify the Connection-Destination
Connections
Importing Audio file (Import Audio)
Exiting Storage Mode
Cautions Regarding Folders and Files
Canceling USB Communication
Examples of Using Storage Mode
Using a Bitmap File as a Background in the Display
Importing a Bitmap File (Import BMP)
Displaying text memos in the Live Setting screen (Import Text)
Driver Installation and Settings
Exchanging MIDI Messages with Your Computer (MIDI Mode)
Caution when disconnecting the USB cable
What is the USB MIDI Driver?
File-Related Functions (File Utility)
ROLAND
TMP
(User, Card)
PNL SEQ SMPL SND
Copying a File (Copy)
Deleting a File (Delete)
Moving a File (Move)
Initializing a Memory Card (Card Format)
Settings Common to All Modes (System Function)
How to Make System Function Settings
Saving the System Settings (System Write)
Functions of System
Keyboard
Pedal/D Beam
Sync/Temp
MIDI Clock and MTC
MTC Offset Time Hour
Metronome
Fantom-X Fantom-X
Sound
Using the Local Switch
Connecting the Fantom-X to an external sequencer
Keyboard Sequencer
MIDI
USB
Scale Tune Switch
Preview 14 Velocity
Scale Tune
Preview
Equal Temperament
Just Temperament (Tonic of C)
Sys Ctrl 14 Source
Skip Back Time
Trimming Switch
System Ctrl
Background Screen Saver
System Control
Sampling
System Information
Data Management Functions
Reset to Default Factory Settings (Factory Reset)
Factory Reset
Basic Procedure
Using Fantom-X Editor
Using Fantom-X Librarian
Installing Fantom-X Editor into Your Computer
Making Connections
Fantom-X Editor System Requirements
System Requirements (Windows)
System Requirements (Mac OS)
About V-LINK
V-LINK Settings
What is V-LINK?
Connection Examples
V-LINK Parameters
Resetting the Image
Installing the Wave Expansion Board
Cautions When Installing an Wave Expansion Board
How to Install a Wave Expansion Board
Checking the Installed Wave Expansion Boards
Installation de la carte dexpansion Wave
(French Language for Canadian Safety Standard)
Prcautions prendre lors de linstallation dune carte dexpansion Wave
Vrification des cartes dextension audio aprs installation
Expanding the Memory
Precautions for Expanding Memory
How to Expand the Memory
Checking that memory is installed correctly
Ajouter de la mmoire
(French Language for Canadian Safety Standard)
Prcautions prendre lors de lajout de mmoire
Vrifier que la mmoire est installe correctement
Using a Memory Card
Before Using the Memory Card
Writing data to the card
memory card
Troubleshooting
Problems Concerning the Entire Fantom-X Issues Related to Sound
Page
Issues Related to Effects
Issues Related to Saving Data
Issues Related to Sequencer
Issues Related to MIDI and External Devices
Issues Related to Sampling
Issues Related to a Memory Card
Parameter List
Patch Parameter
TMT Group (P.63)
General Group (P.60)
Pitch Group (P.67)
Pitch Env Group (P.68) TVF Group (P.69)
TVF Env Group (P.71) TVA Group (P.71)
TVA Env Group (P.72) Output Group (P.73)
LFO1/2 Group (P.74)
Step LFO Group (P.76) Solo/Porta Group (P.77)
Misc Group (P.78)
Effect Group (P.207)
CTRL 14 Group (P.81)
Rhythm Set Parameter
Pitch Env Group (P.91) TVF Group (P.92) TVF Env Group (P.93)
TVA Group (P.94) TVA Env Group (P.94) Output Group (P.95)
Effect Group (P.207)
General Group (P.120) Part View Group (P.107)
Performance Parameter
Control Setting Group (P.114)
Pad Setting Group (P.161)
Arpeggio Group (P.128)
Rhythm Group (P.135)
Chord Memory Group (P.133) Effect Group (P.210)
Rhythm Group Parameter
Sample Parameters
Pedal/D Beam Group (P.226)
Keyboard Group (P.226) Sync/Tempo Group (P.227)
Metronome Group (P.228) Sound (P.229)
System Parameters
MIDI Group (P.230)
Startup Group (P.234) System Information Group (P.234) D Beam (Solo Synth) Group (P.123)
Parameter
Input Setting Group (P.141)
Mastering Effect Group (P.217)
V-LINK Group (P.239)
Pad Setting Group (P.161)
Switch Group (P.51)
Knob Group (P.51)
Effects List
Multi-Effects Parameter
01: EQUALIZER
04: LOW BOOST
02: SPECTRUM
03: ISOLATOR
Isolator Low Boost
Low Boost Isolator
05: SUPER FILTER
SAW1 SAW2
07: ENHANCER
06: STEP FILTER
08: AUTO WAH
Overdrive
Specifications of each Speaker Type
09: HUMANIZER
Cyclically controls a filter to create cyclic change in timbre.
12: STEP PHASER
13: MULTI STAGE PHASER
L in L out Phaser
Phaser 2-Band
Tremolo
19: STEP PAN
15: RING MODULATOR
18: AUTO PAN
Ring Mod
Tremolo
Auto Pan
21: ROTARY
Flanger
25: STEP FLANGER
23: CHORUS
24: FLANGER
26: HEXA-CHORUS
EQ R out
3D Chorus
Tremolo Chorus
29: 3D CHORUS
31: 3D STEP FLANGER
33: 2BAND FLANGER
34: 2BAND STEP FLANGER
Pre Amp Speaker
Distortion
Specifications for each Speaker Type
This is an effect that simulates the sound of a guitar amplifier.
42: GATE
This is a stereo delay. When Feedback Mode is NORMAL:
44: LONG DELAY
Delay 2
When Feedback Mode is CROSS:
46: MODULATION DELAY
45: SERIAL DELAY
47: 3TAP PAN DELAY
Rev. Delay
Multi Tap Delay
1
Quadruple Tap Delay
51: SHUFFLE DELAY
3D Delay C
R
A stereo delay in which the delay time can be varied smoothly.
53: TIME CTRL DELAY
54: LONG TIME CTRL DELAY
Noise Gen.
Direct Level
Echo Level
56: LOFI NOISE
57: LOFI COMPRESS
60: PHONOGRAPH
58: LOFI RADIO
59: TELEPHONE
64: REVERB
Reverb
65: GATED REVERB
Overdrive
Overdrive
Gated Reverb
Flanger
68: OVERDRIVE
Distortion
Distortion
Flanger
Distortion
74: ENHANCER
Delay
DELAY
75: CHORUS
77: CHORUS
78: SYMPATHETIC RESONANCE
FLANGER
Chorus Parameters
04: LIMITER
Reverb Parameters
Input Effect Parameters
Page
Error Messages
About MIDI
MIDI THRU Connector
MIDI OUT Connector
About MIDI Connectors
MIDI Implementation
Control Change
Polyphonic Key Pressure
Note on
Note off
Page
RPN MSB/LSB (Controller number 100, 101)
Effect 3 (Chorus Send Level) (Controller number 93)
Effect 1 (Reverb Send Level) (Controller number 91)
Pitch Bend Change
Channel Pressure
Program Change
System Realtime Message
Channel Mode Messages
Chorus Parameters
Reverb Parameters
Master Coarse Tuning
Global Parameter Control
Universal Realtime System Exclusive Messages
Data Request 1 RQ1
Key-based Instrument Controllers
Scale/Octave Tuning Adjust
Data Transmission
Data Entry (Controller number 6, 38)
Portamento Time (Controller number 5)
Breath type (Controller number 2)
Active Sensing
Channel Mode Messages
Data set 1 DT1
Data Transmission
Identity Reply Message (Fantom-X8)
Identity Reply Message (Fantom-X7)
Channel Mode messages
3.1 Messages recorded during recording
3. Data reception (Sequencer Section)
3.2 Messages not recorded during recording
3.3 Messages acknowledged for synchronization
Format2LOCATE [TARGET]
LOCATE (MCP)
DEFERRED PLAY (MCS)
STOP (MCS)
Format2LOCATE [TARGET]
LOCATE (MCP)
DEFFERRED PLAY (MCS)
STOP (MCS)
System Common
Setup
Rhythm Group
Chord
System Controller
System External Input
System Mastering
Performance Common
Performance Common Chorus
Performance Common MFX
Performance Part
Performance MIDI
Performance Common Reverb
Performance Controller
Performance Zone
Chord Pattern
Arpeggio Pattern
Arpeggio Common
Rhythm Group
Patch Common
Patch Common MFX
Patch Common Reverb
Patch Common Chorus
Patch Tone
Patch TMT (Tone Mix Table)
Rhythm Common MFX
Rhythm Common
Rhythm Common Reverb
Rhythm Common Chorus
Rhythm Tone
2. GS (Model ID = 42H)
Common Parameter
System Parameter
Part Parameter
Drum Setup Parameter
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
<Example3> EA 00 28
<Example2> CE 49
<Example1> 92 3E 5F
ASCII Code Table
Arabian Scale
Just Temperament (Tonic of C)
Equal Temperament
<Bank Select and Program Change Correspondence Chart>
MSB LSB
Rhythm Set
Patch
MIDI Implementation Chart
(Sequencer Section) Model Fantom-X6/X7/X8
Date : Feb. 2, 2004 Version : 1.00
MIDI Implementation Chart
Specifications
Others
Sequencer Section
Sampling Section
Specifications
Index
B
A
Symbols
D
C
G
F
E
L
K
J
I
M
P
O
N
R
Q
S
T
V
U
Z
X
W
Page
NOTICE AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT
FOR HOME OR OFFICE USE
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
Information
As of January 15, 2005 (ROLAND)
03569901 05-6-6N
202
Owners Manual
