Equipement MIDI

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00 00 1B#

0bbbbbbb

 

0,,,100

00 00 1A 0aaaaaaa

Phaser: Manual

——————————+—————————+———————————————————————————————————————————————————

00 00 1B# 0bbbbbbb

 

0,,,100

00 00 1C

0aaaaaaa Flanger: Cross Feedback Level

——————————+—————————+———————————————————————————————————————————————————

00 00 1D#

0bbbbbbb

 

0,,,100

00 00 1C 0aaaaaaa

Phaser: Resonance

——————————+—————————+———————————————————————————————————————————————————

00 00 1D# 0bbbbbbb

 

0,,,100

00 00 1E

0aaaaaaa Flanger: Effect Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 1F#

0bbbbbbb

 

-100,,,100

00 00 1E 0aaaaaaa

Phaser: Cross Feedback

——————————+—————————+———————————————————————————————————————————————————

00 00 1F# 0bbbbbbb

 

0,,,100

00 00 20

0aaaaaaa Flanger: Direct Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

 

-100,,,100

00 00 20 0aaaaaaa

Phaser: Effect Level

——————————+—————————+———————————————————————————————————————————————————

00 00 21# 0bbbbbbb

 

-100,,,100

00 00 22

0aaaaaaa EQ: Low EQ Type

 

——————————+—————————+———————————————————————————————————————————————————

00 00 23#

0bbbbbbb

0,1 = Shelving, Peaking

00 00 22 0aaaaaaa

Phaser: Direct Level

——————————+—————————+———————————————————————————————————————————————————

00 00 23# 0bbbbbbb

 

-100,,,100

00 00 24

0aaaaaaa EQ: Low EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 25#

0bbbbbbb

 

-12,,,12dB

00 00 24 0aaaaaaa

EQ: Low EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00 25# 0bbbbbbb

 

0,1 = Shelving, Peaking

00 00 26

0aaaaaaa EQ: Low EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00 27#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00 26 0aaaaaaa

EQ: Low EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 27# 0bbbbbbb

 

-12,,,12dB

00 00 28

0aaaaaaa EQ: Low EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00 29#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 28 0aaaaaaa

EQ: Low EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 29# 0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00 2A

0aaaaaaa EQ: Mid EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2B#

0bbbbbbb

 

-12,,,12dB

00 00 2A 0aaaaaaa

EQ: Low EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 2B# 0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 2C

0aaaaaaa EQ: Mid EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2D#

0bbbbbbb

20,,,800 = 200,,,8000Hz

00 00 2C 0aaaaaaa

EQ: Mid EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 2D# 0bbbbbbb

 

-12,,,12dB

00 00 2E

0aaaaaaa EQ: Mid EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00 2F#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 2E 0aaaaaaa

EQ: Mid EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 2F# 0bbbbbbb

 

20,,,800 = 200,,,8000Hz

00 00 30

0aaaaaaa EQ: High EQ Type

 

——————————+—————————+———————————————————————————————————————————————————

00 00 31#

0bbbbbbb

0,1 = Shelving, Peaking

00 00 30 0aaaaaaa

EQ: Mid EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 31# 0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 32

0aaaaaaa EQ: High EQ Gain

 

——————————+—————————+———————————————————————————————————————————————————

00 00 33#

0bbbbbbb

 

-12,,,12dB

00 00 32 0aaaaaaa

EQ: High EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00 33# 0bbbbbbb

 

0,1 = Shelving, Peaking

00 00 34

0aaaaaaa EQ: High EQ Frequency

 

——————————+—————————+———————————————————————————————————————————————————

00 00 35#

0bbbbbbb

14,,,200 = 1.4,,,20.0kHz

00 00 34 0aaaaaaa

EQ: High EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00 35# 0bbbbbbb

 

-12,,,12dB

00 00 36

0aaaaaaa EQ: High EQ Q

 

——————————+—————————+———————————————————————————————————————————————————

00 00 37#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 36 0aaaaaaa

EQ: High EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 37# 0bbbbbbb

 

14,,,200 = 1.4,,,20.0kHz

00 00 38

0aaaaaaa EQ: Out Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 39#

0bbbbbbb

 

0,,,100

00 00 38 0aaaaaaa

EQ: High EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00 39# 0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 3A

00

(Réservé)

 

——————————+—————————+———————————————————————————————————————————————————

:

 

:

 

 

00 00 3A 0aaaaaaa

EQ: Out Level

00 00 7F

00

 

00 00 3B# 0bbbbbbb

 

0,,,100

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

00 00 3C 00

(Réservé)

Algorithme 16 Dual Compressor/Limiter

 

 

:

 

:

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00 7F 00

 

00 00 0E

0aaaaaaa Comp/Limit A SW

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

Algorithme 15 Stereo Flanger

 

00 00 10

0aaaaaaa Noise Suppressor A SW

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00 0E 0aaaaaaa

Flanger SW

——————————+—————————+———————————————————————————————————————————————————

00 00 0F# 0bbbbbbb

 

0,1 = Off,On

00 00 12

0aaaaaaa Comp/Limit B SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 13#

0bbbbbbb

 

0,1 = Off,On

00 00 10 0aaaaaaa

EQ SW

——————————+—————————+———————————————————————————————————————————————————

00 00 11# 0bbbbbbb

 

0,1 = Off,On

00 00 14

0aaaaaaa Noise Suppressor B SW

 

——————————+—————————+———————————————————————————————————————————————————

00 00 15#

0bbbbbbb

 

0,1 = Off,On

00 00 12 0aaaaaaa

Flanger: Rate

——————————+—————————+———————————————————————————————————————————————————

00 00 13# 0bbbbbbb

 

1,,,100 = 0.1,,,10.0Hz

00 00 16

0aaaaaaa Comp/Limit A: Detect

 

——————————+—————————+———————————————————————————————————————————————————

00 00 17#

0bbbbbbb

 

0,1,2 = A,B,Link

00 00 14 0aaaaaaa

Flanger: Depth

——————————+—————————+———————————————————————————————————————————————————

00 00 15# 0bbbbbbb

 

0,,,100

00 00 18

0aaaaaaa Comp/Limit A: Level

 

——————————+—————————+———————————————————————————————————————————————————

00 00 19#

0bbbbbbb

 

-60,,,12dB

00 00 16 0aaaaaaa

Flanger: Polarity

——————————+—————————+———————————————————————————————————————————————————

00 00 17# 0bbbbbbb

 

0,1 = Inverse,Synchro

00 00 1A

0aaaaaaa Comp/Limit A: Thresh

 

——————————+—————————+———————————————————————————————————————————————————

00 00 1B#

0bbbbbbb

 

-60,,,0dB

00 00 18 0aaaaaaa

Flanger: Manual

——————————+—————————+———————————————————————————————————————————————————

00 00 19# 0bbbbbbb

 

0,,,100

00 00 1C

0aaaaaaa Comp/Limit A: Attack

 

——————————+—————————+———————————————————————————————————————————————————

00 00 1D#

0bbbbbbb

 

0,,,100

00 00 1A 0aaaaaaa

Flanger: Resonance

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Equipement MIDI

51

Page 51
Image 51
Roland VM-7100, VM-7200 manual Algorithme 16 Dual Compressor/Limiter, Algorithme 15 Stereo Flanger

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.