Equipement MIDI

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00 00 16

0aaaaaaa

Limiter SW

 

 

00 00 1A 04 - 7C EQ: Low Mid EQ Frequency (*1)

20.0,,,20.0kHz

00 00 17#

0bbbbbbb

 

 

0,1 = Off,On

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00 00 1B 00 - 21 EQ: Low Mid EQ Q (*3)

 

0.355,,,16.0

00 00 18

0aaaaaaa

Output Speaker

 

 

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00 00 19#

0bbbbbbb

0,,,5 = DS-90,MS-50,SST-151,SST-251,

 

00 00 1C 22 - 5E EQ: High Mid EQ Gain (*2)

 

-15.0,,,15.0dB

 

SST151+351,SST251+351

 

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00 00 1D 04 - 7C EQ: High Mid EQ Frequency (*1)

20.0,,,20.0kHz

00 00 1A

0aaaaaaa

Modeling Speaker

 

 

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00 00 1B#

0bbbbbbb

0,,,13 = THRU,Super Flat,Powered GenBlk,

00 00 1E 00 - 21 EQ: High Mid EQ Q (*3)

 

0.355,,,16.0

 

Powered E-Bas,Powered Mack,Small Cube,White Cone,

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White C +tissue,Small Radio,Small TV,Boom Box,

00 00 1F 00 - 01 EQ: High EQ Type

0,1 = Shelving, Peaking

 

BoomBox LoBoost,Powerd SR,Powerd SR Stack

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00 00 20 22 - 5E EQ: High EQ Gain (*2)

 

-15.0,,,15.0dB

00 00 1C

0aaaaaaa

Speaker Modeling Phase

 

 

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00 00 1D#

0bbbbbbb

 

 

0,1 = NRM,INV

00 00 21 48 - 7C EQ: High EQ Frequency (*1)

 

1.00k,,,20.0kHz

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00 00 1E

0aaaaaaa

Bass Cut Frequency

 

 

00 00 22 00 - 21 EQ: High EQ Q (*3)

 

0.355,,,16.0

00 00 1F#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

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00 00 23 04 - 5E EQ: Level (*2)

 

-30.0,,,15.0dB

00 00 20

0aaaaaaa

Low Frequency Trimmer Gain

 

 

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00 00 21#

0bbbbbbb

 

 

-12,,,12dB

00 00 24 03 - 54 Bass Cut Frequency (*1)

 

Thru/20.0,,,2.00kHz

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00 00 22

0aaaaaaa

Low Frequency Trimmer Frequency

 

00 00 25 00 - 64 Enhancer Sens

 

0,,,100

00 00 23#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

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00 00 26 48 - 70 Enhancer Frequency (*1)

 

1.0k,,,10.0kHz

00 00 24

0aaaaaaa

High Frequency Trimmer Gain

 

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00 00 25#

0bbbbbbb

 

 

-12,,,12dB

00 00 27 38 - 5C Enhancer Mix Level

(0dB:80[50H]) -24,,,12dB

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00 00 26

0aaaaaaa

High Frequency Trimmer Frequency

 

00 00 28 38 - 5C Input Gain

(0dB:80[50H]) -24,,,12dB

00 00 27#

0bbbbbbb

 

10,,,200 = 1.0,,,20.0kHz

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00 00 29 00 - 0A Input Detect Time

 

0,,,10ms

00 00 28

0aaaaaaa

Limiter Threshold

 

 

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00 00 29#

0bbbbbbb

 

 

-60,,,0dB

00 00 2A 04 - 44 Input Low Split Point (*1)

 

20.0,,,800Hz

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00 00 2A

0aaaaaaa

Limiter Release

 

 

00 00 2B 50 - 78 Input High Split Point (*1)

1.6k,,,16.0kHz

00 00 2B#

0bbbbbbb

 

 

0,,,100

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00 00 2C 00 - 50 Expander Low Threshold

(0dB:80[50H]) -80,,,0dB

00 00 2C

0aaaaaaa

Limiter Level

 

 

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00 00 2D#

0bbbbbbb

 

 

-60,,,24dB

00 00 2D 00 - 50 Expander Mid Threshold

(0dB:80[50H]) -80,,,0dB

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00 00 2E

00

(Réservé)

 

 

00 00 2E 00 - 50 Expander High Threshold

(0dB:80[50H]) -80,,,0dB

 

:

 

 

:

 

 

 

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00 00 7F

00

 

 

 

00 00 2F 00 - 0D Expander Low Ratio (*4)

 

1:1.0,,,1:INF

+————————————————————————————————————————————————————————————————————————+

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00 00 30 00 - 0D Expander Mid Ratio (*4)

 

1:1.0,,,1:INF

 

Quand Output Speaker = 0 (DS-90), Modeling Speaker est réglé sur 0 - 11.

 

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Quand Output Speaker = 1 (MS-50), Modeling Speaker est réglé sur 0, 1.

 

00 00 31 00 - 0D Expander High Ratio (*4)

 

1:1.0,,,1:INF

 

Quand Output Speaker = 2 (SST-151), Modeling Speaker est réglé sur 0, 1, 12.

 

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Quand Output Speaker = 3 (SST-251), Modeling Speaker est réglé sur 0, 1, 12.

 

00 00 32 00 - 64 Expander Low Attack

 

0,,,100ms

 

Quand Output Speaker = 4 (SST-151+351), Modeling Speaker est réglé sur 0, 1, 13.

 

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Quand Output Speaker = 5 (SST-251+351), Modeling Speaker est réglé sur 0, 1, 13.

 

00 00 33 00 - 64 Expander Mid Attack

 

0,,,100ms

 

 

 

 

 

 

 

 

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Algorithme 36 Mastering Tool Kit (FX1, FX3, FX5 ou FX7)

 

00 00 34 00 - 64 Expander High Attack

 

0,,,100ms

+————————————————————————————————————————————————————————————————————————+

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00 00 0E

00 - 01

EQ SW

 

0,1 = Off,On

00 00 35 00 - 64 Expander Low Release (*5)

 

50,,,5000ms

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00 00 0F

00 - 01

Bass Cut SW

 

0,1 = Off,On

00 00 36 00 - 64 Expander Mid Release (*5)

 

50,,,5000ms

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00 00 10

00 - 01

Enhancer SW

 

0,1 = Off,On

00 00 37 00 - 64 Expander High Release (*5)

 

50,,,5000ms

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00 00 11

00 - 01

Expander SW

 

0,1 = Off,On

00 00 38 38 - 50 Compressor Low Threshold

(0dB:80[50H]) -24,,,0dB

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00 00 12

00 - 01

Compressor SW

 

0,1 = Off,On

00 00 39 38 - 50 Compressor Mid Threshold

(0dB:80[50H]) -24,,,0dB

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00 00 13

00 - 01

Limiter SW

 

0,1 = Off,On

00 00 3A 38 - 50 Compressor High Threshold

(0dB:80[50H]) -24,,,0dB

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00 00 14

04 - 5E

EQ: Input Gain (*2)

 

-30.0,,,15.0dB

00 00 3B 00 - 0D Compressor Low Ratio (*4)

 

1:1.0,,,1:INF

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00 00 15

00 - 01

EQ: Low EQ Type

0,1 = Shelving, Peaking

00 00 3C 00 - 0D Compressor Mid Ratio (*4)

 

1:1.0,,,1:INF

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00 00 16

22 - 5E

EQ: Low EQ Gain (*2)

 

-15.0,,,15.0dB

00 00 3D 00 - 0D Compressor High Ratio (*4)

 

1:1.0,,,1:INF

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00 00 17

04 - 54

EQ: Low EQ Frequency (*1)

 

20.0,,,2.00kHz

00 00 3E 00 - 64 Compressor Low Attack

 

0,,,100ms

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00 00 18

00 - 21

EQ: Low EQ Q (*3)

 

0.355,,,16.0

00 00 3F 00 - 64 Compressor Mid Attack

 

0,,,100ms

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00 00 19

22 - 5E

EQ: Low Mid EQ Gain (*2)

 

-15.0,,,15.0dB

00 00 40 00 - 64 Compressor High Attack

 

0,,,100ms

 

 

 

 

 

 

 

 

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Roland VM-7200, VM-7100 manual Algorithme 36 Mastering Tool Kit FX1, FX3, FX5 ou FX7

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.