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Roland VM-7200, VM-7100 manual Algorithme 17 Gate Reverb, Algorithme 18 Multi Tap Delay

Models: VM-7200 VM-7100

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Equipement MIDI

00 00 1E

0aaaaaaa

Comp/Limit A: Release

——————————+—————————+———————————————————————————————————————————————————

00 00 1F#

0bbbbbbb

 

0,,,100

00 00

22

0aaaaaaa

G.Reverb: Accent Pan

——————————+—————————+———————————————————————————————————————————————————

00 00

23#

0bbbbbbb

 

1,,,127 = L63,,,R63

00 00 20

0aaaaaaa

Comp/Limit A: Ratio

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

0,,,3 = 1.5:1,2:1,4:1,100:1

00 00

24

0aaaaaaa

G.Reverb: Direct Level

——————————+—————————+———————————————————————————————————————————————————

00 00

25#

0bbbbbbb

 

-100,,,100

00 00 22

0aaaaaaa

Noise Suppressor A: Detect

——————————+—————————+———————————————————————————————————————————————————

00 00 23#

0bbbbbbb

 

0,1,2 = A,B,Link

00 00

26

0aaaaaaa

EQ: Low EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00

27#

0bbbbbbb

 

0,1 = Shelving, Peaking

00 00 24

0aaaaaaa

Noise Suppressor A: Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00 25#

0bbbbbbb

 

0,,,100

00 00

28

0aaaaaaa

EQ: Low EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00

29#

0bbbbbbb

 

-12,,,12dB

00 00 26

0aaaaaaa

Noise Suppressor A: Release

——————————+—————————+———————————————————————————————————————————————————

00 00 27#

0bbbbbbb

 

0,,,100

00 00

2A

0aaaaaaa

EQ: Low EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

2B#

0bbbbbbb

 

2,,,200 = 20,,,2000Hz

00 00 28

0aaaaaaa

Comp/Limit B: Detect

——————————+—————————+———————————————————————————————————————————————————

00 00 29#

0bbbbbbb

 

0,1,2 = A,B,Link

00 00

2C

0aaaaaaa

EQ: Low EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00

2D#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 2A

0aaaaaaa

Comp/Limit B: Level

——————————+—————————+———————————————————————————————————————————————————

00 00 2B#

0bbbbbbb

 

-60,,,12dB

00 00

2E

0aaaaaaa

EQ: Mid EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00

2F#

0bbbbbbb

 

-12,,,12dB

00 00 2C

0aaaaaaa

Comp/Limit B: Thresh

——————————+—————————+———————————————————————————————————————————————————

00 00 2D#

0bbbbbbb

 

-60,,,0dB

00 00

30

0aaaaaaa

EQ: Mid EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

31#

0bbbbbbb

 

20,,,800 = 200,,,8000Hz

00 00 2E

0aaaaaaa

Comp/Limit B: Attack

——————————+—————————+———————————————————————————————————————————————————

00 00 2F#

0bbbbbbb

 

0,,,100

00 00

32

0aaaaaaa

EQ: Mid EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00

33#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 30

0aaaaaaa

Comp/Limit B: Release

——————————+—————————+———————————————————————————————————————————————————

00 00 31#

0bbbbbbb

 

0,,,100

00 00

34

0aaaaaaa

EQ: High EQ Type

——————————+—————————+———————————————————————————————————————————————————

00 00

35#

0bbbbbbb

 

0,1 = Shelving, Peaking

00 00 32

0aaaaaaa

Comp/Limit B: Ratio

——————————+—————————+———————————————————————————————————————————————————

00 00 33#

0bbbbbbb

0,,,3 = 1.5:1,2:1,4:1,100:1

00 00

36

0aaaaaaa

EQ: High EQ Gain

——————————+—————————+———————————————————————————————————————————————————

00 00

37#

0bbbbbbb

 

-12,,,12dB

00 00 34

0aaaaaaa

Noise Suppressor B: Detect

——————————+—————————+———————————————————————————————————————————————————

00 00 35#

0bbbbbbb

 

0,1,2 = A,B,Link

00 00

38

0aaaaaaa

EQ: High EQ Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

39#

0bbbbbbb

 

14,,,200 = 1.4,,,20.0kHz

00 00 36

0aaaaaaa

Noise Suppressor B: Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00 37#

0bbbbbbb

 

0,,,100

00 00

3A

0aaaaaaa

EQ: High EQ Q

——————————+—————————+———————————————————————————————————————————————————

00 00

3B#

0bbbbbbb

 

3,,,100 = 0.3,,,10.0

00 00 38

0aaaaaaa

Noise Suppressor B: Release

——————————+—————————+———————————————————————————————————————————————————

00 00 39#

0bbbbbbb

 

0,,,100

00 00

3C

0aaaaaaa

EQ: Out Level

——————————+—————————+———————————————————————————————————————————————————

00 00

3D#

0bbbbbbb

 

0,,,100

00 00 3A

00

(Réservé)

——————————+—————————+———————————————————————————————————————————————————

:

 

 

:

 

00 00

3E

00

(Réservé)

00 00 7F

00

 

 

:

 

 

 

:

 

+——————————+—————————+———————————————————————————————————————————————————+

00 00

7F

00

 

 

 

 

 

 

+——————————+—————————+———————————————————————————————————————————————————+

❍Algorithme 17 Gate Reverb

 

 

 

 

 

 

 

 

+——————————+—————————+———————————————————————————————————————————————————+

❍Algorithme 18 Multi Tap Delay

 

00 00 0E

0aaaaaaa

G.Reverb SW

+——————————+—————————+———————————————————————————————————————————————————+

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00

0E

0aaaaaaa EQ SW

——————————+—————————+———————————————————————————————————————————————————

00 00

0F#

0bbbbbbb

 

0,1 = Off,On

00 00 10

0aaaaaaa

EQ SW

——————————+—————————+———————————————————————————————————————————————————

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00

10

0aaaaaaa M.Tap Delay: Time 1

——————————+—————————+———————————————————————————————————————————————————

00 00

11#

0bbbbbbb

 

0,,,1200ms

00 00 12

0aaaaaaa

G.Reverb: Gate Time

——————————+—————————+———————————————————————————————————————————————————

00 00 13#

0bbbbbbb

 

10,,,400ms

00 00

12

0aaaaaaa M.Tap Delay: Level 1

——————————+—————————+———————————————————————————————————————————————————

00 00

13#

0bbbbbbb

 

0,,,100

00 00 14

0aaaaaaa

G.Reverb: Pre Delay

——————————+—————————+———————————————————————————————————————————————————

00 00 15#

0bbbbbbb

 

0,,,300ms

00 00

14

0aaaaaaa M.Tap Delay: Pan 1

——————————+—————————+———————————————————————————————————————————————————

00 00

15#

0bbbbbbb

 

1,,,127 = L63,,,R63

00 00 16

0aaaaaaa

G.Reverb: Effect Level

——————————+—————————+———————————————————————————————————————————————————

00 00 17#

0bbbbbbb

 

-100,,,100

00 00

16

0aaaaaaa M.Tap Delay: Time 2

——————————+—————————+———————————————————————————————————————————————————

00 00

17#

0bbbbbbb

 

0,,,1200ms

00 00 18

0aaaaaaa

G.Reverb: Mode

——————————+—————————+———————————————————————————————————————————————————

00 00 19#

0bbbbbbb

0,,,4 = Normal,L->R,R->L,Reverse1,Reverse2

00 00

18

0aaaaaaa M.Tap Delay: Level 2

——————————+—————————+———————————————————————————————————————————————————

00 00

19#

0bbbbbbb

 

0,,,100

00 00 1A

0aaaaaaa

G.Reverb: Thickness

——————————+—————————+———————————————————————————————————————————————————

00 00 1B#

0bbbbbbb

 

0,,,100

00 00

1A

0aaaaaaa M.Tap Delay: Pan 2

——————————+—————————+———————————————————————————————————————————————————

00 00

1B#

0bbbbbbb

 

1,,,127 = L63,,,R63

00 00 1C

0aaaaaaa

G.Reverb: Density

——————————+—————————+———————————————————————————————————————————————————

00 00 1D#

0bbbbbbb

 

0,,,100

00 00

1C

0aaaaaaa M.Tap Delay: Time 3

——————————+—————————+———————————————————————————————————————————————————

00 00

1D#

0bbbbbbb

 

0,,,1200ms

00 00 1E

0aaaaaaa

G.Reverb: Accent Delay

——————————+—————————+———————————————————————————————————————————————————

00 00 1F#

0bbbbbbb

 

0,,,200ms

00 00

1E

0aaaaaaa M.Tap Delay: Level 3

——————————+—————————+———————————————————————————————————————————————————

00 00

1F#

0bbbbbbb

 

0,,,100

00 00 20

0aaaaaaa

G.Reverb: Accent Level

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

 

0,,,100

00 00

20

0aaaaaaa M.Tap Delay: Pan 3

52

Page 51 Page 53
Page 52
Image 52
Roland VM-7200, VM-7100 manual Algorithme 17 Gate Reverb, Algorithme 18 Multi Tap Delay
Page 51 Page 53

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.