Equipement MIDI

00 00 3B#

0bbbbbbb

 

0,,,100

00 00

28

0aaaaaaa

Distance Ach: Proximity Effect

——————————+—————————+———————————————————————————————————————————————————

00 00

29#

0bbbbbbb

 

-12,,,+12

00 00 3C

0aaaaaaa

Vocoder: Voice Char Level 18

——————————+—————————+———————————————————————————————————————————————————

00 00 3D#

0bbbbbbb

 

0,,,100

00 00

2A

0aaaaaaa

Distance Ach: Timelag

——————————+—————————+———————————————————————————————————————————————————

00 00

2B#

0bbbbbbb

0,,,1000 = 0,,,3000cm

00 00 3E

0aaaaaaa

Vocoder: Voice Char Level 19

——————————+—————————+———————————————————————————————————————————————————

00 00 3F#

0bbbbbbb

 

0,,,100

00 00

2C

0aaaaaaa

Limiter Ach: Detect HPF Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

2D#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00 40

0aaaaaaa

Vocoder: Mic High Pass Filter

——————————+—————————+———————————————————————————————————————————————————

00 00 41#

0bbbbbbb

9,,,200 = Thru,1.0,,,20.0kHz

00 00

2E

0aaaaaaa

Limiter Ach: Level

——————————+—————————+———————————————————————————————————————————————————

00 00

2F#

0bbbbbbb

 

-60,,,24dB

00 00 42

0aaaaaaa

Vocoder: Mic High Pass Filter Pan

——————————+—————————+———————————————————————————————————————————————————

00 00 43#

0bbbbbbb

1,,,127 = L63,,,R63

00 00

30

0aaaaaaa

Limiter Ach: Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00

31#

0bbbbbbb

 

-60,,,0dB

00 00 44

0aaaaaaa

Vocoder: Mic Mix

——————————+—————————+———————————————————————————————————————————————————

00 00 45#

0bbbbbbb

 

0,,,100

00 00

32

0aaaaaaa

Limiter Ach: Attack

——————————+—————————+———————————————————————————————————————————————————

00 00

33#

0bbbbbbb

 

0,,,100

00 00 46

0aaaaaaa

Vocoder: Noise Suppressor Threshold

——————————+—————————+———————————————————————————————————————————————————

00 00 47#

0bbbbbbb

 

0,,,100

00 00

34

0aaaaaaa

Limiter Ach: Release

——————————+—————————+———————————————————————————————————————————————————

00 00

35#

0bbbbbbb

 

0,,,100

00 00 48

0aaaaaaa

Chorus: Rate

——————————+—————————+———————————————————————————————————————————————————

00 00 49#

0bbbbbbb

1,,,100 = 0.1,,,10.0Hz

00 00

36

0aaaaaaa

Mic Converter Bch: Input

——————————+—————————+———————————————————————————————————————————————————

00 00

37#

0bbbbbbb

0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat

00 00 4A

0aaaaaaa

Chorus: Depth

——————————+—————————+———————————————————————————————————————————————————

00 00 4B#

0bbbbbbb

 

0,,,100

00 00

38

0aaaaaaa

Mic Converter Bch: Output

——————————+—————————+———————————————————————————————————————————————————

00 00

39#

0bbbbbbb

0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat

00 00 4C

0aaaaaaa

Chorus: Pre Delay

——————————+—————————+———————————————————————————————————————————————————

00 00 4D#

0bbbbbbb

 

0,,,50ms

00 00

3A

0aaaaaaa

Mic Converter Bch: Phase

——————————+—————————+———————————————————————————————————————————————————

00 00

3B#

0bbbbbbb

0,1 = Normal,Inverse

00 00 4E

0aaaaaaa

Chorus: Mix Balance

——————————+—————————+———————————————————————————————————————————————————

00 00 4F#

0bbbbbbb

 

0,,,100

00 00

3C

0aaaaaaa

Bass Cut Bch: Bass Cut Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00

3D#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00 50

00

(Réservé)

——————————+—————————+———————————————————————————————————————————————————

:

 

 

:

 

00 00

3E

0aaaaaaa

Distance Bch: Proximity Effect

00 00 7F

00

 

00 00

3F#

0bbbbbbb

 

-12,,,+12

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

 

 

 

 

 

00 00

40

0aaaaaaa

Distance Bch: Timelag

Algorithme 29 Mic Simulator

 

00 00

41#

0bbbbbbb

0,,,1000 = 0,,,3000cm

+——————————+—————————+———————————————————————————————————————————————————+

——————————+—————————+———————————————————————————————————————————————————

00 00 0E

0aaaaaaa

Link SW

00 00

42

0aaaaaaa

Limiter Bch: Detect HPF Frequency

00 00 0F#

0bbbbbbb

 

0,1 = Off,On

00 00

43#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 10

0aaaaaaa

Mic Converter Ach SW

00 00

44

0aaaaaaa

Limiter Bch: Level

00 00 11#

0bbbbbbb

 

0,1 = Off,On

00 00

45#

0bbbbbbb

 

-60,,,24dB

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 12

0aaaaaaa

Bass Cut Ach SW

00 00

46

0aaaaaaa

Limiter Bch: Threshold

00 00 13#

0bbbbbbb

 

0,1 = Off,On

00 00

47#

0bbbbbbb

 

-60,,,0dB

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 14

0aaaaaaa

Distance Ach SW

00 00

48

0aaaaaaa

Limiter Bch: Attack

00 00 15#

0bbbbbbb

 

0,1 = Off,On

00 00

49#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 16

0aaaaaaa

Limiter Ach SW

00 00

4A

0aaaaaaa

Limiter Bch: Release

00 00 17#

0bbbbbbb

 

0,1 = Off,On

00 00

4B#

0bbbbbbb

 

0,,,100

——————————+—————————+———————————————————————————————————————————————————

——————————+—————————+———————————————————————————————————————————————————

00 00 18

0aaaaaaa

Mic Converter Bch SW

00 00

4C

00

(Réservé)

00 00 19#

0bbbbbbb

 

0,1 = Off,On

 

:

 

 

 

:

 

——————————+—————————+———————————————————————————————————————————————————

00 00

7F

00

 

00 00 1A

0aaaaaaa

Bass Cut Bch SW

+——————————+—————————+———————————————————————————————————————————————————+

00 00 1B#

0bbbbbbb

 

0,1 = Off,On

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

Quand Mic Converter Input = MinCn, Output est réglé sur SmlDy ou LrgCn.

00 00 1C

0aaaaaaa

Distance Bch SW

Quand Link SW = On, Bch correspond à Ach.

 

00 00 1D#

0bbbbbbb

 

0,1 = Off,On

 

 

 

 

 

 

 

——————————+—————————+———————————————————————————————————————————————————

Algorithme 30 3 Band Isolator

 

00 00 1E

0aaaaaaa

Limiter Bch SW

+——————————+—————————+———————————————————————————————————————————————————+

00 00 1F#

0bbbbbbb

 

0,1 = Off,On

00 00

0E

0aaaaaaa Isolator SW

——————————+—————————+———————————————————————————————————————————————————

00 00

0F#

0bbbbbbb

 

0,1 = Off,On

00 00 20

0aaaaaaa

Mic Converter Ach: Input

——————————+—————————+———————————————————————————————————————————————————

00 00 21#

0bbbbbbb

0,,,4 = DR-20,SmlDy,HedDy,MinCn,Flat

00 00

10

0aaaaaaa Isolator High Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

11#

0bbbbbbb

 

-60,,,+4dB

00 00 22

0aaaaaaa

Mic Converter Ach: Output

——————————+—————————+———————————————————————————————————————————————————

00 00 23#

0bbbbbbb

0,,,6 = SmlDy,VocDy,LrgDy,SmlCn,LrgCn,VntCn,Flat

00 00

12

0aaaaaaa Isolator Middle Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

13#

0bbbbbbb

 

-60,,,+4dB

00 00 24

0aaaaaaa

Mic Converter Ach: Phase

——————————+—————————+———————————————————————————————————————————————————

00 00 25#

0bbbbbbb

0,1 = Normal,Inverse

00 00

14

0aaaaaaa Isolator Low Volume

——————————+—————————+———————————————————————————————————————————————————

00 00

15#

0bbbbbbb

 

-60,,,+4dB

00 00 26

0aaaaaaa

Bass Cut Ach: Bass Cut Frequency

——————————+—————————+———————————————————————————————————————————————————

00 00 27#

0bbbbbbb

1,,,200 = Thru,20,,,2000Hz

00 00

16

0aaaaaaa Isolator Anti Phase Middle Switch

——————————+—————————+———————————————————————————————————————————————————

00 00

17#

0bbbbbbb

 

0,1 = Off,On

58

Page 58
Image 58
Roland VM-7200, VM-7100 manual Algorithme 29 Mic Simulator, Algorithme 30 3 Band Isolator

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.