Equipement MIDI

Effet Masetr Algorithme 1 10Band Parametric Equalizer

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00 00 0E 00 - 01 Bass Cut SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 EQ SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 00 - 01 Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 12 03 - 54 Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 13 04 - 5E EQ Input Level

(*2)

-30.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 14 22 - 5E EQ Band1 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 15 04 - 7C EQ Band1 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 21 EQ Band1 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 17 22 - 5E EQ Band2 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 18 04 - 7C EQ Band2 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 19 00 - 21 EQ Band2 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 1A 22 - 5E EQ Band3 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 1B 04 - 7C EQ Band3 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1C 00 - 21 EQ Band3 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 1D 22 - 5E EQ Band4 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 1E 04 - 7C EQ Band4 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1F 00 - 21 EQ Band4 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 20 22 - 5E EQ Band5 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 21 04 - 7C EQ Band5 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 22 00 - 21 EQ Band5 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 23 22 - 5E EQ Band6 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 24 04 - 7C EQ Band6 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 21 EQ Band6 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 26 22 - 5E EQ Band7 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 27 04 - 7C EQ Band7 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 28 00 - 21 EQ Band7 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 29 22 - 5E EQ Band8 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 2A 04 - 7C EQ Band8 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 2B 00 - 21 EQ Band8 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 2C 22 - 5E EQ Band9 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 2D 04 - 7C EQ Band9 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 2E 00 - 21 EQ Band9 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 2F 22 - 5E EQ Band10 Gain

(*2)

-15.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 30 04 - 7C EQ Band10 Frequency (*1)20.0,,,20.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 31 00 - 21 EQ Band10 Q

(*3)

0.355,,,16.0

——————————+—————————+———————————————————————————————————————————————————

00 00 32 04 - 5E EQ Output Level

(*2)

-30.0,,,15.0dB

——————————+—————————+———————————————————————————————————————————————————

00 00 33 00 - 50 Expander Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 34 00 - 0D Expander Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 35 00 - 64 Expander Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 36 00 - 64 Expander Release

(*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 37 38 - 50 Compressor Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 38 00 - 0D Compressor Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 39 00 - 64 Compressor Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 3A 00 - 64 Compressor Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 3B 00 - 56 Compressor Level (0dB:80[50H]) -80,,,6dB ——————————+—————————+———————————————————————————————————————————————————

00 00

3C

00

(Réservé)

 

:

 

 

 

 

:

 

00 00

7F

00

 

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(

1)

Référe

-vous à “Données MIDI - Ta

le de fréquences d’égalisation du mixer”

(

2)

Référe

-vous à “Données MIDI - Ta

le des gains d’égalisation du mixer”

(

3)

Référe

-vous à “Données MIDI - Ta

le des andes Q d’égalisation du mixer”

(

4)

Référe

-vous à “MIDI Data - Ta les de rapports d’expansion compression”

(

5)

Durée (ms) = 50.0 po (100.0, Data

100.0)

Effet Master Algorithme 2 3Band Dynamics

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00 00 0E 00 - 01 Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Limiter SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 38 - 5C Input Gain(0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 12 00 - 0A Input Detect Time

0,,,10ms

——————————+—————————+———————————————————————————————————————————————————

00 00 13 04 - 44 Input Low Split Point (*1)

20.0,,,800Hz

——————————+—————————+———————————————————————————————————————————————————

00 00 14 50 - 78 Input High Split Point (*1) 1.6k,,,16.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 15 00 - 50 Expander Low Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 50 Expander Mid Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 17 00 - 50 Expander High Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 18 00 - 0D Expander Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 19 00 - 0D Expander Mid Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1A 00 - 0D Expander High Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1B 00 - 64 Expander Low Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1C 00 - 64 Expander Mid Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1D 00 - 64 Expander High Attack

0,,,100ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1E 00 - 64 Expander Low Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 1F 00 - 64 Expander Mid Release (*5)

50,,,5000ms

——————————+—————————+———————————————————————————————————————————————————

00 00 20 00 - 64 Expander High Release (*5)

50,,,5000ms

——————————+—————————+——————————————————————————————————————————————————— 00 00 21 38 - 50 Compressor Low Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 22 38 - 50 Compressor Mid Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 23 38 - 50 Compressor High Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 24 00 - 0D Compressor Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 0D Compressor Mid Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 26 00 - 0D Compressor High Ratio (*4)

1:1.0,,,1:INF

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Roland VM-7200, VM-7100 Effet Masetr Algorithme 1 10Band Parametric Equalizer, Effet Master Algorithme 2 3Band Dynamics

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.