Algorithme 38 Stereo 2Band Dynamics | Roland VM-7200, VM-7100

Equipement MIDI

00 00 4B 22 - 5E Bch EQ Band21 Gain (2.00kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 4C 22 - 5E Bch EQ Band22 Gain (2.50kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 4D 22 - 5E Bch EQ Band23 Gain (3.15kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 4E 22 - 5E Bch EQ Band24 Gain (4.00kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 4F 22 - 5E Bch EQ Band25 Gain (5.00kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 50 22 - 5E Bch EQ Band26 Gain (6.30kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 51 22 - 5E Bch EQ Band27 Gain (8.00kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 52 22 - 5E Bch EQ Band28 Gain (10.0kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 53 22 - 5E Bch EQ Band29 Gain (12.5kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 54 22 - 5E Bch EQ Band30 Gain (16.0kHz) (*2) -15.0,,,15.0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 55 22 - 5E Bch EQ Band31 Gain (20.0kHz) (*2) -15.0,,,15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 56 04 - 5E Bch EQ Output Level (*2) -30.0,,,15.0dB ——————————+—————————+———————————————————————————————————————————————————

00 00	57	00	(Réservé)
:			:
00 00	7F	00

+————————————————————————————————————————————————————————————————————————+

	Quand Link SW = On, Bch correspond à Ach.
(	1)	Référe	-vous à “Données MIDI - Ta	le de fréquences d’égalisation du mixer”
(	2)	Référe	-vous à “Données MIDI - Ta	le de gains d’égalisation du mixer”

❍Algorithme 38 Stereo 2Band Dynamics

00 00 0E 00 - 01 Bass Cut SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 Enhancer SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 00 - 01 Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 12 00 - 01 Limiter SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 13 03 - 54 Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 14 00 - 64 Enhancer Sens

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00 15 48 - 70 Enhancer Frequency (*1)1.0k,,,10.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 16 38 - 5C Enhancer Mix Level (0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 17 38 - 5C Input Gain(0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 18 00 - 0A Input Detect Time

0,,,10ms

00 00 19 04 - 78 Input Split Point (*1)20.0,,,16.0kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1A 00 - 50 Expander Low Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 1B 00 - 50 Expander High Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 1C 00 - 0D Expander Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1D 00 - 0D Expander High Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 1E 00 - 64 Expander Low Attack

0,,,100ms

00 00 1F 00 - 64 Expander High Attack

0,,,100ms

00 00 20 00 - 64 Expander Low Release (*5)

50,,,5000ms

00 00 21 00 - 64 Expander High Release (*5)

50,,,5000ms

——————————+—————————+——————————————————————————————————————————————————— 00 00 22 38 - 50 Compressor Low Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+——————————————————————————————————————————————————— 00 00 23 38 - 50 Compressor High Threshold (0dB:80[50H]) -24,,,0dB

00 00 24 00 - 0D Compressor Low Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 25 00 - 0D Compressor High Ratio (*4) 1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

00 00 26 00 - 64 Compressor Low Attack

0,,,100ms

00 00 27 00 - 64 Compressor High Attack

0,,,100ms

00 00 28 00 - 64 Compressor Low Release (*5)

50,,,5000ms

00 00 29 00 - 64 Compressor High Release (*5)

50,,,5000ms

00 00 2A 00 - 56 Mixer Low Level(0dB:80[50H]) -80,,,6dB ——————————+—————————+———————————————————————————————————————————————————

00 00 2B 00 - 56 Mixer High Level (0dB:80[50H]) -80,,,6dB ——————————+—————————+———————————————————————————————————————————————————

00 00 2C 38 - 50 Limiter Threshold (0dB:80[50H]) -24,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 2D 00 - 64 Limiter Attack

0,,,100ms

00 00 2E 00 - 64 Limiter Release (*5)

50,,,5000ms

00 00 2F 00 - 56 Output Level(0dB:80[50H]) -80,,,6dB ——————————+—————————+———————————————————————————————————————————————————

00 00 30 00 - 01 Output Soft Clip0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00	31	00	(Réservé)
:			:
00 00	7F	00

(	1)	Référe	-vous à “Données MIDI - Ta	le de fréquences d’égalisation du mixer"
(	4)	Référe	-vous à “Données MIDI - Ta	le de rapports d’expansion compression"
(	5)	Durée (ms) = 50.0 po (100.0, Data		100.0)

❍Algorithme 39 Dual Mono Dynamics

00 00 0E 00 - 01 Link SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 0F 00 - 01 Ach Bass Cut SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 10 00 - 01 Ach Enhancer SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 11 00 - 01 Ach Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 12 00 - 01 Ach Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 13 00 - 01 Ach Limiter SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 14 00 - 01 Bch Bass Cut SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 15 00 - 01 Bch Enhancer SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 16 00 - 01 Bch Expander SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 17 00 - 01 Bch Compressor SW0,1 = Off,On ——————————+—————————+———————————————————————————————————————————————————

00 00 18 00 - 01 Bch Limiter SW0,1 = Off,On ——————————+—————————+——————————————————————————————————————————————————— 00 00 19 03 - 54 Ach Bass Cut Frequency (*1) Thru/20.0,,,2.00kHz ——————————+—————————+———————————————————————————————————————————————————

00 00 1A 00 - 64 Ach Enhancer Sens

0,,,100

——————————+—————————+———————————————————————————————————————————————————

00 00 1B 48 - 70 Ach Enhancer Frequency (*1) 1.0k,,,10.0kHz ——————————+—————————+——————————————————————————————————————————————————— 00 00 1C 38 - 5C Ach Enhancer Mix Level (0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 1D 38 - 5C Ach Input Gain(0dB:80[50H]) -24,,,12dB ——————————+—————————+———————————————————————————————————————————————————

00 00 1E 00 - 0A Ach Input Detect Time

0,,,10ms

00 00 1F 00 - 02 Ach Input Detect PointAch,Bch,A+B ——————————+—————————+———————————————————————————————————————————————————

00 00 20 00 - 50 Ach Expander Threshold (0dB:80[50H]) -80,,,0dB ——————————+—————————+———————————————————————————————————————————————————

00 00 21 00 - 0D Ach Expander Ratio (*4)1:1.0,,,1:INF ——————————+—————————+———————————————————————————————————————————————————

VM-7200, VM-7100 specifications

The Roland VM-7100 and VM-7200 are advanced video switchers designed for professional live production and broadcast environments. These models are part of Roland’s celebrated video mixing series, known for their reliability and innovative features that meet the demands of both small and large-scale operations.

One of the standout features of the VM-7100 and VM-7200 is their high-definition video processing capability. Both models support up to 4K resolution, providing crystal-clear image quality essential for modern video production. This allows users to seamlessly switch between multiple sources, including cameras, graphics, and video playback devices, all while maintaining high fidelity.

In terms of connectivity, the VM-7100 and VM-7200 are versatile, equipped with various input and output options. With multiple HDMI and SDI inputs, these switchers can handle a variety of video sources. The VM-7200 goes a step further with additional support for multi-view outputs, enabling operators to monitor all sources in one comprehensive view. This feature enhances workflow efficiency during live broadcasts.

The user interface of both models is designed to be intuitive, featuring a responsive touchscreen panel that allows for quick navigation and control. Customizable buttons provide users with the ability to streamline their operations by assigning frequently used functions at their fingertips. This level of customization is especially beneficial in fast-paced environments where time is of the essence.

Both switchers also incorporate advanced video effects and transitions that can significantly enhance live production. Users can take advantage of built-in transitions like wipes and fades, as well as picture-in-picture (PiP) effects, to create dynamic visual presentations. The ability to add overlays and graphics further enriches the audience's viewing experience.

Incorporating Roland’s proprietary technologies, the VM-7100 and VM-7200 offer low latency switching ensuring that transitions between video sources are smooth and free of delays. This is particularly crucial during live events where timing is critical.

In conclusion, the Roland VM-7100 and VM-7200 are powerful tools for any professional video production setting. Their high-definition capabilities, extensive connectivity options, intuitive interface, and advanced effects make them essential for broadcasters looking to elevate their live production quality. With these features, Roland continues to lead the way in innovative video solutions, catering to the evolving needs of the industry.

Roland VM-7200, VM-7100 Algorithme 38 Stereo 2Band Dynamics, Algorithme 39 Dual Mono Dynamics

Models: VM-7200 VM-7100

Equipement MIDI

❍Algorithme 38 Stereo 2Band Dynamics

00 00 14 00 - 64 Enhancer Sens

0,,,100

00 00 18 00 - 0A Input Detect Time

00 00 21 00 - 64 Expander High Release (*5)

❍Algorithme 39 Dual Mono Dynamics

00 00 1A 00 - 64 Ach Enhancer Sens

0,,,100

——————————+—————————+———————————————————————————————————————————————————

VM-7200, VM-7100 specifications