E D I T

5 - A and B point erase operations

of operation is the same, the function is so flexible that it can be used for many different purposes.

In order to be used for editing in this way, the follow- ing conditions must be met:

Point A must not be at the same location as point B

At least one of the two points must be marked

Point B must come after point A

If any of these conditions are not met, the display will show A-B Error!.

The A and B points do not have to be in the same track.

All A-B operations are carried out in the same way:

1Set the A and B points (4.2.5, "Entering the A and B location points").

2In stop, play or play ready mode, after pressing the EDIT key, turn the DATA dial until the dis- play reads:

ERASE A - B ?

3Turn the SHUTTLE wheel to enter rehearsal mode.

Rehearsal

The above message alternates with Erase

OK ?, and the indicator in the display flashes.

The rehearsal mode continuously plays from a posi- tion about four seconds before the A point, and about 4 seconds after the B point. This allows you to pre- view the “splice”.

4Turn the SHUTTLE wheel to confirm the erase process.

After the operation is complete, if the A point has been set, it is erased (the indicator goes out).

The B point will be at the position where the erase took place.

All data between these points is erased.

 

Track number

 

 

1

2

3

4

5.6.2 Erasing to the end of a track

If only point A is marked, the end of the track con- taining point A is regarded as point B.

 

Track number

 

 

 

1

2

3

4

 

 

 

 

 

 

 

A

 

“B”

 

 

This provides a convenient way to delete from a marked point to the end of the track.

Track number

1

2

3

4

 

 

 

 

5.6.3 Erasing from the start of a track

If only point B is marked, the start of the track con- taining point B is regarded as point A.

 

Track number

 

 

1

2

3

4

“A”B

This provides a convenient way in which data can be erased from the start of a track only.

In addition, the AUTO CUE function (4.2.12, "Cue- ing to the first audio position in a track") can be used to cue precisely to the start of the audio in a track. If this location is then marked as point B, all “dead time” at the start of the track up to the audio start can be eliminated.

 

Track number

3

4

1

2

5.6.1 Normal A-B erase

In this editing operation, both the A and B points are set within the same track.

 

Track number

 

 

 

 

1

2

3

4

 

 

 

 

 

 

 

 

A

 

B

 

 

 

 

 

 

5.6.4Erasing more than one track at a time

If the A and B marks are set in different tracks, all material between the A and B points will be erased.

 

Track number

 

 

 

1

2

3

4

5

A

B

5–4TASCAM MD-801R/P Mk II

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Tascam MD-801RMKII owner manual B point erase operations, Erasing to the end of a track, Erasing from the start of a track

MD-801RMKII specifications

The Tascam MD-801RMKII is a versatile and professional MiniDisc recorder that has made its mark in the audio industry for its reliability and high-quality sound. Designed primarily for broadcasting, archiving, and live audio applications, the MD-801RMKII boasts several features that make it an essential tool for audio professionals.

At the core of the MD-801RMKII is its ability to record in high-quality stereo sound. The device supports a variety of audio formats, including linear PCM for uncompressed audio and ATRAC for compressed formats. This flexibility allows users to choose the recording quality that best suits their needs, whether for live performances or studio settings.

One of the standout features of the MD-801RMKII is its dual-channel recording capability, enabling simultaneous recording on two separate channels. This is particularly useful for live audio applications where capturing different audio sources at once is essential. Moreover, the unit offers multiple input options, including XLR balanced inputs and RCA unbalanced inputs, providing versatility whether connecting microphones, instruments, or other audio equipment.

The MD-801RMKII is equipped with advanced digital signal processing capabilities, enhancing the audio fidelity and providing options like pitch control and time-stretching effects. These features allow sound engineers to manipulate audio recordings creatively while maintaining high sound quality.

An essential characteristic of the MD-801RMKII is its user-friendly interface, complete with an LCD screen that displays vital information such as track numbers, recording levels, and time remaining. The device also features a comprehensive suite of transport controls, enabling straightforward navigation during the recording and playback process.

In terms of reliability, the Tascam MD-801RMKII is built to withstand rigorous use in professional environments. It includes features such as a robust chassis and the ability to function in various temperature conditions, ensuring consistent performance anywhere from a studio to a live concert.

The integration of MIDI functionality further expands the capabilities of the MD-801RMKII, allowing synchronization with other music production devices. This feature ensures seamless operation with digital audio workstations and other MIDI-compatible equipment.

In conclusion, the Tascam MD-801RMKII stands as a powerful MiniDisc recorder with quality sound, robust features, and versatility that caters to the demands of audio professionals. Whether for recording, archiving, or live performances, the MD-801RMKII remains a reliable choice for those seeking high-fidelity audio solutions.